Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition

Référence unique par son ISBN 3553302220067 cette partition musique n'est autre que Trio In D Haydn Flute Violon 2 Cd qui a été composée pour Flûte Ou Violon. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions ID Music. La référence catalogue de cette oeuvre est YOU006. / Flûte Ou Violon / Partition Cd

Par STACY PHILLIPS. En réponse à nombreuses demandes pour une version simplifiée de sa très acclamée \' Klezmer Collection \', Stacy Phillips a compilé une sélection de pièces pour compter les instrumentistes de ce livre classique. Musique klezmer venait à l\'origine les ghettos juives d\'Europe de l\'est de la XIXe et au début du XXe siècle. Le style reflète son mélange de patrimoines d\'Europe, Near East et tzigane. Ces arrangements sont fondées sur certaines des premiers enregistrements classiques en Europe et en Amérique. À ce titre, ils sont une grande introduction à cette musique qui est maintenant un phénomène mondial. Chaque numéro est arrangé pour C, Bb, Eb et instruments de bass clef. Laiton, reed, piano, flute et acteurs de la chaîne peuvent recevoir la gratification instantanée de ces accords de niveau d\'entrée. Le CD accompagnant montre des versions de l\'ensemble de la musique, effectuée au rythme lent, par des artistes de Klezmer de classe mondiale sur la clarinette, violon, guitare et basse. / Niveau : Débutant à Intermédiaire / Jewish - Solos / Recueil / Violon

Par SKY PATRICK. Au milieu de XIXe siècle, violoneux et éditeur Elias Howe de Boston, a publié son Howe 1000 turluttes et bobines qui s'est avéré être un livre innovateur. Maintenant, grâce à Mel Bay Publications, Inc. et spécialiste de la musique, rédacteur en chef Patrick Sky, Howe 1000 turluttes et bobines est une fois de plus mis en lumière pour la première fois en plus de 100 ans. Cet ouvrage de turluttes, reels, danses de sabot, contra danses, danses de fantaisie, hornpipes, des strathspeys, pannes, danses irlandaises, danses de Scotch et plus est approprié pour le violon ou fiddle, flute, guitare, mandoline, tinwhistle, enregistreur ou tout instrument triple. C'est un must pour violoneux ainsi que les historiens de la musique. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Songbooks / Recueil / Violon

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violon 1 (Partie Séparée)

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violon 2 (Partie Séparée)

Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the violin. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/groove-connection/ Recueil / Violon

Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flute and piano in the style of “RAPsody“ from “Pop Music for Violin & Piano“. The accompanying CD provides the piano accompaniment in two different tempos: a comfortable one for practicing and a brighter one for performance. / Niveau : Intermédiaire / Classic - Solos / Recueil / Violon

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violon

16 Easy Pieces from the Scottish Baroque-Here's your chance to encounter the composers of 18th century Scotland with a special selection of pieces for Violin (Flute or Oboe) and Piano with optional Cello part and a CD of play-along tracks.This unique set of melodies crosses the boundaries between folk and classical music in a delightful and accessible way. You'll find dance tunes love songs two pieces by the Earl Of Kelly (a former student of Stamitz) as wel as the first modern edition of James Oswald's Thistle Sonata.Also suitable for the Flute and Oboe the tunes make creative use of the Violin's first position and are complimented by simple effective accompaniments. There arealso some newly researched authentic texts providing informative insights into the pieces and their composers.An accompanying CD presents both demonstration recordings and play-along backing tracks.

The Baroque Around the World series for flexible ensemble with keyboard can be used in the home in schools and in music centres - ideal for informal music-making as well as student and professional performance.Each publication includes a CD with listening and play-along tracks performed by the outstanding musicians Sharon Lindo (violin) Jennifer Stinton (flute) Nick Stringfellow (cello) and Jeremy Barlow (harpsichord).16 easy to intermediate pieces for violin (flute or oboe) keyboard and optional cello (bassoon). From 18th-century England the collection includes country dances Cheshire rounds hornpipes and pantomime tunes plus examples of the march minuet siciliana gavotte and jig. Featured composers include Arne Earl of Abingdon Hebden Holcombe Linley Roseingrave Stanley Thackray.

2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violoncelle

Now you can be the feature Violin soloist on eight specially recorded arrangements from the classic cult comedy film The Blues Brothers. The CD contains full backing tracks professionally arranged and recorded to help you learn the songs. The book is full of carefully selected and edited Violin arrangements with chord symbols in concert pitch allowing any Guitar or Keyboard instrument to accompany. Take The Lead is an integrated series for Flute Clarinet Alto Sax Tenor Sax Trumpet and Violin. In each edition all the songs are in the same concert pitch key so the different instruments can play together. All accompanying chord symbolsare in concert pitch for use by Piano or Guitar.

The Celtic was written as David Heath's second work as composer in residence with the BT Scottish Ensemble. It is dedicated to the ensemble's musical director violinist Clio Gould who gave the premiere in 1995.The concerto is in three movements each with its own story. The first movement Ceilidh captures the atmosphere of a ceilidh getting wilder and wilder as everyone gets intoxicated on the 'atmosphere'.The second movement is a Lament for Collessie: during the autumn of 1994 Heath's family had to move back to London and they all really missed Collessie Fife where they had lived for a year. Lament for Collessie is a slow movementwhich expresses these feelings.In 1994 one of the great craftsmen of the century flute-maker Albert Cooper was 70 and Heath wanted to write a piece to celebrate his birthday. Living in Cupar Fife Heath decided to base the piece on an old version of a popular local song 'The Wee Cooper of Fife'. As Albert lives in Clapham (London) it became The Cooper of Clapham.The Celtic has been recorded by Clio Gould & the BT Scottish Ensemble on Linn CKD073 and by Ittai Shapira & the English Chamber Orchestra on Black Box BBM1083