By Ed Huckeby. For concert band. Concert Band series. Grade 3. Score and set of parts. Duration 3 minutes. Published by C.L. Barnhouse

Ballad. Composed by Ted Huggens. Original Works: Light Music Repertoire. Molenaar Band Music. Full set. Published by Molenaar Edition (ML.011407080).

By John Edmondson. For concert band. Queenwood Young Band. Grade 2.5. Score and parts. Published by Queenwood Publications

By John Edmondson. For concert band. Queenwood Young Band. Grade 2.5. Score. Published by Queenwood Publications

Composed by Chandler Wilson. Concert Festival. Concert Band Series. Score and parts. Duration 0:04:49. Published by C.L. Barnhouse (CL.012-4571-00).

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3.5

SKU: CF.CPS228F

Composed by George Sweet. Concert Band (CPS). Full score. With Standard notation. 28 pages. Carl Fischer Music #CPS228F. Published by Carl Fischer Music (CF.CPS228F).

ISBN 9781491153222. UPC: 680160910724.

Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was a large influencing factor for George Sweet in the composition of this piece. Richly scored for the modern concert band, Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.
Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was an influencing factor on the composition of the piece. Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.This begins with strict motor accompaniment. Take care to maintain equal balance among the different “moving parts” so that they blend to create a solid whole both here and throughout the piece. The primary thematic material is stated by the trumpets and horns at m. 12. This material is the basis for much of the harmonic and thematic material that follows. A slightly varied statement of the main theme is presented again at m. 26 with a different type of motor accompaniment. This leads to a B-section at m. 44, which is a bold fanfare-like presentation of the main material. Another series of variations on the main theme begins at m. 50 and incorporates many different textural and harmonic ideas in the accompaniment. Once again, be careful to not let any one “moving part” overwhelm another and keep the texture evenly balanced.  A second, broader presentation of the B-section occurs at m. 90 and leads to a subdued C-section at m. 100 with new melodic material presented in the trumpet. A whimsical march-like section pushes to the return of the introductory motor material at m. 131. A final heroic presentation of the main thematic material results in a somewhat ambiguous coda, which brings the piece to a dramatic conclusion.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3.5

SKU: CF.CPS228

Composed by George Sweet. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+16+16+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+8+1+2+2+ 2+2+4+8+2+28+4 pages. Duration 4 minutes, 35 seconds. Carl Fischer Music #CPS228. Published by Carl Fischer Music (CF.CPS228).

ISBN 9781491152546. UPC: 680160910045.

Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was a large influencing factor for George Sweet in the composition of this piece. Richly scored for the modern concert band, Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.
Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was an influencing factor on the composition of the piece. Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.This begins with strict motor accompaniment. Take care to maintain equal balance among the different “moving parts” so that they blend to create a solid whole both here and throughout the piece. The primary thematic material is stated by the trumpets and horns at m. 12. This material is the basis for much of the harmonic and thematic material that follows. A slightly varied statement of the main theme is presented again at m. 26 with a different type of motor accompaniment. This leads to a B-section at m. 44, which is a bold fanfare-like presentation of the main material. Another series of variations on the main theme begins at m. 50 and incorporates many different textural and harmonic ideas in the accompaniment. Once again, be careful to not let any one “moving part” overwhelm another and keep the texture evenly balanced.  A second, broader presentation of the B-section occurs at m. 90 and leads to a subdued C-section at m. 100 with new melodic material presented in the trumpet. A whimsical march-like section pushes to the return of the introductory motor material at m. 131. A final heroic presentation of the main thematic material results in a somewhat ambiguous coda, which brings the piece to a dramatic conclusion.

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1681S

Score Only. Composed by Ryan Fraley. Concert Band. FJH Young Band. Score. Duration 4:00. The FJH Music Company Inc #98-B1681S. Published by The FJH Music Company Inc (FJ.B1681S).

English.

Moving between lush chorales and a quick, light-hearted theme, Scattered Light is a memorial work with secret codes embedded directly in the music to honor a student who was fascinated by the use of such codes. The contrast between expressive ensemble playing and light, jovial bursts of energy provides a full range of musical ideas.

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-127-010

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 127-010. Published by Anglo Music Press (BT.AMP-127-010).

English-German-French- Dutch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging. Once you have played this once you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Viele Lieder des amerikanischen Komponisten Stephen Foster handelten von den schwarzamerikanischen Sklaven zur Zeit der Abschaffung der Sklaverei. Foster war ein gewissenhafter Arbeiter und verbrachte manchmal Monate damit, den Text eines Liedes zu perfektionieren. Jeanie with the Light Brown Hair schrieb Foster nach einer langen Trennung von seiner geliebten Frau. Dieses strahlende Werk ist ein ideales langsames Zwischenspiel für Ihr Konzertprogramm.

S tephen Foster (1826-1864), fu un compositore molto meticoloso. Dedicò a volte mesi al perfezionamento della scrittura di un testo. Conobbe il successo nel 1848 con Oh! Susanna e la crescente notoriet gli consentì di lasciare la provincia americana alla volta di New York. Ma il trasferimento non ebbe l’effetto desiderato, tanto che nel 1854 sua moglie Jane e sua figlia Marion ritornarono a Pittsburgh. L’assenza prolungata di sua moglie gli ispirò la canzone Jeanie with the Light Brown Hair.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-127-140

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Score Only. Composed 2005. 16 pages. Anglo Music Press #AMP 127-140. Published by Anglo Music Press (BT.AMP-127-140).

English-German-French- Dutch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging. Once you have played this once you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Viele Lieder des amerikanischen Komponisten Stephen Foster handelten von den schwarzamerikanischen Sklaven zur Zeit der Abschaffung der Sklaverei. Foster war ein gewissenhafter Arbeiter und verbrachte manchmal Monate damit, den Text eines Liedes zu perfektionieren. Jeanie with the Light Brown Hair schrieb Foster nach einer langen Trennung von seiner geliebten Frau. Dieses strahlende Werk ist ein ideales langsames Zwischenspiel für Ihr Konzertprogramm.

S tephen Foster (1826-1864), fu un compositore molto meticoloso. Dedicò a volte mesi al perfezionamento della scrittura di un testo. Conobbe il successo nel 1848 con Oh! Susanna e la crescente notoriet gli consentì di lasciare la provincia americana alla volta di New York. Ma il trasferimento non ebbe l’effetto desiderato, tanto che nel 1854 sua moglie Jane e sua figlia Marion ritornarono a Pittsburgh. L’assenza prolungata di sua moglie gli ispirò la canzone Jeanie with the Light Brown Hair.

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1681

Composed by Ryan Fraley. Concert Band. FJH Young Band. Score and Part(s). Duration 4:00. The FJH Music Company Inc #98-B1681. Published by The FJH Music Company Inc (FJ.B1681).

UPC: 241444370414. English.

Moving between lush chorales and a quick, light-hearted theme, Scattered Light is a memorial work with secret codes embedded directly in the music to honor a student who was fascinated by the use of such codes. The contrast between expressive ensemble playing and light, jovial bursts of energy provides a full range of musical ideas.

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

Concert Band Concert Band - Grade 5.5

SKU: XC.MCB2204

Composed by Carol Brttin Chambers. Concert Concert Band. Maestro Grade 4 +. Festival. Set of parts. Excelcia Music Publishing #MCB2204. Published by Excelcia Music Publishing (XC.MCB2204).

12 x 9 inches.

Bright Light in the World is a serious and colorful new work by popular composer Carol Brittin Chambers. Beginning with exquisite timbres and textures, the piece builds into a brilliant fantasia on original theme, all the while intertwining This Little Light of Mine into the fabric of the piece.

Concert Band Concert Band - Grade 5.5

SKU: XC.MCB2204FS

Composed by Carol Brttin Chambers. Concert Concert Band. Maestro Grade 4 +. Festival. Score. Excelcia Music Publishing #MCB2204FS. Published by Excelcia Music Publishing (XC.MCB2204FS).

12 x 9 inches.

Bright Light in the World is a serious and colorful new work by popular composer Carol Brittin Chambers. Beginning with exquisite timbres and textures, the piece builds into a brilliant fantasia on original theme, all the while intertwining This Little Light of Mine into the fabric of the piece.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1165725-010

Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Hymns & Chorals. Set (Score & Parts). Composed 2016. De Haske Publications #DHP 1165725-010. Published by De Haske Publications (BT.DHP-1165725-010).

English-German-French- Dutch.

A Vision of the First Light was commissioned by the Kitami Wind Ensemble, as a commemorative work for their 30th Anniversary. Satoshi Yagisawa composed this piece to conjure “Illusion seen through the dawn” of Hokkaido. The work starts with a quiet and beautiful introduction describing the landscape. The music is rising towards a festive, celebrating fanfare, before a deep tranquility descends, towards the end, creating a moment of reflection.

A Vision of the First Light werd geschreven in opdracht van het Kitami Wind Ensemble, ter gelegenheid van het dertigjarig bestaan van dit orkest. Satoshi Yagisawa componeerde het werk op basis van ‘beelden gezien bij het ochtendgloren’ van Hokkaido. De compositie opent met een mooie, rustige beschrijving van het landschap. De muziek bouwt dan op naar een briljante, feestelijke fanfare, waarna ze tegen het slot weer tot rust komt in een moment van reflectie.

A Vision of the First Light wurde vom Kitami Wind Ensemble aus Anlass seines 30-jährigen Bestehens in Auftrag gegeben. Satoshi Yagisawa komponierte das Stück, um eine Illusion von Hokkaido in der Morgendämmerung“ zu erwecken. Das Werk beginnt mit einer leisen und wunderschönen Einleitung, in der die Landschaft beschrieben wird. Die Musik steigert sich bis zu einer festlichen Fanfare, bevor eine tiefe Gelassenheit zum Schluss hin eintritt.

A Vision of the First Light fut commandé par le Kitami Wind Ensemble comme œuvre commémorative pour son 30e anniversaire. Satoshi Yagisawa a composé ce morceau pour évoquer « L’illusion travers l’aube » de Hokka do. L’œuvre commence par une introduction calme et magnifique qui décrit le paysage. La musique s’élève jusqu’ une fanfare festive, avant qu’une tranquillité profonde ne s’empare de l’atmosphère et crée un moment de réflexion vers la fin.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1165725-140

Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Hymns & Chorals. Score Only. Composed 2016. De Haske Publications #DHP 1165725-140. Published by De Haske Publications (BT.DHP-1165725-140).

English-German-French- Dutch.

A Vision of the First Light was commissioned by the Kitami Wind Ensemble, as a commemorative work for their 30th Anniversary. Satoshi Yagisawa composed this piece to conjure “Illusion seen through the dawn” of Hokkaido. The work starts with a quiet and beautiful introduction describing the landscape. The music is rising towards a festive, celebrating fanfare, before a deep tranquility descends, towards the end, creating a moment of reflection.

A Vision of the First Light werd geschreven in opdracht van het Kitami Wind Ensemble, ter gelegenheid van het dertigjarig bestaan van dit orkest. Satoshi Yagisawa componeerde het werk op basis van ‘beelden gezien bij het ochtendgloren’ van Hokkaido. De compositie opent met een mooie, rustige beschrijving van het landschap. De muziek bouwt dan op naar een briljante, feestelijke fanfare, waarna ze tegen het slot weer tot rust komt in een moment van reflectie.

A Vision of the First Light wurde vom Kitami Wind Ensemble aus Anlass seines 30-jährigen Bestehens in Auftrag gegeben. Satoshi Yagisawa komponierte das Stück, um eine Illusion von Hokkaido in der Morgendämmerung“ zu erwecken. Das Werk beginnt mit einer leisen und wunderschönen Einleitung, in der die Landschaft beschrieben wird. Die Musik steigert sich bis zu einer festlichen Fanfare, bevor eine tiefe Gelassenheit zum Schluss hin eintritt.

A Vision of the First Light fut commandé par le Kitami Wind Ensemble comme œuvre commémorative pour son 30e anniversaire. Satoshi Yagisawa a composé ce morceau pour évoquer « L’illusion travers l’aube » de Hokka do. L’œuvre commence par une introduction calme et magnifique qui décrit le paysage. La musique s’élève jusqu’ une fanfare festive, avant qu’une tranquillité profonde ne s’empare de l’atmosphère et crée un moment de réflexion vers la fin.

By H. Carmichael. Arranged by Giancarlo Gazzani. Concert band. As performed by Ray Charles. Jazz Music, Evergreen. Grade 3. Score and set of parts. Duration 4:20

Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble. Tyler S. Grant Music Works. Score and Part(s). Edition Peters #98- TSGB026. Published by Edition Peters

Folk Song Suite No. 2. (for Wind Band). By Frigyes Hidas. For Concert Band (Score and Parts). EMB. Grade 4. Editio Musica Budapest #Z13147SET. Published by Editio Musica Budapest

Composed by Anthony LaBounty. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR372). Score and set of parts. Composed 2011. Duration 6 minutes, 8 seconds. Published by Opus III Wind Orchestra Publication

Edited by and orch. Brant Karrick. Arranged by for piano by Percy Grainger. Concert Band. Concert Band; Score; SmartMusic. Alfred Concert Band. Form: Dance; Transcription. Folk; Light Concert. Grade 3.5. 16 pages. Published by Alfred Music

Grade 3

SKU: CL.012-4875-00

Composed by Yeo. Concert Band. Concert Band Series. Score and set of parts. Composed 2020. Duration 2 minutes, 32 seconds. Opus III Wind Orchestra Publications #012-4875-00. Published by Opus III Wind Orchestra Publications (CL.012-4875-00).

Modern and spectacular, Silver Light! is guaranteed to be an impressive opener for your next concert! Together with optional piano, harp and extended woodwind parts for a larger instrumentation, Benjamin Yeo's powerful scoring makes this a refreshing and unforgettable selection for both your performers and audiences. Do not miss this strong beam of Silver Light! in your next program! Exciting!

Concert Band - Grade 3

SKU: HL.44011005

Grade 3 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Score Only. Composed 2011. 22 pages. Anglo Music Press #AMP317140. Published by Anglo Music Press (HL.44011005).

UPC: 884088637651. 9x12 inches. English-German-French-Dut ch.

White Light was commissioned by Fumiko Teramoto, oboist with the Musashino Grand Concert Band in Tokyo, Japan. The request was for a moderately slow piece of intermediate difficulty that included the work “white” (Ms. Teramoto's lucky color) in the title. The composer used this suggestion to write a piece that was both bright and light in terms of harmony, color and orchestration, with much use of simple major and minor chords and an emphasis on the pure, transparent timbres of the upper woodwinds of the band; he was also keen to capture the essence and history of the oboe as a solo instrument. The piece is pastoral in character and often almost baroque in style. It opens with a chorale-like passage on flutes and clarinets; the soloist enters with a recitative over trilling clarinets. The main theme is then introduced, accompanied by the woodwinds. After a short bridge passage, a change of key heralds a second theme by the soloist, with gentle brass punctuations. This builds to a climax, ending on a high trill from the soloist. After short passage over a timpani roll, the band recalls the main theme, taken up once again by the soloist. This leads to a short cadenza before the closing bars bring the work peacefully to a close.

Piano

SKU: HL.14001903

Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. Music Sales #KP00981. Published by Music Sales (HL.14001903).

ISBN 9788759859605. Danish.

Animals In Concert - Three pieces for Piano solo by Per Norgard. Programme Note  1. A Tortoise's Tango (1984) - dur.: 4'  2. Light of a Night - Paul meets bird (1989) - dur.: 6'  3. Hermit Crab Tango - Esperanza (1997) - dur.: 5'   The pieces can be performed together or one by one. In the1980s, quite a few finds turned up in Per Norgard's music. The material could be, say, a number of song birds' equilibrist melodic lines, the overtones of the ocean surf, or waltzing themes by the schizophrenic artist Adolf Wolfli (1864-1930). Or again, as heard here, it can be the rhythms and motifs of the tango and a Beatles song (with bird), explored in three independent piano pieces that form the Animals in Concert suite, about which the composer writes:  A Tortoise's Tango: The tortoise as tango dancer must presumably possess certain rhythmic peculiarities, which I have chosen to express by letting the tune of the tortoise shuffle broadly, tripartite through the strict four partite time of tango.  Tortoise Tango was the original title of this piece, written for Achilles (the pianist Yvar Mikhashoff), for his so called tango project, including new tangos for piano by composers from all over the world.  Light of a Night (Paul meets bird) was commissioned by pianist Aki Takahashi. It is a reworked arrangement for piano of the Beatles song Blackbird. As some of us will recall, the Beatles on The White Album let the beautiful song to the blackbird be accompanied by an (apparently) live blackbird song. It is this authentic bird-motif world that in Light of a Night weaves itself into the Beatles melody and in turn is gradually infected by it, so that a completely new third entity ensues: a kind of Bird-rock ballad (or maybe it is a Beatle-bird?).  Hermit Crab Tango (Esperanza): The tango situation is quite special for a Hermit Crab. It is a well-known fact that the hermit crab - this soft animal - must run the gauntlet among the many perils at the bottom of the sea when it must move hose. I have chosen to express the angers by a tango pattern - sharp as a cactus - through which the tune, optimistic, slips to its new shelter. I have borrowed the tune from songwriter Hanne Methling's Introduction: 'I want to get through this time!' she sings in a ecstatically ascending melody line - and I believe that these words must correspond very well to the mood of the hermit crab: 'Esperanza'- the green runners of hope wind among the latticework formed by the tango rows.

Grade 3

SKU: CL.012-4693-00

Composed by Sciaino. Concert Band. Score and set of parts. Composed 2019. Opus III Wind Orchestra Publications #012-4693-00. Published by Opus III Wind Orchestra Publications (CL.012-4693-00).

Infectiously rhythmic and energizing, Swirling in the Light Bulbs is a refreshing addition to any concert program! Conjuring images of an electrical current through swirling melodic lines and irresistible grooves, this engaging selection explores the wonder of harnessed energy. Swirling in the Light Bulbs is inspired by former U.S. Poet Laureate Billy Collins’s take on this often overlooked modern miracle. In his poem August, Collins writes and time to offer some thanks to the electricity swirling in the light bulbs. Allow audiences to be captivated as your ensemble generates a relentless pulse and builds exhilarating sonic momentum before a whimsically abrupt ending signals the band powering off..

Grade 3

SKU: CL.012-4693-01

Composed by Sciaino. Concert Band. Extra full score. Composed 2019. Opus III Wind Orchestra Publications #012-4693-01. Published by Opus III Wind Orchestra Publications (CL.012-4693-01).

Infectiously rhythmic and energizing, Swirling in the Light Bulbs is a refreshing addition to any concert program! Conjuring images of an electrical current through swirling melodic lines and irresistible grooves, this engaging selection explores the wonder of harnessed energy. Swirling in the Light Bulbs is inspired by former U.S. Poet Laureate Billy Collins’s take on this often overlooked modern miracle. In his poem August, Collins writes and time to offer some thanks to the electricity swirling in the light bulbs. Allow audiences to be captivated as your ensemble generates a relentless pulse and builds exhilarating sonic momentum before a whimsically abrupt ending signals the band powering off..

Concert Band/Harmonie/Fanfare and Saxophone Solo - Grade 2.5

SKU: BT.DHP-1094773-215

Composed by Harm Evers. Solo Spectrum. Score Only. Composed 2009. 8 pages. De Haske Publications #DHP 1094773-215. Published by De Haske Publications (BT.DHP-1094773-215).

9x12 inches. English-German-French-Dut ch.

The title Saxophones in the Light describes what the piece does - it puts not one, not two, but three of your saxophones into the limelight! At the same time Harm Evers also manages to bring out the best in your concert band. This exciting and inventive piece will give all your musicians a chance to shine.

Der Titel Saxophones in the Light ist quasi eine Gebrauchsanweisung für dieses fröhliche neue Solostück aus der Feder von Harms Evers. Es heißt nämlich wörtlich übersetzt: Saxophone ins Licht“ und rückt drei Saxophonisten ins rechte Licht - das Rampenlicht - und zeigt darüber hinaus auch das begleitende Blasorchester von der besten Seite.

Come indica il titolo, Saxophones in the light è un brano luminoso che permette a tre sassofonisti di mettersi in evidenza. L’accompagnamento orchestrale è curato e sottolinea la trama solistica.