An American Elegy Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor Full
Score. Duration 11:10.
Published by Manhattan
Beach Music.
SATB chorus and piano - Medium SKU: JK.01520 Composed by Darwin Wolford. ...(+)
SATB chorus and piano -
Medium
SKU:
JK.01520
Composed by
Darwin Wolford. Arranged
by Darwin Wolford. Choral
SATB, Difficulty Medium,
Instrumental Violin,
Organ Choir, Piano Choir,
Charity, Jesus Christ -
Savior, Love, Service.
Christian, Inspirational.
Duration 2:45. Jackman
Music Corporation #01520.
Published by Jackman
Music Corporation
(JK.01520).
1
Corinthians 13:3 and 1
John
4:7-8.
Arranged for
mixed chorus (SATB),
violin and piano or organ
accompaniment. Based on
scriptural text from 1
Corinthians 13:3 and 1
John 4:7-8, on the
importance of having love
for one another. (violin
part
included) Composer:
Darwin Wolford
Arranger: Darwin
Wolford Lyricist:
Scriptural text from 1
Corinthians 13:3 and 1
John 4:7-8
Difficulty: Medium
Performance time:
2:45 Reference: 1
Corinthians 13:3 and 1
John 4:7-8.
Choral (ChoirTrax CD) SKU: HL.154495 A Musician's Blessing. Compos...(+)
Choral (ChoirTrax CD)
SKU: HL.154495
A Musician's
Blessing. Composed by
Joseph M. Martin. Sacred
Choral. Anthem,
Benediction, Concert,
General Worship,
Graduation, Sacred. CD
only. Published by Hal
Leonard (HL.154495).
UPC: 888680101442. 5x5
inches.
A
musician's benediction,
this choral original is
at home in school
concerts, as well as
church sanctuaries.
Written as a special
commission tribute for a
beloved conductor, the
text celebrates the
community created by
singing. Filled with
emotion, the harmonies
and melody collaborate
seamlessly, and the
instrumental
accompaniment will add
another layer of beauty
to the work. Score and
Parts (hn, vn 1-2, va,
vc, db) available as a
digital download.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. Duration 25'.
Breitkopf and Haertel #EB
32117. Published by
Breitkopf and Haertel
(BR.EB-32117).
ISBN
9790004187258. 7.5 x 10.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Flying Cadets Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4439-00 March. Composed by King...(+)
Concert band - Grade 3
SKU:
CL.012-4439-00
March. Composed by
King. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR389). Score
and set of parts.
Composed 2016. Duration 2
minutes, 11 seconds. Opus
III Wind Orchestra
Publications
#012-4439-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4439-00).
The vault of
musical treasures at the
C.L. Barnhouse Co. has
yielded another classic
march composed by the
great Karl King, now
masterfully arranged by
James Swearingen. It goes
without saying that King
was a master at creating
tuneful marches that have
certainly stood the test
of time. You can be
assured that this latest
edition is certain to be
a real crowd pleaser of
monumental proportion. A
musical treat!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Grade 3 SKU: CL.032-2538-01 Composed by Rowe. Jazz Ensemble. Audio record...(+)
Grade 3
SKU:
CL.032-2538-01
Composed by Rowe. Jazz
Ensemble. Audio recording
available separately
(item CL.WFR347). Extra
full score. Composed
1993. C.L. Barnhouse
#032-2538-01. Published
by C.L. Barnhouse
(CL.032-2538-01).
A delightful
Latin rock tune that
really grooves. Very
contemporary in nature
and playable with limited
instrumentation, Hot
Sauce! has all the
ingredients to become one
of your all-time favorite
charts. Suggested solos
are provided for the open
solo section and it also
includes several short
written keyboard solos
which really add to the
flavor. Another winner by
Howard Rowe! HOT!
2 Pianos, 4 Hands - intermediate to advanced SKU: HL.49033177 For 2 Pi...(+)
2 Pianos, 4 Hands -
intermediate to advanced
SKU: HL.49033177
For 2 Pianos, 4
Hands. Composed by
Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1977.
42 pages. Duration 5'.
Schott Music #ED 9578.
Published by Schott Music
(HL.49033177).
ISBN
9790001134385. UPC:
073999928334.
9.0x12.0x0.136
inches.
The two
pianos introduce the bass
motif one after another.
Every new entry brings an
increase in tempo. Only
when they play together,
though, is the real
'Vivace unleashed. From
then on, it is only in
the 'largamente' sections
and a lyrical middle
section (cantabile) that
the racing bass figure
pauses for a while. The
motif weaves its way
through the course of the
'Toccata' like a
'perpetuum mobile',
bringing ever more
complex layering to the
structure of the
movement. The Latvian
composer Peteris Vasks
has described himself as
a 'musician from the
periphery' on account of
his geographical and
cultural background. His
music full of emotional
rigour continues to bring
him towards the centre of
contemporary composition,
as is evident in his
instrumental chamber
works.
(For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Ma...(+)
(For SATB divisi Choir,
Solo Quartet, and opt.
Full or Chamber
Orchestra). By Mark
Hayes. Orchestra. For
orchestra (with optional
orchestra: Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Score and Parts.
Published by Roger Dean
Publishing
Cantata for the 3rd
Sunday of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
German title: Erwunschtes
Freudenlicht. Sacred
vocal music, Cantatas,
Whitsun. Study score.
Composed 1724. BWV 184.
68 pages. Duration 25
minutes. Carus Verlag #CV
31.184/07. Published by
Carus Verlag
(CA.3118407).
ISBN
9790007050481. Key: G
major / e minor.
Language:
German/English.
The
Pentecost cantata Desired
ray of light BWV 184 is
based on a Kothen
composition, probably a
congratulatory cantata,
whose instrumental parts
(only these have
survived) Bach reused in
the Leipzig Pentecost
cantata. Only the chorale
setting was evidently
newly composed. Despite
the narrow leeway that
the already finished
composition left for the
librettist, he
nevertheless succeeded in
crafting a coherent
Pentecost text. The fact
that the cantata begins
with a long tenor
accompagnato with two
flutes followed by a
pastoral duet is
surprising. The placing
of the chorale not at the
end of the work but
before the concluding
chorus is unusual. Bach
was evidently aware of
the effect that the
ending of this lively
movement would have and
wanted to retain this in
its sacred form as well.
The sacred version was
first performed on the
third day of Pentecost in
1724, probably after a
parody version of another
Kothen cantata (BWV 173)
had already been
performed on the second
day of Pentecost. Score
available separately -
see item CA.3118400.
Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488).
ISBN
9790300758893.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011)
Eroica - Urtext based
on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Bathia Churgin.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Set of parts.
156 pages. Duration 50'.
Breitkopf and Haertel #OB
14613-30. Published by
Breitkopf and Haertel
(BR.OB-14613-30).
ISBN
9790004342633. 10 x 12.5
inches.
The Eroica
according to the Complete
EditionExploring the
Eroica is the name of the
essay with which the
editor made herself known
back in 1998 and which
contributed decisively to
the research into the
complex transmission.
Written in 1803, the
autograph of the work is
lost today. The title
Sinfonia Eroica is
already found in the
first edition (but only
there as well). The main
source of the edition is
the copy of the score,
which was carefully
examined and emended by
Beethoven, and into which
he made corrections even
after the appearance of
the first printed set of
parts. In addition, the
copies of the parts used
for first performances
(before publication) as
well as the extremely
error-filled first
edition of the
instrumental parts are
also relevant; more so,
however, is another
printed set that
Beethoven personally
revised. Thanks to the
new performance material,
the musical text of the
new Beethoven Complete
Edition can now also be
heard alternatively to
the Breitkopf Urtext
edition by Peter
Hauschild (PB/OB
5233).
Reconstruction by
Klaus Hofmann.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Carus
digital: Extra digital
products. Full Score. BWV
80a / 80.1. Duration 12
minutes. Carus Verlag
#3140100. Published by
Carus Verlag
(CA.3140100).
ISBN
9790007295028.
German/English. Text:
Franck,
Salomon.
Ein feste
Burg ist unser Gott BWV
80 (Carus 31.080/00) is
one of Johann Sebastian
Bach's most
frequently-performed
cantatas. But the
well-known form of the
work, with its great
opening chorale chorus,
represents the final
stage of a multi-layered
version history,
beginning with the
cantata Alles, was von
Gott geboren BWV 80a,
probably composed for
Oculi Sunday (the third
Sunday in Lent) 1716. As
no cantatas were
performed during
Passiontide in Leipzig,
if Bach wanted to re-use
the cantata he had to
rewrite it for another
Sunday or feast day.
Reformation Day suggests
itself, as Bach had also
incorporated the hymn Ein
feste Burg ist unser Gott
into the Oculi cantata
(as an instrumental
cantus firmus in the
opening movement and in
the final chorale). The
first version of the
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b (Carus 31.080/50)
was simply expanded by
the addition of chorale
movements, then the
movements of the Oculi
cantata, slightly
altered, were included in
the cantata in the form
known today as BWV
80.Only the text
of the Oculi cantata
Alles, was von Gott
geboren BWV 80a survives
today. However, the early
version of the cantata
can easily be
extrapolated from the two
later versions. This
first published
reconstruction to date,
by the renowned Bach
scholar Klaus Hofmann,
represents a welcome
addition to the small
repertoire of Bach
cantatas for Passion
Sundays.
Symphonies. Composed by Jean- Philippe Rameau (1683-1764). Edited by Thomas Sou...(+)
Symphonies. Composed by
Jean-
Philippe Rameau
(1683-1764).
Edited by Thomas Soury.
This
edition: urtext edition.
Paperback. Score,
anthology.
Baerenreiter Verlag
#BA08895_00. Published by
Baerenreiter Verlag
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732105 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732105
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Sacred vocal
music, Requiem. Choral
Score. Duration 48
minutes. Carus Verlag #CV
27.321/05. Published by
Carus Verlag
(CA.2732105).
ISBN
M-007-24053-0.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Beau soir Chorale SATB SATB, Piano - Intermédiaire Carus Verlag
SSATB Choir, Piano - Level 3 SKU: CA.926200 Composed by Claude Debussy. A...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.926200
Composed by
Claude Debussy. Arranged
by Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Composed 1883. L 6.
Duration 3 minutes. Carus
Verlag #CV 09.262/00.
Published by Carus Verlag
(CA.926200).
ISBN
9790007249243. Key: E
major. Language: French.
Text: Bourget,
Paul.
Beau soir
seems to have inspired
musicians to make their
own arrangements - for
violin, cello, saxophone
quartet, or even for
five-part chamber choir
and piano, as in this
version by Denis Rouger.
Unlike the instrumental
versions, this one
retains Paul Bourget's
text: the poetic
depiction of a sunset on
a mild summer evening, on
which light and shade
merge into one another
like the rhythm and
harmony in Debussy's
setting. It is not an
unclouded depiction, but
the recognition of our
own finiteness. This art
song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing the any of
the qualities of the
original in the process.
Each part in the choir
has a melodic line drawn
from the harmonic and
rhythmic framework. In
the process, the variety
and refinement of the
choral language combines
with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Cruisin' Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By William Owens. For concert band. FJH Young Band. Full set (score and parts). ...(+)
By William Owens. For
concert band. FJH Young
Band. Full set (score and
parts). Score only also
available: B1353S. Grade
2. Score and set of
parts. Composed 2007
Eroica - Urtext based
on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 20
pages. Duration 50'.
Breitkopf and Haertel #OB
14613-27. Published by
Breitkopf and Haertel
(BR.OB-14613-27).
ISBN
9790004342626. 10 x 12.5
inches.
The Eroica
according to the Complete
EditionExploring the
Eroica is the name of the
essay with which the
editor made herself known
back in 1998 and which
contributed decisively to
the research into the
complex transmission.
Written in 1803, the
autograph of the work is
lost today. The title
Sinfonia Eroica is
already found in the
first edition (but only
there as well). The main
source of the edition is
the copy of the score,
which was carefully
examined and emended by
Beethoven, and into which
he made corrections even
after the appearance of
the first printed set of
parts. In addition, the
copies of the parts used
for first performances
(before publication) as
well as the extremely
error-filled first
edition of the
instrumental parts are
also relevant; more so,
however, is another
printed set that
Beethoven personally
revised. Thanks to the
new performance material,
the musical text of the
new Beethoven Complete
Edition can now also be
heard alternatively to
the Breitkopf Urtext
edition by Peter
Hauschild (PB/OB
5233).
Grade 3 SKU: CL.026-5037-00 Composed by Bob Hilliard. Arranged by Bergero...(+)
Grade 3
SKU:
CL.026-5037-00
Composed by Bob Hilliard.
Arranged by Bergeron.
Concert Band. Score and
set of parts. C.L.
Barnhouse #026-5037-00.
Published by C.L.
Barnhouse
(CL.026-5037-00).
One of Quincy
Hilliard’s most
exciting compositions,
Variations on an African
Hymnsong has been
skillfully arranged for
the flexible
instrumentation
Build-A-Band series by
Jimi Bergeron. Based on a
Nigerian folk hymn, this
very appealing selection
features interesting
harmonies, beautiful tone
colors and driving
polyrhythms, all combine
to make this a stunning
work for band, especially
for groups with large
percussion sections. Give
your students a glimpse
of music from another
culture rarely heard or
performed by wind bands.
Perfect for contest or
concert use. Truly
exceptional!
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732100 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732100
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Sacred vocal
music, Requiem. Full
Score. Duration 48
minutes. Carus Verlag #CV
27.321/00. Published by
Carus Verlag
(CA.2732100).
ISBN
M-007-24051-6.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Grade 2 SKU: CL.CTS-8063-01 Composed by Claude T. Smith. Arranged by Earp...(+)
Grade 2
SKU:
CL.CTS-8063-01
Composed by Claude T.
Smith. Arranged by Earp.
Young Concert Band. Extra
score. Composed 2023.
Claude T. Smith
Publications
#CTS-8063-01. Published
by Claude T. Smith
Publications
(CL.CTS-8063-01).
Claude T.
Smith’s setting of
For The Beauty Of The
Earth as this chorale
prelude develops the
original hymn by Conrad
Kocher. It celebrates our
beautiful Earth, the
skies above us, and the
joy of loving one
another. This flexible
arrangement allows
ensembles to perform the
work with as few as nine
musicians providing
accessibility and
flexibility for numerous
instrumentation needs,
while still allowing a
full ensemble sound. *The
posted recording is based
on the full band scoring
but aligns with the
suggested preferences for
either woodwinds/strings
or brass suggested in the
score.
Missa pro defunctis (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732111 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732111
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 1.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/11. Published
by Carus Verlag
(CA.2732111).
ISBN
M-007-25435-3.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, ob...(+)
By Mark Hayes. Orchestra.
For SATB divisi Choir,
Solo Quartet,
flute/piccolo,
oboe/english horn,
clarinet, bassoon, horn,
trumpet, percussion,
harp, piano (for
rehearsal only), violin 1
and 2, viola, cello, bass
(with optional orchestra:
Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Orchestral Score
and Parts. Published by
Roger Dean Publishing
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732112 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732112
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 2.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/12. Published
by Carus Verlag
(CA.2732112).
ISBN
M-007-25436-0.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Eroica - Urtext based
on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(,,Studien-Edition) is
available at G. Henle
Verlag. Symphony;
Classical. Part. 24
pages. Duration 50'.
Breitkopf and Haertel #OB
14613-15. Published by
Breitkopf and Haertel
(BR.OB-14613-15).
ISBN
9790004342589. 10 x 12.5
inches.
The Eroica
according to the Complete
EditionExploring the
Eroica is the name of the
essay with which the
editor made herself known
back in 1998 and which
contributed decisively to
the research into the
complex transmission.
Written in 1803, the
autograph of the work is
lost today. The title
Sinfonia Eroica is
already found in the
first edition (but only
there as well). The main
source of the edition is
the copy of the score,
which was carefully
examined and emended by
Beethoven, and into which
he made corrections even
after the appearance of
the first printed set of
parts. In addition, the
copies of the parts used
for first performances
(before publication) as
well as the extremely
error-filled first
edition of the
instrumental parts are
also relevant; more so,
however, is another
printed set that
Beethoven personally
revised. Thanks to the
new performance material,
the musical text of the
new Beethoven Complete
Edition can now also be
heard alternatively to
the Breitkopf Urtext
edition by Peter
Hauschild (PB/OB
5233).
Banjo (5-string) - Beginning SKU: MB.21028M Composed by Ross Nickerson. S...(+)
Banjo (5-string) -
Beginning
SKU:
MB.21028M
Composed by
Ross Nickerson.
Saddle-stitched, Banjo:
5-String, Banjo 5-String,
Children and Young
Beginner, Solos and
Duets, Tunebooks. Made
Easy. Banjo. Book and
online audio. 32 pages.
Mel Bay Publications, Inc
#21028M. Published by Mel
Bay Publications, Inc
(MB.21028M).
ISBN
9780786689224. UPC:
786689226. 8.75 x 11.75
inches.
Fiddle
Tunes for Banjo Made Easy
is a collection of
must-know, easy-to-learn
bluegrass instrumental
standards. Ross records
each song at three speeds
and also includes a
rhythm backup track. The
slow speed is ideal for
hearing the notes clearly
and being able to play
along in rhythm; the
medium speed is a perfect
goal for the beginning
and intermediate student
while the faster speed
demonstrates what the
song can sound like with
a hard, driving push. The
tablature is large for
ease of reading and
includes accent marks for
melody notes where
needed. Ross also
provides tips and
suggestions for each song
to save you valuable
practice time. These are
tips on the more
challenging spots that
Ross has learned
firsthand from teaching
these privately for many
years. In addition, there
is a whole page of
instruction on learning
the chords to the song,
how to play the song
using only the chords,
chord charts written out
for each song and tips
for memorizing and
playing without tab.
Fiddle Tunes for Banjo
Made Easy is not just
another tab book; it
covers all the bases and
gives you a realistic
balanced approach for
learning the songs the
EASY way. Includes access
to online audio.
Grade 3 SKU: CL.032-2538-00 Composed by Rowe. Jazz Ensemble. Audio record...(+)
Grade 3
SKU:
CL.032-2538-00
Composed by Rowe. Jazz
Ensemble. Audio recording
available separately
(item CL.WFR347). Score
and set of parts.
Composed 1993. C.L.
Barnhouse #032-2538-00.
Published by C.L.
Barnhouse
(CL.032-2538-00).
A delightful
Latin rock tune that
really grooves. Very
contemporary in nature
and playable with limited
instrumentation, Hot
Sauce! has all the
ingredients to become one
of your all-time favorite
charts. Suggested solos
are provided for the open
solo section and it also
includes several short
written keyboard solos
which really add to the
flavor. Another winner by
Howard Rowe! HOT!