Sequentially Arranged American Fiddle Tunes for Cello Solo or Duet. Fiddling cel...(+)
Sequentially Arranged American Fiddle Tunes for Cello Solo or Duet. Fiddling cellist, Renata Bratt, presents breakdowns, rags, waltzes, reels, songs, and stomps. American fiddle music is fun for cellists at all levels. Arranged from easy to intermediate, this book contains Appalachian dance tunes, Texas-style contest tunes, old-time, and bluegrass music with an authentic cello accompaniment for each tune. From first position with simple rhythms through fifth position with syncopated rhythms, learn or reinforce left-hand technique with extensions, shifting, and fast passage work. For the right-hand, fiddle tunes use string crossing, rhythmic bowing patterns and an ever-changing use of slurs and accents to create compelling rhythms. Join in with fiddle-style players, learn new styles and enhance your playing. Includes access to online audio.
Instrumental Play-Along-10 songs from the latest live action hit movie adaptatio...(+)
Instrumental Play-Along-10 songs from the latest live action hit movie adaptation of the Disney classic Beauty and the Beast arranged for instrumentalists. Each book features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound.Songs include Aria Be Our Guest Beauty and the Beast Belle Days in the Sun Evermore Gaston How Does a Moment Last Forever The Mob Song and Something There.
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak co...(+)
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition, (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the second of a two volume set, which complements book 1, provides the exercises that every cellist needs, for both the left and right hands: bow off the string; right arm choreography; shifting; winter skating; various portamenti; fives; string crossing; octaves; resilience exercises; double-stopping ritual; pizzicato; a few spiccati; bow control ? accents.
Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle
The composer states:'The term 'oblique strategies? was coined jointly by British...(+)
The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak co...(+)
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the first of a two volume set, which complements book 2, provides the exercises that every cellist needs, for both the left and right hands: daily bowing practice; left hand work-out; velocity exercise; bowing patterns; spiccato work-out; cortot; Zwolle; Shifting; a study.
Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle
Le nombre de méthodes et de collections d'étude existant pour violoncelle est ...(+)
Le nombre de méthodes et de collections d'étude existant pour violoncelle est énorme. Mais que faire lorsque aucun enseignant n'est sur place pour expliquer pourquoi un certain passage du concerto, simplement ne marcherait pas ? Le célèbre violoncelliste Maria Kliegel pionniers une toute nouvelle façon : son expérience et ses connaissances ont été résumés pour constituer la ' quintessence '. Dans le livre, elle explique en problèmes techniques de manière très détaillée, indiquant les exemples tirés du répertoire. Sur le DVD, elle illustre la technique correcte, donnant des conseils sur la façon de maîtriser les passages célèbres de la littérature de concert et sur la pratique efficace. Un must pour l'instrumentiste avancée qui cherche des réponses à des questions particulières ou qui a toujours voulu savoir comment surmonter ces obstacles techniques. La série de Master Class a reçu le prix spécial digita 2007 pour de nouveaux développements qui peut changer et poursuivre l'apprentissage avec les nouveaux médias. L'édition convaincante du contenu d'apprentissage par les experts de renom et de la conception de médias discrète de la... / Divers
Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featur...(+)
Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.
Amers is the title of a book of poems by Saint-John Perse dedicated to the sea....(+)
Amers is the title of a book of poems by Saint-John Perse dedicated to the sea. It is also the title chosen by Kaija Saariaho born in Finland in 1952 for a work completed in the studios of IRCAM in Paris.Amers is the Frenchword for 'navigation beacons' strategically spaced along the coast for sailors. One of the earliest ideas about the piece was the effect of a solo cello 'as a sailor charting a course through a sea of sounds' but his journey scattered with phrases defined by the existing sound material is hampered by the surroundings. To a certain extent Amers is a concerto even though the composer has tried to avoid the usual duel between orchestra and soloist. Instead the piece divides naturally on three levels - each with a certain independence. The cello juxtaposed with the instrumental ensemble and with computer generated sounds cannot reach its scheduled ports of call directlyand is often pulled off course.
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosar...(+)
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle
C. Paul Herfurth's classic series of tutor books have now been completely revise...(+)
C. Paul Herfurth's classic series of tutor books have now been completely revised and updated with a host of innovations to suit a new generation of musicians.A New Tune A Day features the same logical gentle pace andkeen attention to detail that made earlier editions so hugely popular and successful. Clear explanatory diagrams and photographs help guide you through the lessons and achieve the very best in tone technique and posture. Theselection of music is fresh and exciting including duets and rounds to inspire the student and ensure that those vital practice hours are never boring!The book includes:Advice on your instrument and the equipmentyou will needInstructions for effective technique and comfortable playingExplanatory pages on reading and understanding musicTests to check your own progress and comprehensionThe accompanying audio CD featuresa virtuoso performance and backing track for each pieces as well as recorded examples to support the lessons. Furthermore an edition of this book is available for Violin (BM11396) creating an ideal opportunity for duets.
Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved...(+)
Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date parution : 2022-06-08/ Recueil / Violoncelle
This volume consists of forty advanced studies for Cello by talented German comp...(+)
This volume consists of forty advanced studies for Cello by talented German composer Justus Johann Friedrich Dotzauer. Though he wrote many successful symphonies and concertos it was as a teacher that he found most success and his most enduring work is his 180 Studies for Cello Violoncellschules which are still used today. This set is from the latter part of his studies and are suitable for advanced players or as exercises for skilled cellists.
Because a fine orchestra depends on fine players, Solo Time for Strings emphasiz...(+)
Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Violoncelle
Instrumental Play-Along-15 selections of some of J.S. Bach's most treasured comp...(+)
Instrumental Play-Along-15 selections of some of J.S. Bach's most treasured compositions in accessible arrangements for budding instrumentalists with online demo and backing tracks for download or streaming with the popular Playback features allowing the player to adjust pitch change keys slow down audio and more.Pieces include Adagio Bist Du Bei Mir Bourrée in E Minor Jesu Joy of Man's Desiring Minuet in G Major Polonaise in G Minor Sheep May Safely Graze Sleepers Awake (Wachet Auf) and more.
Violoncelle[Partition + CD] - Facile IMC (International Music Co.)
Ce livre fait partie d'une série instrumentale écrite spécialement pour violo...(+)
Ce livre fait partie d'une série instrumentale écrite spécialement pour violon, alto et violoncelle. Les arrangements sont complètement compatibles les uns avec les autres et peut être joué ensemble ou en solo. Le CD comprend des pistes de démonstration complète de toutes les chansons suivi d'une piste d'accompagnement play-along. / Violoncelle / niveau : Facile / Partition Cd
A highly respected Cello teacher and performer Alfred Earnshaw counted among hi...(+)
A highly respected Cello teacher and performer Alfred Earnshaw counted among his peers such notable twentieth-century composers of music for young cellists as Adam Carse and W. H. Squire. His Tarantella for Cello and Piano features on Children's Cello the delightful collection of cello miniatures recorded by Steven Isserlis and pianist Stephen Hough on a recent BIS recording. Earnshaw commanded a fluent graceful idiom ideally suited to inspire beginners with real musical values and the piece combines open-string and first-position playing with the flair and character of an impressive recital item.
Par LEGG PAT. This collection of sixteen original, imaginative studies for solo ...(+)
Par LEGG PAT. This collection of sixteen original, imaginative studies for solo cello has been specially designed for young players of Grades 1-3 ability. Throughout the book, progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys, modes, rhythmic patterns and styles, including jazz, while also encouraging self-expression. The descriptive titles are intended to help the cellist play in a style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating. / Niveau : Facile / Répertoire d'Examen / Etude / Violoncelle
Par . This book presents the most widely played fiddle tunes in easy-to-read arr...(+)
Par . This book presents the most widely played fiddle tunes in easy-to-read arrangements for cello. The cello edition features the same tunes in the same keys as the author?s original The Fiddlin? Workshop and The Fiddlin' Workshop for Viola, so the instruments could conceivably jam together. Includes helpful hints for fingerings and bowing as well as a bit of fiddlin? history and related folklore. Designed for beginning through intermediate players, the arrangements are progressively arranged with suggested guitar accompaniment chords. Includes access to an excellent online audio recording of all tunes and variations. / Date parution : 2022-02-03/ Recueil / Violoncelle
Instrumental Play-Along-A dozen jazz classics complete with jazz combo backing t...(+)
Instrumental Play-Along-A dozen jazz classics complete with jazz combo backing tracks for solo instrumentalists. Includes the songs Doxy ? In Walked Bud ? In Your Own Sweet Way ? Mercy Mercy Mercy ? Nardis ? On Green Dolphin Street ? Reunion Blues ? St. Thomas ? Scrapple from the Apple ? Sidewinder ? Stolen Moments and Take Five.
The DVD edition of this hugely popular series of tutors gets you even closer to ...(+)
The DVD edition of this hugely popular series of tutors gets you even closer to your instrument with a set of real music lessons right there on your screen! A New Tune A Day features the same logical gentle pace andkeen attention to detail that made earlier editions so hugely popular and successful. Clear explanatory diagrams and photographs help guide you through the lessons and achieve the very best in tone technique and posture. Theselection of music is fresh and exciting including duets and rounds to inspire the student and ensure that those vital practice hours are never boring!The book includes:Advice on your instrument and the equipmentyou will needInstructions for effective technique and comfortable playingExplanatory pages on reading and understanding musicTests to check your own progress and comprehensionThe accompanying audio CD featuresa virtuoso performance and backing track for each pieces as well as recorded examples to support the lessons.The DVD features lessons on:Basic techniquesPutting the instrument togetherPostureLookingafter your instrumentBasic music notationHow to approach your first piece
Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Kart...(+)
Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Karttunen who gave the first performance at the Musiikin aika Festival Viitasaari Finland on 23rd July1987.'I began to work on the YTA series in 1982. The first piece was for solo alto flute the second for pianoand the third for cello. The title ‘Yta’ is a Swedish word meaning ‘surface’. I wanted to writeverydemanding virtuoso music where the surface is extremely busy but the formal process partly hiddenbehind the frenetic stream of fast gestures is considerably slower.I tried to imagine what happens to the famous moth thatcircles around a lamp in Skryabin’s Versla flamme after the wings have finally touched the flame. A series of gestures is introduced in thebeginning. Each gesture undergoes an individual development culminating in spasms beforedyingaway. YTA III is a study of the death of an organism; the music is violent and ugly.' - Esa-Pekka Salonen
Traditional Tunes For Cello From Scotland And Ireland. Par NEWTON ABBY. This is ...(+)
Traditional Tunes For Cello From Scotland And Ireland. Par NEWTON ABBY. This is the second popular book of beautiful Celtic tunes compiled and arranged for the cello by Abby Newton. Most of the tunes in this collection are from her recent recordings, Castles Kirks and Caves and Ferintosh. The book is organized in three parts: Tunes, Sets, and Duos. The first part, Tunes, contains an assortment of twenty-eight tunes culled mostly from the well know Scottish and Irish traditional tune books including collections by Capt. Simon Fraser, Patrick McDonald, Niel Gow and James Oswald. The second part, Sets, consists of several tunes played in succession. Part three, Duos, includes two part scores (with treble and bass lines) that come mainly from James Oswald's Airs for the Seasons and Burke Thumoth's Collection of Scots and Irish Tunes 1745. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Violoncelle
Building on the success of the Cello Time series Cello Time Starters provides t...(+)
Building on the success of the Cello Time series Cello Time Starters provides the best possible foundation for the budding string player. Carefully paced to suit young learners the book supports players through the important early stages step by step-from how to hold your instrument and bow through basic notation to pieces using the 1st 2nd and 3rd fingers. Packed with quizzes games and songs as well as colour illustrations to demonstrate each stage Cello Time Starters also includes a CD of performances and backing tracks to encourage and enhance progress throughout.The Starters books provide a thoroughpedagogical approach that supports the early years of learning up until the end of Joggers and the Starters and Joggers books work well when used in conjunction.
21 Pieces For Cello Playerswith Audio Cd. Par COLLEDGE HUGH / COLLEDGE KATHERINE...(+)
21 Pieces For Cello Playerswith Audio Cd. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage.
Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables. / Date parution : 2019-08-28/ Recueil / Violoncelle
Qui ne connaît pas le problème du changement de position ? Avec un instrument ...(+)
Qui ne connaît pas le problème du changement de position ? Avec un instrument aussi grand qu'un violoncelle, violoncellistes doivent souvent surmonter sur de grandes distances sur leur touche, donc, être constamment confrontés les changements de position. Ce livre (postes 1 et 4) / Violoncelle