Accordion - Level 2

SKU: HF.FH-2514

Composed by Alberto Bachmann. Edited by Grassni. Arranged by Alberto Bachmann. Sheet music. Friedrich Hofmeister Musikverlag #FH 2514. Published by Friedrich Hofmeister Musikverlag (HF.FH-2514).

ISBN 9790203425144. 8.3 x 11.7 inches.

SATB choir, flutes, 2 trumpets, 2 saxophones, trombones, 2 violins, viola, cello

SKU: CA.9730009

Rockmesse. Composed by Karl-Bertram Brantzen, Markus Schollhorn, and Steffen Koschmieder. Edited by Markus Schollhorn. 1x 97.300/21 flute, 2x 97.300/22 saxophone, 2x 97.300/31 2 trumpets, 2x 97.300/31 2 trumpets, 2x 97.300/31 2 trumpets, 2x 97.300/31 2 trumpets, 1x 97.300/32 trombone, 3x 97.300/41 percussion. German title: Rockmesse Spuren Der Hoffnung. Sacred vocal music, Masses, German, Pop arrangements. Set of Orchestra Parts. Composed 1998. 96 pages. Carus Verlag #CV 97.300/09. Published by Carus Verlag (CA.9730009).

ISBN 9790007239411. Language: German. Text: Brantzen, Karl-Bertram / Beckmann, Martina / Brandl, Sibylle / Hertl, Michael. Text: Karl-Bertram Brantzen, Martina Beckmann, Sibylle Brandl, Michael Hertl.

Score available separately - see item CA.9730000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710514

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Cello/Double Bass. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/14. Published by Carus Verlag (CA.3710514).

ISBN 9790007214371. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Piano

SKU: BT.BS1077

Composed by Gaetano Donizetti. Book Only. Boccaccini & Spada #BS1077. Published by Boccaccini & Spada (BT.BS1077).

Piano

SKU: BT.BS1080

Composed by Gaetano Donizetti. Book Only. Boccaccini & Spada #BS1080. Published by Boccaccini & Spada (BT.BS1080).

SATB choir, flutes, 2 trumpets, 2 saxophones, trombones, 2 violins, viola, cello

SKU: CA.9730012

Rockmesse. Composed by Karl-Bertram Brantzen, Markus Schollhorn, and Steffen Koschmieder. Edited by Markus Schollhorn. German title: Rockmesse Spuren Der Hoffnung. Sacred vocal music, Masses, German, Pop arrangements. Single Part, Viola + Violoncell. Composed 1998. 4 pages. Carus Verlag #CV 97.300/12. Published by Carus Verlag (CA.9730012).

ISBN 9790007239435. Language: German. Text: Brantzen, Karl-Bertram / Beckmann, Martina / Brandl, Sibylle / Hertl, Michael. Text: Karl-Bertram Brantzen, Martina Beckmann, Sibylle Brandl, Michael Hertl.

Score available separately - see item CA.9730000.

SATB choir, flutes, 2 trumpets, 2 saxophones, trombones, 2 violins, viola, cello

SKU: CA.9730011

Rockmesse. Composed by Karl-Bertram Brantzen, Markus Schollhorn, and Steffen Koschmieder. Edited by Markus Schollhorn. German title: Rockmesse Spuren Der Hoffnung. Sacred vocal music, Masses, German, Pop arrangements. Single Part, Violin 1. Composed 1998. 4 pages. Carus Verlag #CV 97.300/11. Published by Carus Verlag (CA.9730011).

ISBN 9790007239428. Language: German. Text: Brantzen, Karl-Bertram / Beckmann, Martina / Brandl, Sibylle / Hertl, Michael. Text: Karl-Bertram Brantzen, Martina Beckmann, Sibylle Brandl, Michael Hertl.

Score available separately - see item CA.9730000.

2 Pianos

SKU: BT.BS1091

Composed by Giovanni Paisiello. Book Only. Boccaccini & Spada #BS1091. Published by Boccaccini & Spada (BT.BS1091).

Fanfare Band - Grade 3

SKU: BT.DHP-1114997-020

Composed by Jan de Haan. Concert and Contest Collection CBHA. Festive and Solemn Music. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1114997-020. Published by De Haske Publications (BT.DHP-1114997-020).

9x12 inches. English-German-French-Dut ch.

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer’s third grandson was born in the spring, were the inspiration for Spring Song.

Het is voorjaar! De dagen worden langer, de vogels bouwen hun nestjes, bomen hullen zich in het groen en alle planten beginnen te bloeien. Kortom: de natuur ontwaakt uit haar winterslaap. En precies in dit jaargetijde zag ook hetderde kleinkind van de componist het levenslicht. Lente en nieuw leven: voor Jan de Haan twee prachtige inspiratiebronnen voor zijn nieuwe werk Spring Song!

Es ist Frühling. Die Tage werden länger, Vögel bauen ihre Nester, die Bäume schlagen aus und alle Pflanzen beginnen zu blühen. Kurz gesagt: Die Natur erwacht aus ihrem Winterschlaf. Der Frühling und der glückliche Umstand, dass just zu dieser Jahreszeit sein dritter Enkel das Licht der Welt erblickte inspirierte den Komponisten zu seinem Stück Spring Song.

C’est le printemps : les jours s’allongent et la nature sort de son sommeil hivernal. C’est toute l’effervescence du printemps qu’exhale Spring Song. En outre, cette ravissante pièce célèbre également la naissance du troisième petit fils du compositeur, né au printemps.

E’ primavera: la natura si risveglia, gli uccelli preparano i nidi, gli alberi e le piante cominciano a fiorire. Uno spettacolo che la natura ci regala puntuale ogni anno. Spring Song trasuda di questo splendore e vuole essere per Jan de Haan un benvenuto al mondo al suo terzo nipote, nato appunto in quella che è per molti la stagione più bella dell’anno..

SATB choir, flutes, 2 trumpets, 2 saxophones, trombones, 2 violins, viola, cello

SKU: CA.9730000

Rockmesse. Composed by Karl-Bertram Brantzen, Markus Schollhorn, and Steffen Koschmieder. Edited by Markus Schollhorn. This edition: Paperbound. German title: Rockmesse Spuren Der Hoffnung. Sacred vocal music, Masses, German, Pop arrangements. Full score. Composed 1998. 44 pages. Carus Verlag #CV 97.300/00. Published by Carus Verlag (CA.9730000).

ISBN 9790007094140. Language: German. Text: Brantzen, Karl-Bertram / Beckmann, Martina / Brandl, Sibylle / Hertl, Michael. Text: Karl-Bertram Brantzen, Martina Beckmann, Sibylle Brandl, Michael Hertl.

Flute

SKU: M7.ART-42020

Spielend Improvisieren mit Magic Tones. Score with online audio files. 36 pages. MDS (Music Distribution Services) #ART 42020. Published by MDS (Music Distribution Services) (M7.ART-42020).

ISBN 9783866420205. German.

Ein Lehr- und Spielbuch, mit dem man nach einer einfachen Anleitung gleich mit dem Improvisieren beginnen kann. Magic Tones sind vier ausgewählte Töne, die man beim Improvisieren oft über das gesamte Musikstück spielen kann, ohne sich um die harmonischen Zusammenhänge kümmern zu müssen. Dieses Modell kann eine große Hilfe sein, um schnell und einfach zu beginnen, es ersetzt aber keine der bestehenden Musiktheorien. Das Buch arbeitet mit bekannten Harmonieverbindungen von Jazz Standards, die für dieses Buch mit modernen Grooves und modernen Beats neu produziert wurden. Unter www.artist-ahead-download .de stehen die enthaltenen Stücke als Audio- und MP3-Dateien zum Download zur Verfügung. Dieser Band verwendet Standards im Stil von Klassikern wie: Summertime (Time) Cantaloupe Island (Island) Someday my Prince will come (Prince) So what (What) A night in Tunisia (Tunisia) Girl from Ipanema (Girl).

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710512

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Violin 2. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/12. Published by Carus Verlag (CA.3710512).

ISBN 9790007214357. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710513

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Viola. HoWV I.1. 12 pages. Duration 45 minutes. Carus Verlag #CV 37.105/13. Published by Carus Verlag (CA.3710513).

ISBN 9790007214364. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125251-010

Composed by Itaru Sakai. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1125251-010. Published by De Haske Publications (BT.DHP-1125251-010).

9x12 inches. English-German-French-Dut ch.

I Love the 207 was composed in February 2010 for a commission by Osumi Symphonic Band in Kyoto. It was first performed on 25 April 2010 by Osumi Symphonic Band, conducted by Masanori Ozaki. This piece begins with an introduction to present the instruments, followed by a light scherzo. The title is an affectionate reference to the commuter rail 207 series of the West Japan Railway Company. When the band started their activity, the 207 series trains began running through the fields next to the building where they practice. The composer hopes that the trains continue to run and bring smiles to people’s faces.

I Love the 207 is in februari 2010 gecomponeerd in opdracht van de Osumi Symphonic Band uit Kyoto, Japan. Dit orkest bracht op 25 april 2010 de première, onder leiding van dirigent Masanori Ozaki. Het werk begint met een inleidingwaarin de instrumenten worden gepresenteerd, gevolgd door een licht scherzo. De titel verwijst naar de forenzentrein van het type 207 van de West Japan Railway Company. Toen het orkest begon, begonnen ook de treinen uit de207-serie door de velden te rijden naast het gebouw waar wordt gerepeteerd. De componist hoopt dat de treinen zullen blijven rijden tot tevredenheid van de mensen die er gebruik van maken.

I Love the 207 wurde im Februar 2010 als Auftragswerk für die Osumi Symphonic Band in Kyoto (Japan) komponiert. Die Urraufführung fand am 25. April 2010 mit der Osumi Symphonic Band, unter der Leitung von Masanori Ozaki, statt. Das Stück beginnt einer Einleitung zur Vorstellung aller Instrumente; dann folgt ein leichtes Scherzo. Der Titel ist eine liebevolle Anspielung auf die Pendlerzüge der Serie 207 der West-Japanischen Eisenbahngesellschaft. Während der Anfangszeit des Blasorchesters begannen die Züge der 207er-Serie die Felder ganz in der Nähe des Proberaums zu durchqueren. Mit diesem Stück will der Komponist seiner Hoffnung Ausdruck verleihen, dass die Züge auchweiterhin fahren und ein Lächeln auf die Gesichter der Menschen zaubern mögen.

Cette pièce a été composée en février 2010 pour honorer une commande de l’Orchestre Vent d’Osumi, Kyoto (Japon). Elle a été créée le 25 avril 2010 par cet orchestre, sous la direction de Masanori Ozaki. I Love the 207 s’ouvre avec une présentation de chacun des pupitres, suivie d’un scherzo léger. Le titre fait affectueusement référence aux trains de banlieue de la série 207 de la West Japan Railway Company. En effet, les débuts de l’orchestre co ncidèrent avec l’introduction de ces trains sur la ligne qui traverse les champs avoisinant le b timent où se déroulent les répétitions. Le compositeur espère que les trains continueront de rouler et de faire sourire les gens.

Questo brano è stato commissionato a Itaru Sakai dall’orchestra di fiati di Osumi in Giappone. I Love the 207 inizia con la presentazione di ogni sezione della banda, seguita da un leggero scherzo. Il titolo si riferisce affettuosamente e con un tocco ironico ai treni della periferia della serie 207 della West Japan Railway Company. In effetti, la data di fondazione dell’orchestra di fiati che ha commissionato il brano coincide con la nascita di questi treni che attraversano le campagne e sfrecciano vicino alla sede della banda.

By Heinrich Schutz; Heather Buchanan. Edited by Heather Buchanan. Arranged by Matthew Mehaffey. For SSATB Chorus and piano reduction. Bible Reference: Psalm 126:5, 6. Evoking Sound. Sacred. Level: Medum. Text language: German (English translation provided). 16 pages. Published by GIA Publications.

TTBB choir

SKU: GH.CG-2202

Composed by Felix Korling. Octavo. With Language: Swedish. Gehrmans Musikforlag #CG 2202. Published by Gehrmans Musikforlag (GH.CG-2202).

ISBN 9790070020145. 185 x 262 mm inches. Text: Georg Bachmann.

Text fritt efter Georg Bachmann.

Piano

SKU: BT.BS1570

Composed by Ruggiero Leoncavallo. Book Only. Boccaccini & Spada #BS1570. Published by Boccaccini & Spada (BT.BS1570).

Accordion - Level 3

SKU: HF.FH-2516

Composed by Alberto Bachmann. Edited by Grassni. Arranged by Alberto Bachmann. Sheet music. Friedrich Hofmeister Musikverlag #FH 2516. Published by Friedrich Hofmeister Musikverlag (HF.FH-2516).

ISBN 9790203425168. 8.3 x 11.7 inches.

Piano

SKU: BT.BS1578

Composed by Ruggiero Leoncavallo. Book Only. Boccaccini & Spada #BS1578. Published by Boccaccini & Spada (BT.BS1578).

(Choral Cantata nach Satzen alter Meister fur die Weihnachtszeit). Arranged by Hermann Josef Dahmen. For mixed choir/orchestra. Stapled. Weihnachten (Christmas). Score. Published by Suddeutscher Musikverlag

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125251-140

Composed by Itaru Sakai. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2012. 36 pages. De Haske Publications #DHP 1125251-140. Published by De Haske Publications (BT.DHP-1125251-140).

9x12 inches. English-German-French-Dut ch.

I Love the 207 was composed in February 2010 for a commission by Osumi Symphonic Band in Kyoto. It was first performed on 25 April 2010 by Osumi Symphonic Band, conducted by Masanori Ozaki. This piece begins with an introduction to present the instruments, followed by a light scherzo. The title is an affectionate reference to the commuter rail 207 series of the West Japan Railway Company. When the band started their activity, the 207 series trains began running through the fields next to the building where they practice. The composer hopes that the trains continue to run and bring smiles to people’s faces.

I Love the 207 is in februari 2010 gecomponeerd in opdracht van de Osumi Symphonic Band uit Kyoto, Japan. Dit orkest bracht op 25 april 2010 de première, onder leiding van dirigent Masanori Ozaki. Het werk begint met een inleidingwaarin de instrumenten worden gepresenteerd, gevolgd door een licht scherzo. De titel verwijst naar de forenzentrein van het type 207 van de West Japan Railway Company. Toen het orkest begon, begonnen ook de treinen uit de207-serie door de velden te rijden naast het gebouw waar wordt gerepeteerd. De componist hoopt dat de treinen zullen blijven rijden tot tevredenheid van de mensen die er gebruik van maken.

I Love the 207 wurde im Februar 2010 als Auftragswerk für die Osumi Symphonic Band in Kyoto (Japan) komponiert. Die Urraufführung fand am 25. April 2010 mit der Osumi Symphonic Band, unter der Leitung von Masanori Ozaki, statt. Das Stück beginnt einer Einleitung zur Vorstellung aller Instrumente; dann folgt ein leichtes Scherzo. Der Titel ist eine liebevolle Anspielung auf die Pendlerzüge der Serie 207 der West-Japanischen Eisenbahngesellschaft. Während der Anfangszeit des Blasorchesters begannen die Züge der 207er-Serie die Felder ganz in der Nähe des Proberaums zu durchqueren. Mit diesem Stück will der Komponist seiner Hoffnung Ausdruck verleihen, dass die Züge auchweiterhin fahren und ein Lächeln auf die Gesichter der Menschen zaubern mögen.

Cette pièce a été composée en février 2010 pour honorer une commande de l’Orchestre Vent d’Osumi, Kyoto (Japon). Elle a été créée le 25 avril 2010 par cet orchestre, sous la direction de Masanori Ozaki. I Love the 207 s’ouvre avec une présentation de chacun des pupitres, suivie d’un scherzo léger. Le titre fait affectueusement référence aux trains de banlieue de la série 207 de la West Japan Railway Company. En effet, les débuts de l’orchestre co ncidèrent avec l’introduction de ces trains sur la ligne qui traverse les champs avoisinant le b timent où se déroulent les répétitions. Le compositeur espère que les trains continueront de rouler et de faire sourire les gens.

Questo brano è stato commissionato a Itaru Sakai dall’orchestra di fiati di Osumi in Giappone. I Love the 207 inizia con la presentazione di ogni sezione della banda, seguita da un leggero scherzo. Il titolo si riferisce affettuosamente e con un tocco ironico ai treni della periferia della serie 207 della West Japan Railway Company. In effetti, la data di fondazione dell’orchestra di fiati che ha commissionato il brano coincide con la nascita di questi treni che attraversano le campagne e sfrecciano vicino alla sede della banda.