In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violoncelle

La Méthode Violonrama est une nouvelle méthode de violon particulièrement progressive, adaptée au travail professeur-élève, respectant le rythme d?assimilation des apprentis. Conçue par Bruno Garlej, celle méthode est un outil pratique et structuré, qui s?articule autour d?un plan cohérent qui permettra à l?élève de se repérer au mieux. - Exercices de tous les jours (main droite et main gauche spécifiques) - Petites études, caprices - Incitations à l?improvisation... ...le parcours est pensé pour maintenir la motivation de l?élève et son envie de progresser, au fil d?un apprentissage fidèle aux bases. Des étapes intermédiaires, ainsi que des duos professeur/élève jalonnent la méthode afin que justesse et oreille soient développées autant que possible... avec le célèbre Boléro de Ravel comme but à atteindre ! La méthode Violonrama propose une signature esthétique forte, tant par la recherche de musicalité dans le contenu pédagogique, que par l?univers inspirant des nombreuses toiles de maîtres dédiées au violon, au fil d?une mise en page claire et aérée. Méthode de 104 pages, illustrations couleur, reliure spirale, papier sans reflet ; conçue et fabriquée en France.

Violin Edition-This 2014 edition of Edward Huws Jones' popular series of traditional Fiddle repertoire now comes with an expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations this expanded resource will aid and inspire your private practice and public performance alike. Jigs Reels & Hornpipes contains a generous collection of authentic music some familiar some more exotic but all of it faithfully arranged to enable you to create your own ceilidh bluegrass club or charanga band. This edition for the Violin includes an optional easy Violin part and Guitar chords whilst the complete edition alsoincludes both Keyboard and Violin accompaniments. Either format is highly flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edwards Huws Jones has travelled extensively researching Fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

Edward Huws Jones? popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible which means themusic can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

Violin Edition- Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.   The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes bothkeyboard and violin accompaniments. Either format is highly flexible which means the music can be played as solos duets or trios as well as with larger ensembles.   Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of

Edizione critica di - Critical edition by Italo Vescovo. Par PAGANINI NICCOLO. This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for the way in which the music is organised (notated on four staves, one for each string) but also because of the way in which it was conceived musically. The concept of polyphony is brought to an extreme level, at least in conceptual and visual terms, in this composition. Its brief structure is reminiscent of a kind of four-part chorale written in score. It is characterised by its lyrical and elegant writing style, where the four voices move in polyphonic fashion, giving birth to an extremely refined harmonic texture. This critical edition is based on the manuscript kept in the Österreichische Nationalbibliothek of Vienna compared with the modern editions. / Niveau : Avancé / Répertoire / Violon

Par WOOD JIM. Des airs traditionnels bien connus d'élargir votre répertoire brouillage ! Ces six mélodies de confiture de niveau intermédiaire sont tous enseigné note par note et AVC d'AVC-par-bow bow ! Jim Wood vous guide étape par étape d'apprendre ces arrangements pro. Il suffit de considérer ces titres populaires ! Arkansas Traveler, Joy, or pantoufles, Westphalie Waltz du soldat, vieux Joe Clark et Sally Goodwin. Aucun onglet. / Niveau : Intermédiaire / American - Methods / Méthode / Violon

Winner of the Music Industries Association Best Education Publication in 2011. Violin Globetrotters brings together 12 toe-tapping original tunes in styles from around the world - from Arabic to Chinese and from klezmer to the Argentinian tango - for the budding violinist. This unique book presents a kaleidoscope of musical traditions with supporting background information and backing tracks that capture each sound-world. To help with technique and interpretation every piece includes tailored warm-ups and stylistic tips from the author. With options for violin or piano accompaniment and an inspirational CD ViolinGlobetrotters is the ultimate resource for aspiring violinists looking to go travellin' ... 12 fun pieces in styles from around the world Suitable for young violinists everywhere Range of styles including bossa nova klezmer blues Cajun Greek and West African Fascinating background information and tailored warm-ups for every piece Includes violin accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chords CD with performances and backings for every piece recorded by renowned world-music performers Contents: Dublin Time (jig Ireland) Stoppin' off in Louisiana (Cajun USA) Relaxing in Rio (bossa nova Brazil) Dancing in Odessa (klezmer Eastern Europe) Shanghai Rickshaw Ride (pentatonic China) Acropolis Dance (rebetico Greece) Tango in San Telmo (tango Argentina) Iguazu Rapids (chamamé Argentina) Cairo Cradle Song (Arabic lullaby Egypt) 'Hole in my Shoe' Blues (blues USA) Bulgarian Gallop (Bulgaria) African Jamboree (West Africa)

Well-known traditional tunes to expand your jamming repertoire. These six intermediate-level jam tunes are all taught note-by-note and bow stroke-by-bow stroke. Jim Wood guides you step-by-step to learn these proarrangements.Just look at these popular titles - Arkansas Traveler Soldier's Joy Golden Slippers Westphalia Waltz Old Joe Clark and Sally Goodwin. No Tab.

irt Simple Fiddle will teach you the basics of the instrument to get you playing tunes in no time! This book covers technique reading fiddle bowings and ornaments. Included are simple tunes such as Angline the Baker Arkansas Traveler Battle of New Orleans Billy the Lowground Boil the Cabbage Down Cripple Creek Devil's Dream Liberty Liza Jane and more. Includes access to online audio.

Big Note/Large Print Edt.-This big note large print book offers 43 traditional fiddle solos in standard notation with chord symbols. Selections include: Arkansas Traveler; Back Up and Push; The Blarney Pilgrim; Beaumont Rag; Bill Cheatham; Billy in theLowground; Blackberry Blossom; Bonaparte's Retreat; Cotton-eyed Joe; Cripple Creek; Down Yonder; Dill Pickle Rag; Drowsy Maggie; Durham's Bull; Eighth of January; Fisher's Hornpipe; Fire on the Mountain; Garry Owen; Haste to theWedding; Jolie Blond; Maidens Prayer; and more. The free on line audio recording contains performances of all the tunes in the book.