Rachel Stott's Serendipity And Household for Piano Quintet.Serendipity And House...(+)
Rachel Stott's Serendipity And Household for Piano Quintet.Serendipity And Household Objects grew out of various sound experiments I made together with violin and viola pupils I was teaching at the time. The idea was to find some extended timbral possibilities of the children’s instruments using only such objects as one might reasonably expect to find around the house a comb or ruler empty yoghurt pot cutlery pieces of paper chopsticks rather along the lines of the television programme ‘the great egg race’ which I used to enjoy as a child.The word ‘serendipty’ (‘the happy knack of making unexpected and delightful discoveries by accident’ Cassell Concise Dictionary) describes the way the finding of the sounds led to musical ideas.A curious point some of the sounds actually work better on basic level children’s instruments than professional quality ones. Don’t waste this piece on a strad…or vice versa. - Rachel StottCommissioned by Jean Horsfall
Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguish...(+)
Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music ? folk music in particular ? has been ground-breaking. Alakotila?s works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusisto, the Meta4 quartet, the Kamus and Tempera quartets, Eeva Oksala, Dalia Stasevska and Jorma Hynninen, among others. Timo Alakotila's Hope 2021 was commissioned by Kaustinen Chamber Music Week and its artistic director, violinist Kaija Saarikettu. The topic of the work invokes the hope for brighter future after the pandemic. It is scored for string quintet (two violins, viola, cello and double bass) and piano. The middle section, a wistful minuet with folk music features is enveloped with hopeful melody both opening and closing the work. Duration: c. 4' This product includes the full score (=piano part) and the string parts (2 violinis, viola, violoncello, double bass). / Date parution : 2023-01-24/ Répertoire / Quintette à Cordes et Piano
arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra...(+)
arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.
Written for a Quintet with Violin Viola Cello and Bassoon and Piano the Quint...(+)
Written for a Quintet with Violin Viola Cello and Bassoon and Piano the Quintet in A Major (Trout)Op.114 is a wonderful early composition by these great Austrian master. It was Franz Schubert's first turly significant chamber work and this 1819 piece is indicative of his romantic genius and melodic warmth.
Edition for piano two violins viola and violoncello-Edition for piano two vio...(+)
Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
John McCabe's Nocturnal For Piano Quintet was composed in 1966 commissioned by ...(+)
John McCabe's Nocturnal For Piano Quintet was composed in 1966 commissioned by the Park Lane Group London and first performed by the Lancaster University Ensemble. Duration: Approximately 13 minutes. Composers Note: The title of this work is a reference to John Donne's poem A Nocturnal upon St Lucie's Day the mood of which is reflected in the quintet. It falls into several movements played without a break: Introduction (Andante) setting forth the main thematic ideas of the music; Nocturne 1 (Allegro vivo) an agitated virtuoso scherzo-like section; a tripartite central part of the work consisting of two Cadenzasframing a brief Interlude the first Cadenza being largely for strings the second mainly for piano and the Interlude harking back to the feeling of the Introduction; Nocturne 2 (Andante molto) a slow piece gradually building to a unison theme on strings accompanied by a tolling piano background. This dies down to lead to an Epilogue ending with a final reference to the work's opening bars.
This superb selection includes full scores of four great standards of the repert...(+)
This superb selection includes full scores of four great standards of the repertoire: Quintet in F Minor, Op. 34. Quartet in G Minor, Op. 25. Quartet in A Major, Op. 26. Quartet in C Minor, Op. 60. Includes translation of Editor's Commentary.
