Pater
Noster. Composed by
Reginal S Wright. Sws.
Mjts. Performance. 16
pages. Duration 4
minutes, 40 seconds. Carl
Fischer Music #CM9592.
Published by Carl Fischer
Music (CF.CM9592).
ISBN 9781491154144.
UPC: 680160912643. 6.875
x 10.5 inches. Key: Ab
major. English. Henry F.
Lyte
(1793-1847).
Henry
Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to Abide with us, for
it is toward evening, and
the day is far spent. The
change to the singular
pronoun gives the hymn
its comforting, personal
and emotional intimacy.
Though Lyte wrote his own
tune for the poem, the
tune most associated with
the text is Eventide by
William Henry Monk. Monk,
a composer, arranger, and
editor wrote this tune
for the hymns inclusion
in Hymns Ancient and
Modern, published in
1861. Be intentional to
sing a tall, pure /a/
sound on the word abide.
Also be mindful that the
original Abide with me
hymn melody should be
primary with the
prayerful Pater Noster
providing its support.
Overall, bear in mind the
prayerful mood of the
selection and mold the
color of the tone
accordingly. For more
information visit
www.reginalwright.com. Henry Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to aAbide with us,
for it is toward evening,
and the day is far
spent.a The change to the
singular pronoun gives
the hymn its comforting,
personal and emotional
intimacy. Though Lyte
wrote his own tune for
the poem, the tune most
associated with the text
is aEventidea by William
Henry Monk. Monk, a
composer, arranger, and
editor wrote this tune
for the hymnas inclusion
in Hymns Ancient and
Modern, published in
1861. Be intentional to
sing a tall, pure /a/
sound on the word
aabidea. Also be mindful
that the original aAbide
with mea hymn melody
should be primary with
the prayerful aPater
Nostera providing its
support. Overall, bear in
mind the prayerful mood
of the selection and mold
the color of the tone
accordingly. For more
information visit
www.reginalwright.com. Henry Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to Abide with us, for
it is toward evening, and
the day is far spent. The
change to the singular
pronoun gives the hymn
its comforting, personal
and emotional intimacy.
Though Lyte wrote his own
tune for the poem, the
tune most associated with
the text is Eventide by
William Henry Monk. Monk,
a composer, arranger, and
editor wrote this tune
for the hymn's inclusion
in Hymns Ancient and
Modern, published in
1861. Be intentional to
sing a tall, pure /a/
sound on the word abide.
Also be mindful that the
original Abide with me
hymn melody should be
primary with the
prayerful Pater Noster
providing its support.
Overall, bear in mind the
prayerful mood of the
selection and mold the
color of the tone
accordingly. For more
information visit
www.reginalwright.com. Henry Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to “Abide with
us, for it is toward
evening, and the day is
far spent.†The
change to the singular
pronoun gives the hymn
its comforting, personal
and emotional
intimacy.Though Lyte
wrote his own tune for
the poem, the tune most
associated with the text
is “Eventideâ€
by William Henry Monk.
Monk, a composer,
arranger, and editor
wrote this tune for the
hymn’s inclusion
in Hymns Ancient and
Modern, published in
1861.Be intentional to
sing a tall, pure /a/
sound on the word
“abideâ€. Also
be mindful that the
original “Abide
with me†hymn
melody should be primary
with the prayerful
“Pater
Noster†providing
its support. Overall,
bear in mind the
prayerful mood of the
selection and mold the
color of the tone
accordingly.For more
information visit
www.reginalwright.com.
Abide with Me Chorale SATB SATB, Piano [Octavo] - Intermédiaire Jackman Music Corporation
By William Henry Monk / Arr. Naylor. Arranged by David R. Naylor. Text: Henry F....(+)
By William Henry Monk /
Arr. Naylor. Arranged by
David R. Naylor. Text:
Henry F. Lyte. For SATB
Choir. Sacred, Choral.
Level: Medium. Duration
3:00. Published by
Jackman Music
Corporation.
SATB choir, congregation, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in...(+)
SATB choir, congregation,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone,
tuba, timpani, cymbal -
Beginning
SKU:
GI.G-8695
Concertato on LAUDA
ANIMA. Composed by
John Goss. Edited by
Pearl Shangkuan. Arranged
by Larry Visser. Christ
the King. Calvin
Institute. Tune Name:
Lauda Anima. Sacred.
Octavo. 12 pages. GIA
Publications #8695.
Published by GIA
Publications (GI.G-8695).
UPC: 785147869504.
English. Text Source:
Henry F. Lyte,
1793–1847, alt.,
based on Psalm
103.
Lary
Visser’s take on
lauda anima offers a wide
spectrum of musical
contrasts, from a
spectacular introduction
to a quiet interlude
between verses 2 and 3.
The sophisticated
reharmonization of verses
3 and 4 alone are enough
to keep this arrangement
at your disposal!
SATB choir, tenor voice
solo, piano accompaniment
- Intermediate
SKU:
GI.G-9918
Composed by
William H. Monk. Arranged
by John F. Hudson.
Evoking Sound. Tune Name:
Eventide. Music
Education. Octavo. 8
pages. GIA Publications
#9918. Published by GIA
Publications (GI.G-9918).
UPC: 785147991809.
English. Text by Henry F.
Lyte.
SATB choir, congregation, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in...(+)
SATB choir, congregation,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in F, trombone,
tuba, timpani, cymbal
SKU: GI.G-8695INST
Concertato on LAUDA
ANIMA. Composed by
John Goss. Arranged by
Larry Visser. Christ the
King. Tune Name: Lauda
Anima. Sacred. Full score
and parts. 20 pages. GIA
Publications #8695INST.
Published by GIA
Publications
(GI.G-8695INST).
English. Text Source:
Henry F. Lyte,
1793–1847, alt.,
based on Psalm
103.
Composed by Ryan Murphy. Choral (Sacred); Choral Octavo; Performance Music En...(+)
Composed by Ryan Murphy.
Choral (Sacred); Choral
Octavo; Performance Music
Ensemble; Single Titles;
Worship Resources. H. W.
Gray. Sacred. Choral
Octavo.
Jubilate Music Group #00-
47213. Published by
Jubilate
Music Group
Choral (SATB) SKU: HL.1197414 Composed by Matt Limbaugh. Fred Bock Public...(+)
Choral (SATB)
SKU:
HL.1197414
Composed
by Matt Limbaugh. Fred
Bock Publications.
Octavo. 12 pages.
Duration 160 seconds.
Fred Bock Music Company
#BG2692. Published by
Fred Bock Music Company
(HL.1197414).
UPC:
196288134473.
6.75x10.5x0.026
inches.
This unique
setting of the familiar
Henry F. Lyte text
presents a compelling
marriage of contrasts:
liveliness and joy in a
minor key. The added
flute and djembe or conga
drums bring a wave of
fresh and spirited colors
to your congregation's
ears. Your choir will
enjoy singing - and your
congregation will enjoy
hearing - this energetic
expression of praise.
Abide with Me Chorale SATB SATB divisi, A Cappella Hal Leonard
By William H. Monk, Henry F. Lyte. Arranged by Moses Hogan. (SATB DV A Cappella...(+)
By William H. Monk, Henry
F. Lyte. Arranged by
Moses Hogan. (SATB DV A
Cappella). Festival
Choral. Festival. Size
6.7x10.5 inches. 8 pages.
Published by Hal Leonard.
Abide with Me Chorale SATB SATB, Clavier - Facile GIA Publications
SATB choir, keyboard accompaniment - Early intermediate SKU: GI.G-10663 C...(+)
SATB choir, keyboard
accompaniment - Early
intermediate
SKU:
GI.G-10663
Composed
by Eurydice V. Osterman.
African American Church
Music Series. Sacred.
Octavo. 8 pages. GIA
Publications #10663.
Published by GIA
Publications
(GI.G-10663).
UPC:
785147066316. English.
Text by Henry F.
Lyte.