Anthem for 2 Part Voices and Organ (Either Soprano and Mezzo-Soprano or Tenor and Baritone).

John Tavener's Awed By The Beauty from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment by Barry Rose. The work lasts approximately 2minutes. The all-night vigil 'The Veil Of The Temple' was commissioned by the Temple Music Trust with the world premiere taking place on 27th June 2003.  This arrangement receiveda positive review from Geoffrey Webber in the January/February 2016 edition of Choir and Organ.

Weigh My Heart is a work by Rupert Jeffcoat for 2-Part Choir and Organ Accompaniment that sets words from Psalm 17.

Work for 2 Part Choir with Organ Accompaniment. Danish text which has been taken from Psalm 8:1-5 John 1:14 and Joel 3:1 for each piece respectively.

Written for Upper-voices choir and organ. Dedicated to Vincent Edwards and the St. Bartholomew’s Choristers for the sixth Annual Choir Festival New York City June 2002.

Blezzard Judith (Editor). Par BLEZZARD JUDITH. This is a collection of seven beautiful motets by French composers of the 19th century. The beauty of text and music in this repertory transcends liturgical constraint, widening the context in which the music can be used to enhance worship and meditation. This collection, showing a diversity of style and texture, is ideal for church or concert use, it includes evocative settings by the lesser-known Massenet and Caplet as well as motets by Franck, Faure, Saint-Saens and a new two-part version of Gounod's Ave Maria. Scored for SA chorus with Organ or Piano accompaniment. / Niveau : Assez Facile / Date parution : 1998-05-21/ Recueil / SA

POD-Draw Near With Faith is a work by Peter Miller for two Soprano Voices and Organ Accompaniment. The work sets the Invitation Prayer to Communion.

This in an outstanding collection of twelve African-American spirituals arranged for upper voices. Rosephanye and William C. Powell have collaborated with some of the most talented and respected spiritual arrangers in the United States to deliver specially commissioned authentic settings. You'll find familiar melodies such as 'Deep River' and 'Somebody's knockin' at yo' do'' alongside lesser-known spirituals and a range of styles and moods extending from the aspirational to the celebratory. Many of the arrangements include a 'lead voice' part allowing the opportunity for solo singing and idiomatic piano parts support the voices for the accompanied spirituals; pianoreductions are included for the unaccompanied arrangements. This inspirational journey through the African-American spiritual tradition is sure to captivate and delight all upper-voice choirs.Arrangements in tow three or four parts'Lead Voice' parts for three arrangementsAccompanied and unaccompaniedPiano reductions for a capella arrangementsAuthentic arrangements by specialistsRange of styles and moods Edited by Rosephanye Powell and William C. PowellRosephanye Powell is a singer arranger and widely published composer. A graduate of the Florida State University Westminster Choir College and Alabama State University she has distinguished herself as a researcher and interpreter of the African-American spiritual. She has served as a consultant for nationally syndicated radio published articles on the subject and presented lectures and performances at high schools colleges universities music organizations and churches around the United States. Her spiritual arrangements have been commissioned by nationally and internationally recognized professional choral groups and conductors. She was appointed Professor of Voice at Auburn University in 2001.William C. Powell holds degrees from Alabama State University

Blest Are The Pure In Heart is a work by Alan Bullard for 2-Part Choir and Piano or Organ Accompaniment. A setting of a poem by John Keble after whom the Oxford college is named the piece lasts around 2 and a half minutes.

Cesar Franck's Panis Angelicus has been arranged as a wonderful heavenly two-part song for SA and Piano accompaniment(or organ) by Henry Geehl.

Mendelssohn wrote the Christian anthem Hear My Prayer in Germany in 1844 and premiered it the next year in London. William Bartholomew wrote the English lyrics as well as collaborating with the composer on his oratorioElijah.Wings of a Dove the second part of Hear My Prayer is frequently performed as a separate work and was made famous in the UK through a 1927 recording. The work was originally written for SATB Chorus and Organ or Orchestra and is here rendered for two Voices with Piano transposed from G to F to meet the requirements of amateur singers.

Par FAURE GABRIEL / SAINT-SAENS CAMILLE. A delightful collection of French romantic gems, including settings of 'Ave Maria', 'Ave Verum' and 'Tantum Ergo' by both composers. This book also includes a detailed and informative introduction. Arranged for SA Choir with Organ or Piano accompaniment. / Niveau : Assez Facile / Répertoire / SA

Coventry Carol. for SA or TB and optional piano/organ/melody instruments Intricate counterpoint and a continuo-style bassline bring a medieval flavour to Williams' arrangement of this much-loved carol.