Tous vos favoris de la comédie musicale. Comprend 'Montée ry Mountain', ' Edelweiss ' et ' Mon favori des choses ' / Rép International / Recueil / Chant et Guitare

The Unión Musical Española and Unión Musical Ediciones have continually fostered the development of Spanish music. They have published works by all the major 20th-century Spanish composers, Graciano Tarragó being a very notable among these. This is the first volume of popular songs from around Spain and contains 15 terrific pieces set for Guitar Voice and Guitar or Voice and Piano with both options included here.

Joaqu n Rodrigo's Romance De Durandarte arranged for Voice and Guitar. A virtuoso pianist and composer Rodrigo was a prolific producer of acclaimed music leading him to receive Spain's highest award for composition.

This mini-cycle of three songs for Voice and in this instance Guitar are ranked among the greatest of Granados’s musical achievements. The blend of beautiful melody formal integrity and control in the accompaniment creates a remarkable work. The songs set the poetry of Fernando Periquet a contemporary Spanish writer and generally concern the theme of romantic love. The texts are in Spanish untranslated.Spanish composer and pianist Enrique Granados was active in the decades around the turn of the last century. Granados’s life and work were cut tragically short when the passenger ship on which he was sailing was bombed by a German U-boat in the English Channel. Heis best known for his suite for Piano Goyescas which has been arranged for other instruments written in 1911 around the time that these songs were written.

The Original First and Second Books including Dowland's Original Lute Tablature. Par DOWLAND JOHN. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled./ Répertoire / Voix et Guitare

from Schmelli's Hymnal for Voice and Guitar BWV 439-507. Johann Sebastian Bach?s arrangements of the ?69 Sacred Songs? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bach?s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the ?69 Sacred Songs? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bach?s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes online access to PDFs of the ?Scores in their Original Keys,? and stand-alone ?Guitar Accompaniment,? and ?Bass Parts".

La référence CC2603 de l'éditeur Billaudot dont l'auteur célèbre est Schubert Franz, qui a pour titre ADIEU, a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Chant Et Guitare. Cette partition musicale appartient à la catégorie Classique. / Chant Et Guitare / Partition

La référence CC2520 de l'éditeur Billaudot dont l'auteur célèbre est Schubert Franz, qui a pour titre SERENADE, a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Chant Et Guitare. Cette partition musicale appartient à la catégorie Classique. / Chant Et Guitare / Partition

La référence SC0019 de l'éditeur Billaudot dont l'auteur célèbre est Schubert Franz, qui a pour titre AVE MARIA, a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Chant Et Guitare. Cette partition musicale appartient à la catégorie Classique. / Chant Et Guitare / Partition