Le 'Gloria' RV 589 est l'un des compositions les plus populaires de Vivaldi aujourd'hui et l'un des plus régulièrement effectué des oeuvres vocales sacrées de l'époque baroque. Le travail était, selon toute probabilité, composé autour de 1716 pendant le temps de Vivaldi à l'Ospedale della Pietà, un orphelinat pour filles à Venise.Bien que Vivaldi 'Gloria' (BA 8953) a été écrit pour voix solistes et choeur mixte, il est probable qu'il a été effectuée à l'orphelinat des filles avec des voix féminines seulement. Prenant cela en compte, arrangement soigneux Malcolm Bruno pour choeur SSAA revêt une certaine pertinence. Le travail, lorsqu'il est réglé pour les voix féminines ou choeur d'enfants, demeure un véritable chef-d'oeuvre.Le 'Kyrie' RV 587 (BA 8954) pour deux choeurs et deux ensembles à cordes, comme prévu ici pour choeur de femmes, affiche son propre charme. Elle peut être réalisée en collaboration avec le Gloria comme un type de masse court.Les deux régimes sont fondés sur les éditions Urtext récemment publiés de ces oeuvres. Les réductions pour piano de Malcolm éditeur de Bruno sont faciles à jouer et à préserver le caractère des oeuvres.- Des dispositions efficaces pour choeur de femmes- Avant-propos en anglais et en allemand- Simple, les réductions pour piano idiomatiques- Kyrie et le Gloria peuvent être combinés pour des performancesLes parties orchestrales pour la version originale SATB peut être utilisé pour l'exécution de ces dispositions. / Ssaa

Otis Redding's classic ballad was a huge hit in 1968 and still remains popular to this day. A soulful and lazy song that manages to be both uplifting and moving and exemplifies Redding's prestigious talent.This wonderful arrangement by Mac Huff is for an unaccompanied SSAA upper voice choir. A pleasing and effective setting faithful to the original with easy-going vocal harmonies.

You'll have 4-part a cappella harmony fun with this barbershop arrangement of the Beach Boys classic song!

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status.   It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.

Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.

from Pitch Perfect 2-The Bellas have lost their sound and to find it again they sing this medley of some of the greatest and most iconic women's harmony groups from the past from the Andrew's Sisters to En Vogue.Songs include: 'My Lovin' (You'Re Never Gonna Get)' 'Lady Marmalade' 'Boogie Woogie Bugle Boy' and 'You Can't Hurry Love'.

The new 2018 Edition of John Høybye's The Slow Spring from 1977. Dedicated to Thomas Morley in memory of his beautifuland optimistic madrigal “Now is the Month of Maying” The Slow Spring is a short and unusual choral setting of the writing of Tom Kristensen impatiently yearning for the coming of Spring. Kristensen's evocative and stirring poetry translated to English by Martin Allwood are employed as both song and accompaniment as the choral group is split into two factions. An set of SATB soloists are set against an SSAA chorus to provide a compelling variety of textures and the plosivepossibilities of the words themselves are fully explored with whispers held vowels and dramatic percussive consonants.

Five choral songs. Par SCHONHERR CHRISTOPH. Since his earliest childhood, Christoph Schönherr has been fascinated by all things nautical. His cycle Von Schiffen, Meer und Wind (Of Ships, Sea and Wind) brings together verses by different poets that explore the sea in its various guises. The work's selected poems describe the vast ocean that can fill us with a deep sense of tranquility, but can also bring mortal danger with its storms and destructive waves. Boats, and especially sailing ships, are often associated with freedom, a sense of weightlessness, and security. But if we are caught in a storm at sea, we suddenly find ourselves at the mercy of nature. We are made painfully aware of our own insignificance in the greater scheme of things.According to the composer and passionate sailor: ?In the five choral songs I attempt to characterize the atmosphere of the texts and the emotions they contain. My experiences at sea, for example in storms or when simply contemplating the motionless water, guided me in my search for a suitable means of musical expression.? / Date parution : 2023-06-01/ Répertoire / SSAA

Five songs without words-Mountain Nights is a wonderful song without words for SSA choir a cappella. The title is explained by the music and expresses the composer's deep love for the mountains. 'Mountains' he said 'have their own songs'.

Now in a setting for women's voices this haunting and beautiful beloved Christmas song will be an excellent choice for your holiday program! An added separate harp part offers an alternative to either celesta or piano accompaniment. For high school college church and community choirs. Also available for SATB divisi. Duration: ca. 2:50.

Smokey Robinson and Berry Gordy joined forces to pen this pop hit which was a chart topper for The Miracles in the '60s and Captain and Tennille in the '70s. Paul Langford gives his arrangement a fresh update with non-stop energy and jazz-infused chords that fill this hot chart. Shop Around will knock your audience out! Available separately: SATB SSA Digital Instrument Pack (trumpet 1 2: a.sax: t.sax: b.sax: trombone 1 2: bass: drums guitar/rhythm). Duration: ca. 3:05.