Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Nimm von
uns, Herr. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1724. BWV 101. 4 pages.
Duration 25 minutes.
Carus Verlag #CV
31.101/13. Published by
Carus Verlag
(CA.3110113).
ISBN
9790007047337. Key: D
minor. Language:
German/English. Text:
Moller, Martin. Text:
Martin
Moller.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.101/21 flute, 1x
31.101/22 oboe 1, 1x
31.101/23 oboe 2, 1x
31.101/24 English horn,
1x 31.101/31 horn, 1x
31.101/32 trombone 1, 1x
31.101/33 trombone 2, 1x
31.101/34 trombone 3.
German title: Nimm von
uns, Herr 8. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 101. 44 pages.
Duration 25 minutes.
Carus Verlag #CV
31.101/09. Published by
Carus Verlag
(CA.3110109).
ISBN
9790007047306. Key: D
minor. Language:
German/English. Text:
Moller, Martin. Text:
Martin
Moller.
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038).
ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper.
Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Sacred
vocal music, Masses,
Latin. Choral Score.
Duration 35 minutes.
Carus Verlag #CV
27.053/05. Published by
Carus Verlag
(CA.2705305).
ISBN
9790007113520. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score available
separately - see item
CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/14. Published by
Carus Verlag
(CA.2705314).
ISBN
9790007199593. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Composed
by Franz Joseph Haydn.
Edited by Armin Kircher.
Arranged by Luigi Gatti.
Sacred music from
Salzburg. German title:
Schopfungsmesse. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 35
minutes. Carus Verlag #CV
27.053/19. Published by
Carus Verlag
(CA.2705319).
ISBN
9790007133887. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 24 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/49. Published by
Carus Verlag
(CA.2705349).
ISBN
9790007199616. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. 1x 27.053/21
flute 1, 1x 27.053/22
flute 2, 1x 27.053/31
horn 1, 1x 27.053/32 horn
2, 1x 27.053/33 trumpet
1, 1x 27.053/34 trumpet
2, 1x 27.053/41 timpani.
Sacred music from
Salzburg. Harmony parts.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 60
pages. Duration 35
minutes. Carus Verlag #CV
27.053/09. Published by
Carus Verlag
(CA.2705309).
ISBN
9790007199555. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola.
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/13. Published by
Carus Verlag
(CA.2705313).
ISBN
9790007199586. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.053/15. Published by
Carus Verlag
(CA.2705315).
ISBN
9790007199609. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 1.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/11. Published by
Carus Verlag
(CA.2705311).
ISBN
9790007199562. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/12. Published by
Carus Verlag
(CA.2705312).
ISBN
9790007199579. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111919
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Preise,
Jerusalem Neuausgabe
U.Wolf. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks. Set of Orchestra
Parts. Composed 1723. BWV
119. Duration 27 minutes.
Carus Verlag #CV
31.119/19. Published by
Carus Verlag
(CA.3111919).
ISBN
9790007136673. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and parts available
separately - see item
CA.3111900.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111913
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Preise, Jerusalem
Neuausgabe U.Wolf. Sacred
vocal music, Cantatas,
Psalms, German, Praise
and thanks. Single Part,
Viola. Composed 1723. BWV
119. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.119/13. Published by
Carus Verlag
(CA.3111913).
ISBN
9790007048778. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and part available
separately - see item
CA.3111900.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111911
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Preise, Jerusalem
Neuausgabe U.Wolf. Sacred
vocal music, Cantatas,
Psalms, German, Praise
and thanks. Single Part,
Violin 1. Composed 1723.
BWV 119. 4 pages.
Duration 27 minutes.
Carus Verlag #CV
31.119/11. Published by
Carus Verlag
(CA.3111911).
ISBN
9790007048754. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and part available
separately - see item
CA.3111900.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111905
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Preise, Jerusalem
Neuausgabe U.Wolf. Sacred
vocal music, Cantatas,
Psalms, German, Praise
and thanks. Choral Score.
Composed 1723. BWV 119. 8
pages. Duration 27
minutes. Carus Verlag #CV
31.119/05. Published by
Carus Verlag
(CA.3111905).
ISBN
9790007048730. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
available separately -
see item CA.3111900.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111909
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. 2x 31.119/21 2
flutes, 1x 31.119/22 oboe
1, 1x 31.119/23 oboe 2,
1x 31.119/24 oboe 3, 5x
31.119/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. Preise,
Jerusalem Neuausgabe
U.Wolf. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks. Set of Orchestra
Parts. Composed 1723. BWV
119. 36 pages. Duration
27 minutes. Carus Verlag
#CV 31.119/09. Published
by Carus Verlag
(CA.3111909).
ISBN
9790007048747. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and parts available
separately - see item
CA.3111900.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111912
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Preise, Jerusalem
Neuausgabe U.Wolf. Sacred
vocal music, Cantatas,
Psalms, German, Praise
and thanks. Single Part,
Violin 2. Composed 1723.
BWV 119. 4 pages.
Duration 27 minutes.
Carus Verlag #CV
31.119/12. Published by
Carus Verlag
(CA.3111912).
ISBN
9790007048761. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and part available
separately - see item
CA.3111900.
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB
choir, 2 recorders f1,
oboe I/oboe d'caccia i,
oboe II, oboe IIi/oboe
d'caccia II, 4 trumpets,
timpani, 2 violins,
viola, basso continuo
SKU: CA.3111914
Cantata for the
inauguration of town
councils in Leipzig.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Preise, Jerusalem
Neuausgabe U.Wolf. Sacred
vocal music, Cantatas,
Psalms, German, Praise
and thanks. Single Part,
Cello/Double Bass.
Composed 1723. BWV 119.
12 pages. Duration 27
minutes. Carus Verlag #CV
31.119/14. Published by
Carus Verlag
(CA.3111914).
ISBN
9790007048785. Key: C
major. Language:
German/English. Text:
Goes, Albrecht. Text:
Albrecht
Goes.
Bach's first
cantata for the election
of the Leipzig town
council, composed in
August 1723, is one of
his most splendidly
scored work from his
Leipzig period. The
choice of opening, with
the representative form
of a French overture, was
suited to a festive
orchestral scoring. Two
choral movements frame a
middle section which
consists of two arias and
a recitativo accompagnato
with a trumpet
ritornello. The
conclusion of this
extended festive music
takes a reflective turn
in movements 8 and 9,
when Bach allows a
recitative to be followed
by simple, prayer-like
chorale movement. Score
and part available
separately - see item
CA.3111900.
Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. ...(+)
Solo voices, mixed choir,
orchestra
Urtext based on the new
Complete Edition.
Composed by
Johannes Brahms
(1833-1897).
Edited by Michael
Musgrave
and Michael Struck.
Breitkopf
and Haertel #OB 16109-30.
Published by Breitkopf
and
Haertel
Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch)
SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01).
ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel.
The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
WithL'Etoil
e, Chabrier composed a
light-hearted opera which
has increasingly enjoyed
revivals in recent
years.
The plot
is introduced by King Ouf
I who offers his subjects
an execution every year
on his birthday.
Unfortunately the problem
now arises that no crime
has recently been
committed which might
serve as a reason for an
execution. Finally, he
finds a would-be victim
in the young Lazuli.
However, according to
predictions by the
astrologer Siroco,
Lazuli's fate is closely
linked to the king's own
life. The comic opera is
further bolstered by a
story of mistaken
identities which involves
a great deal of
diplomacy, a love story
and a large number of
refined, yet catchy
melodies. Chabrier was
a master of the sensitive
and complicated art of
musical comedy, a field
where he can be compared
in equal measure to
Offenbach, Rossini and
Mozart.
This vocal
score is based on the
full score edited by Hugh
Macdonald which is
published as part of the
seriesL'Opera
francais.
-
Authoritative Urtext
edition based on the
seriesL'Opera
francais - Original
French text with a German
singing translation -
Comprehensive foreword
(Ger/Eng/Fr)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent, Christmas. Single
Part, Organ. Composed
1731. BWV 36. 20 pages.
Duration 31 minutes.
Carus Verlag #CV
31.036/49. Published by
Carus Verlag
(CA.3103649).
ISBN
9790007205690. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and part
available separately -
see item CA.3103600.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Vocal score.
Composed 1731. BWV 36. 44
pages. Duration 31
minutes. Carus Verlag #CV
31.036/03. Published by
Carus Verlag
(CA.3103603).
ISBN
9790007171605. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Study score.
Composed 1731. BWV 36. 52
pages. Duration 31
minutes. Carus Verlag #CV
31.036/07. Published by
Carus Verlag
(CA.3103607).
ISBN
9790007244910. Language:
German/English.
Bac
h's well-known church
cantata Schwingt freudig
euch empor BWV 36 (Up
joyous raise your song),
first heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600.