Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17./ Répertoire / Piccolo

Die zwei Teile dieses gut 10-minütigen Werkes können einzeln oder zusammen aufgeführt werden.Der erste, From Something Bigger, entstand 2008 anlässlich eines Gedenkkonzertes für Karlheinz Stockhausen. Svoboda war schon vor Jahren als Musiker im Stockhausen-Umfeld fasziniert davon, wie volltönend ein Piccolo klingen kann. Er erweist hier auch der Eigenart Reverenz, mit der der Kölner Meister die Dinge um sich herum - seien es Töne oder bei einer Reise vorbeihuschende Telefonmasten - zu zählen und in aufeinander bezogene Einheiten zu gruppieren pflegte.Von der Faszination für Zahlenreihen zeugt auch der 2015 aus Anlass der Noten-Publikation hinzugefügte zweite Teil, Fibonacci Strata. Innerhalb seiner strengen Struktur - jeder Takt eine deutlich markierte Einheit - und virtuosen Mehrschichtigkeit gibt der Komponist mit zwei Kadenzen dem Hörer Gelegenheit, ?die Fassung wiederzugewinnen'. / Piccolo

Par LOEB DAVID. This collection of pieces by David Loeb, written for piccolo alone, derive from melodies of the Sephardic tradition, an oral tradition remarkably well preserved despite dispersion and fragmentation of the Spanish Jewish community more than five centuries ago. The melodies display a remarkably hybrid aspect, with elements of Jewish, Islamic, Central European and indigenous Spanish musical traditions present in varying extents, always blended with consummate skill and taste. Some melodies seem Medieval, with comparatively static harmonic implications, while the more chromatic and harmonically active melodies suggest a close affinity with the Renaissance. In five movements: Por qué llorax blanca niña, Morena ma llaman, Ya viene el cativo, Nani, nani, Una matica de ruda./ Répertoire / Piccolo

Pour Piccolo - Ou Flûte-. Par RIOU JACQUES. / Niveau : 3ème Cycle / Répertoire / Piccolo