Arr. Ron Sebregts. Par JACKSON MICHAEL. Michael Jackson, the King of Pop, died in Los Angeles on June 25th 2009. He can without any shadow of a doubt be compared with artists such as Elvis Presley, Jimi Hendrix, and John Lennon - all of them musicians who will never die in the hearts of their fans. Why not keep the legend of Michael Jackson alive in your next concert with this hit from Michael Jackson’s repertoire. / Niveau : 3 / Musique pour célébration / Répertoire / Fanfare

Swing it William!. Par BLANKEN JOHN. The King's Swing basiert auf der niederländischen Nationalhymne Wilhelmus. John Blanken präsentiert diese aber zur Abwechslung in einem völlig neuen Gewand als Swingnummer. Blankens Werk enthält eine Reihe verschiedener Elemente: die rhythmisch angepasste Melodie, einen Walking Bass, eine Gegenstimme und eine rhythmische Begleitung. Eine witzige Idee, gekonnt umgesetzt in ein Blasorchesterstück, das überzeugen wird! / Niveau : 4 / Musique légère originale / Répertoire / Fanfare

Wanna listen to the king, you look like an Elvis. / Niveau : 3 / TV, Film, Comédie musicale / Répertoire / Fanfare

A brilliant concert-march in the best British martial tradition. Both the title and composition are based on the well-known hymn 'Seek Ye First the Kingdom of God'.

Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.

The Lion The Witch And The Wardrobe-The Disney hit movie The Chronicles of Narnia tells the story of four children who travel through a magical wardrobe to the land of Narnia and learn of their destiny to free it with the guidance of a talking lion. Much of the fantastic mystical atmosphere of the movie comes from Harry Gregson-Williams fantastic soundtrack. This medley features the highlights of the original soundtrack and it is sure to be a magical success in any concert.

The Story of King Arthur nous fait remonter au Moyen Âge ? à la légende du roi Arthur. Le compositeur belge Filip Ceunen décrit cette histoire passionnante en trois mouvements sans interruption : Camelot représenté par un thèmeféerique et majestueux le Saint-Graal dépeint par un thème mystérieux et lyrique puis Excalibur qui prend forme dans un allegro énergique. The Story of King Arthur est une ?uvre adaptée aux ensembles en cours d?apprentissage.Avec cette composition Filip Ceunen gagna le Familie Van Riet-prijs 2015 (Prix de la Famille Van Riet 2015).

Imposing and ominous you can feel the foreboding tension as the giant beast approaches and then experience the power as he arrives on the scene. Massive percussion scoring and dense brass clusters help create a stunning effect.