For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem #2 ('The King Shall Rejoice'), although less well-known than Anthem #1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous - a grandiose setting of 'Glory and great worship hast thou laid upon him' - and a lively fugal Alleluia as a conclusion. Arranged for four-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by Edouard Silas. / Chant Et Piano

Par PURCELL HENRY. This new edition by Bruce Wood of the University of Wales, is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary, 1694, and is set for Soprano, 2 Counter-Tenor (Alto) and Bass soloists, with SATB and Orchestra. This vocal score features a piano/organ reduction of the orchestral score which also functions as a realisation of the original basso continuo. / Rép Classique / Répertoire / Chant et Piano

This anthem, alternatively known as the Bell Anthem , appears as edited by Edward J. Dent. For SATB Choir and Organ with Alto, Tenor and Bass verse solos. Text: Philippians IV 4-7 / Chant Et Piano

Compositeur(S): Frederic Angarny. Par SEKTA VOODOO. Anthem for SATB Chorus and Organ./ Feuillet / Chant et Piano

For the Cathedral Church Of The Holy and Indivisible Trinity, Gloucester. For SATB and Organ. / Chant Et Piano

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors, singers and audiences alike. Mostly for mixed voices, it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir, medieval melodies to spirituals, the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols, to allow for performances without organ. This major issue of carols is edited by William Llewellyn, a well established figure in the world of choral music. / Chant Et Piano

For Medium Voice and Piano. A red red rose (Robert Burns) was written in August 1967. So we'll go no more a-roving (Lord Byron) was written March 1971 and became the principal material for the Organ Concerto. Schubert in Blue is an arrangement of the three Shakespeare settings which Schubert made in July 1826 designed as an unusual tribute on the 150th anniversary of the composers death.

The Lord is My Shepherd is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley. Warm and melodious Goodall’s setting of Psalm 23 is deservedly well loved by choirs and congregations everywhere. This accessible two-part arrangement offers simple harmonisation and a supportive piano/organ accompaniment ideal for budding upper-voice choirs.The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.