SAM a cappella Choral (SA MEN, A CAPPELLA) SKU: HL.394346 SAM-Klang Ch...(+)
SAM a cappella Choral (SA
MEN, A CAPPELLA)
SKU:
HL.394346
SAM-Klang Choral
Series. Composed by
Fanny Cecile Mendelssohn.
Arranged by Morten
Schuldt-jensen. Choral.
Softcover. 28 pages.
Published by Hal Leonard
(HL.394346).
ISBN
9781705157688. UPC:
196288032410.
6.75x9.0x0.121
inches.
During her
lifetime, Fanny Hensel
was overshadowed by her
brother Felix Mendelssohn
Bartholdy, who was three
years her junior, and for
a long time she was
regarded merely as an
occasional composer. It
was only when the
Mendelssohn Bartholdy
family's extensive
collection of sheet music
came into the possession
of the Berlin State
Library that the
diversity of her
compositional output
became apparent: all
together, Fanny Hensel
wrote over 400
compositions, including
piano pieces and
especially songs, mostly
for solo voice with piano
accompaniment, but also
many choral works,
chamber music and some
orchestral works. The
name SAM-Klang takes the
three voice parts from
the arrangements --
Soprano, Alto and Men --
and combines it with the
Scandinavian and German
words for
“sound†to
create the portmanteau
word “sound
together†or
“harmony.â€
The series offers basic
and advanced choral
repertoire. In addition
to new repertoire and new
arrangements, you will
also find essential parts
of the classical German,
Scandinavian, French and
English SATB repertoire,
carefully and
considerately reworked
for SAM. The arrangements
retain the characteristic
features of the original
movements and have almost
the same richness of
timbre, resulting in
works which sound nearly
unchanged to an audience.
Piano reductions of all
choral movements
facilitate rehearsal
preparation. The
arrangements offer
development opportunities
for all voice sections,
bringing new life and new
quality to SAM choir
work. SAM-Klang enables
youth choirs to gain
access to classical
choral literature and
ensures that mixed choirs
who face challenges in
finding singers for all
male voice parts continue
to have access to
well-loved
repertoire.
From The Carnival of
the Animals. Composed
by Camille Saint-Saens.
Arranged by Todd Parrish.
Yas. Set of Score and
Parts. Duration 2
minutes, 50 seconds. Carl
Fischer Music #YAS244.
Published by Carl Fischer
Music (CF.YAS244).
ISBN 9781491164969.
UPC: 680160923878. Key: E
minor.
Fossils and
Finale combines two of
the better-known
movements from the
humorous Carnival of the
Animals. ThisÂ
fourteen-movement suite
by Camille Saint-Saëns
featured musical
depictions of animals
such as The Swan and The
Elephant, and was written
for a private performance
with young students in
mind. While the composer
didn't feel it was
serious enough to be
performed during his
lifetime, it has since
gone on to become a
beloved classical-musical
favorite. In this
arrangement, the quirky
Fossils with optional
xylophone is written to
be more accessible for
intermediate students,
segueing seamlessly into
the circus-like Finale.
Both movements feature
bright, fun melodies
within playable ranges
and keys for the
developing ensemble and
the original piano part
integrated into the
string parts.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
From Carnival of the
Animals. Composed by
Camille Saint-Saens.
Arranged by Todd Parrish.
Yas. Full score. Duration
2 minutes, 50 seconds.
Carl Fischer Music
#YAS244F. Published by
Carl Fischer Music
(CF.YAS244F).
ISBN
9781491165362. UPC:
680160924271. Key: E
minor.
Fossils and
Finale combines two of
the better-known
movements from the
humorous Carnival of the
Animals. ThisÂ
14-movement suite by
Camille Saint-Saëns
featured musical
depictions of animals
such as The Swan
and The
Elephant, and was
written for a private
performance with young
students in mind. While
the composer didn't feel
it was serious enough to
be performed during his
lifetime, it has since
gone on to become a
beloved classical musical
favorite. In this
arrangement, the
quirky Fossils with
optional xylophone is
written to be more
accessible for
intermediate students,
segueing seamlessly into
the circus-like Finale.
Both movements feature
bright, fun melodies
within playable ranges
and keys for the
developing ensemble and
the original piano part
integrated into the
string parts.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Viktor
Kosenko. Arranged by
Robert Debbaut. Carl
Fischer Concert String
Orchestra Series. Full
score. 28 pages. Carl
Fischer Music #CAS139F.
Published by Carl Fischer
Music (CF.CAS139F).
ISBN 9781491160800.
UPC:
680160919406.
The
works of Viktor Kosenko
(1896-1938) - highly
regarded in his lifetime
as concertmaster,
pianist, educator, and
composer - became known
to the arranger through
his Russian-American
wife, Alina, a teacher of
young violinists and
pianists. She owned an
old out-of-print
anthology of works by
both Soviet composers and
other world-renowned
composers entitled The
Young Violinist. Inspired
by these lovely melodies,
Debbaut compiled and
arranged a collection of
music exclusively by
Soviet composers entitled
The Young Soviet
Violinist as well as
published collections of
all four of Kosenko's
Four Children's Pieces,
arranged for violin and
piano, flute and piano,
viola and piano, and
cello and piano. Four
Children's Pieces for
piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for string
orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements. The works
of Viktor Kosenko
(1896-1938) -Â highly
regarded in his lifetime
as concertmaster,
pianist, educator, and
composer - became known
to the arranger through
his Russian-American
wife, Alina, a teacher of
young violinists and
pianists. She owned an
old out-of-print
anthology of works by
both Soviet composers and
other world-renowned
composers entitled The
Young Violinist. Inspired
by these lovely melodies,
Debbaut compiled and
arranged a collection of
music exclusively by
Soviet composers entitled
The Young Soviet
Violinist as well as
published collections of
all four of
Kosenko’s Four
Children’s Pieces,
arranged for violin and
piano, flute and piano,
viola and piano, and
cello and piano. Four
Children’s Pieces
for piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for string
orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Medium Voice; Piano Accompaniment (Low Voice) SKU: HL.51481460 Low Voi...(+)
Medium Voice; Piano
Accompaniment (Low Voice)
SKU: HL.51481460
Low Voice and
Piano. Composed by
Richard Strauss. Edited
by Annette Oppermann.
Henle Music Folios.
Classical, Song Cycle.
Softcover. 40 pages. G.
Henle #HN1460. Published
by G. Henle
(HL.51481460).
UPC:
196288093046.
8.25x11.5x0.177
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard
StraussÂ’corpus of
Lieder. For the first
time, he composed an
entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
“Zueignung,â€
“Die Nacht,â€
and
“Allerseelen,â€
are among the most
popular Strauss songs of
all time, but the entire
cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The first
edition of op. 10,
published in 1887 for
high voice, was followed
during the composer's
lifetime by transposed
versions for middle and
low registers, something
that was then to become
the rule for all of
Strauss's songs. Henle
has returned to these
tried and tested
transpositions for its
own Urtext edition for
low voice, so as to offer
this wondrous song-cycle
to all voice ranges.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)