Red Piano, Voix et Guitare Amsco Wise Publications
Piano, Vocal and Guitar SKU: BT.MUSAM1006236 Composed by Taylor Swift. Po...(+)
Piano, Vocal and Guitar
SKU:
BT.MUSAM1006236
Composed by Taylor Swift.
Pop & Rock. Book Only.
Composed 2012. 128 pages.
Wise Publications
#MUSAM1006236. Published
by Wise Publications
(BT.MUSAM1006236).
ISBN
9781780389394.
All
16 tracks from Swift's
record-breaking
blockbuster album,
including: All Too Well
· Begin Again ·
Everything Has Changed
· Holy Ground · I
Almost Do · I Knew You
Were Trouble · The
Last Time · The Lucky
One · Red ·
SadBeautiful Tragic ·
Starlight · State of
Grace · Stay Stay Stay
· Treacherous · 22
· We Are Never Ever
Getting Back
Together.
Choral; Piano Accompaniment (ShowTrax CD) SKU: HL.250031 By Bob Seger and...(+)
Choral; Piano
Accompaniment (ShowTrax
CD)
SKU: HL.250031
By Bob Seger and The
Silver Bullet Band. By
Bob Seger. Arranged by
Roger Emerson. Pop Choral
Series. Classic Rock,
Country, Rock, Show
Choir. CD. Duration 273
seconds. Published by Hal
Leonard (HL.250031).
UPC: 888680713621.
5.0x5.0x0.135
inches.
This
classic country/rock song
by Bob Seger sings of the
struggles we face as we
begin to make our way in
the world. Strong male
soloists are featured to
begin this arrangement.
Featured soloists,
instrumental solos and
great choral writing are
the recipe for a hit on
your program.
Composed by Mary McDonald. For SATB choir, unison voices. Sacred Anthem, Family ...(+)
Composed by Mary
McDonald. For SATB choir,
unison voices. Sacred
Anthem, Family Days,
General. Moderately easy.
Octavo. Monarch Music
#10/1897M. Published by
Monarch Music
A New Beginning Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1165727-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1165727-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2016.
De Haske Publications
#DHP 1165727-010.
Published by De Haske
Publications
(BT.DHP-1165727-010).
English-German-French-
Dutch.
A New
Beginning begins with
a beautiful and sensitive
chorale shaping the
musical ideas. This
chorale builds up to a
fast and rhythmical
setting, creating a vivid
and spectacular feel,
with lots of percussion.
The instrumentation is
versatile and colourful,
which makes the piece
very pleasant to play and
work on for each
instrumental group within
the band. The music slows
down again in the
finale, but in a
maestoso style.
This leads onto a
dramatic and impressive
ending!
Dit werk
van Satoshi Yagisawa
begint met een prachtig,
gevoelig koraal dat de
mogelijkheid biedt om
muzikale ideeën vorm
te geven. Het koraal
mondt uit in een snel,
ritmisch gedeelte dat
levendig en spectaculair
klinkt, met veel
slagwerk. De
instrumentatie is
veelzijdig en kleurrijk,
waardoor het werk leuk is
om te spelen en te
repeteren voor elke
sectie in het orkest. De
langzame finale, in een
maestoso stijl, eindigt
in een luisterrijk en
indrukwekkend
slot!
Dieses Werk
von Satoshi Yagisawa
beginnt mit einem
wunderschönen,
einfühlsamen Choral,
der viel Raum für
musikalische
Ausdrucksmöglichkeiten
bietet. Der Choral baut
sich zu einem schnellen
und rhythmischen Satz
auf, der sehr lebhaft und
spektakulär ist. Die
Instrumentierung ist
vielseitig und lebendig,
sodass es Spaß macht,
das Stück zu spielen
und mit jeder
Instrumentengruppe daran
zu arbeiten. Das Finale
ist wieder langsam, aber
maestoso, und führt zu
einem gewaltigen und
beeindruckenden
Schluss!
Composed by Robert W. Smith. Young Concert Band. RWS Very Beginning Band Ser...(+)
Composed by Robert W.
Smith.
Young Concert Band. RWS
Very
Beginning Band Series.
Composed 2020. Duration 1
minute, 58 seconds.
Published
by C.L. Barnhouse
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F).
ISBN
9781491131749. UPC:
680160680276.
Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work.
Voice and piano - Difficulty: easy-medium SKU: WD.080689422287 The Yea...(+)
Voice and piano -
Difficulty: easy-medium
SKU:
WD.080689422287
The Year's 30 Top
Christian Artists And
Hits. Edited by Ken
Barker. Choral.
Contemporary Christian.
Songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. 268 pages.
Word Music #080689422287.
Published by Word Music
(WD.080689422287).
UPC: 073999098723.
9x12
inches.
Featuring
this year's 30 top
Christian artists and
songs, the WOW 2002
Songbook is an incredible
compilation of music,
including hits like
Welcome Home from new
artist Shaun Groves and
This Day from Dove
Award-winner Steven
Curtis Chapman. Other
songs include: Adore *
Back in His Arms Again *
Breathe * Breathe on Me *
Dismissed * Genuine *
Hey, Hey * Joy * Jump,
Jump, Jump * Psalm 112 *
Wait for Me * Witness *
Wonder Why * and
more.
(50 Current Rock and Pop Hits). For Guitar. This edition: Guitar TAB Edition...(+)
(50 Current Rock and Pop
Hits). For Guitar. This
edition: Guitar TAB
Edition.
Artist/Personality; Book;
Guitar Mixed Folio;
Guitar
TAB. The Guitar
Collection.
Pop; Pop/Rock; Rock. 256
pages. Published by
Alfred
Music
(A Workbook for Beginning, Intermediate or Advanced Students). Composed by M...(+)
(A Workbook for
Beginning,
Intermediate or Advanced
Students). Composed by
Miles
Okazaki. For guitar.
Spiral-
bound. Guitar Methods,
Scales, Arpeggios,
Technique, Theory,
Harmony.
Book. 166 pages.
Published
by Mel Bay Publications,
Inc
Score and Parts Concert Band (Score & Parts) - Level 2.5 SKU: HL.44012986 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 2.5
SKU:
HL.44012986
For
Concert Band
(Score/Parts).
Composed by Satoshi
Yagisawa. De Haske
Concert Band. Softcover.
Duration 340 seconds. De
Haske Publications
#1165727010. Published by
De Haske Publications
(HL.44012986).
A New Beginning
begins with a beautiful
and sensitive chorale
shaping the musical
ideas. This chorale
builds up to a fast and
rhythmical setting,
creating a vivid and
spectacular feel, with
lots of percussion. The
instrumentation is
versatile and colourful,
which makes the piece
very pleasant to play and
work on for each
instrumental group within
the band. The music slows
down again in the finale,
but in a maestoso style.
This leads onto a
dramatic and impressive
ending!