Par SERRANO JUAN. In this outstanding DVD Juan Serrano shares the spotlight with dancer Andrea Sanchez, and explains the interaction of the guitarist and dancer in the flamenco tradition. A sophisticated 3-camera filming technique, including split-screen and picture-in-picture format, reveals all aspects of this artistic relationship. Maestro Serrano applies his formidable knowledge of the flamenco guitar to the following rhythms in a perfectly synchronized display of technique and flamenco duende y gracia (fire and grace): Sevillanas, Farruca, Tangos, Romeras, Alegrias, Zapateado, and Bulerias. This video would be of interest to the aspiring flamenco dancer as well as the intermediate flamenco guitarist. / Niveau : Intermédiaire / Flamenco - Accompaniment / Accessoire / Guitare Classique

... plus eight more dance anthems ideal for auditions. Features sheet music for the full vocal part and piano accompaniment, plus a professionally recorded CD of full performance demos and backing tracks. Includes complete lyrics and guitar chords. / Piano/Vocal/Guitare (PVG) (Avec Grille D'Accords)

Le Philospoph et mystique GI Gurdjieff, qui est né dans le Caucase, à la frontière entre l'Arménie et la Turquie, a développé une théorie qui cherche à communiquer entre la connaissance ésotérique de l'Orient et de la pensée scientifique de l'Occident. En collaboration avec le compositeur russe Thomas de Hartmann créé une série de compositions pour piano, dont les mélodies ont été transformés à base de religions orientales. Certaines de ces oeuvres ont été pour la première fois arrangé pour deux guitares, parce que la relation avec les guitares asiatiques instruments à cordes pincées comme le luth ou 'tar', ils suggèrent de bonnes raisons. À son tour, la clarté et la puissance de cette musique sur les moyens fines et colorées. / 2 Guitares

Par MRAZ JASON. Retrouvez enfin les partitions pour chant et guitare (tablatures, symboles et grilles d'accords) du dernier album de Jason Mraz 'We Sing, We Dance, We Steal Things'. Inclus le tube de l'année 2009 'I'm Yours'. / Rép International / Tablatures / Guitare Tablatures

In the past two decades tango has experienced a popular resurgence worldwide. Almost universally familiar as a dance form, tango is also a distinctive genre of song or canción that was born in the impoverished outskirts of late 19th-century Buenos Aires. Whether sung in Spanish, or as would happen later, in Italian or Russian. Twenty-six songs illustrate the growth and diversity of tango from its Argentine roots to its dissemination throughout Europe and into the Middle East and beyond. These songs are represented both in print - with melody lines, chord boxes and lyrics in their original language and in English - and through classic recordings by the original artists on the accompanying CD. The CD features 26 classic recordings by the original artists. Donald Cohen is a New York born lawyer, history and music professor, guitarist and folklorist, he has also devoted himself to studying and collecting music from Europe and the Americas. / Voix Et Guitare

Des airs de danse irlandaise, avec leurs modes évocateurs, engageante l'ornementation et variété rythmique, faire des pièces de grande flatpicking, offre une richesse de matériel passionnant avec laquelle d'élargir les horizons et d'approfondir les racines. Pionnier flatpicker Eric Thompson a été fasciné par ce répertoire depuis longtemps et il a eu la chance de jouer avec des musiciens irlandais maîtres dans les années 1970 à San Francisco et de l'ouest de l'Irlande, y compris le légendaire Joe Cooley. Ici, Eric enseigne plusieurs de ses favoris turluttes, les bobines et les hornpipes et vous encadre en triplets, les appoggiatures et les nuances qui donnent la musique celtique irlandaise ses lilt et la sensation. Tous en notation standard et onglet avec trois CD audio incluaient. / Guitare (Flatpick) Et Plectre / 32 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par VAN HALEN. This amazing 1200-page collection features the complete guitar TAB for every single Van Halen album, including smash hit records like Van Halen, 1984, and 5150! Songs include 'Runnin' with the Devil,' 'Ain't Talkin' 'Bout Love,' 'Mean Streets,' 'Jump,' 'Panama,' 'Hot For Teacher,' 'Why Can't This Be Love,' 'Dreams,' 'Best of Both Worlds,' 'Right Now,' and many, many more! This is a must-have for every true Van Halen fan. / Instrumental Music, Miscellaneous, Scores, Songboo / Tablatures / Guitare et Voix

Live At The Roman Amphitheatre, Istanbul. Par MARTIN JUAN. Un été de la soirée dans le cadre spectaculaire de l'amphithéâtre romain à Istanbul, le compositeur et guitariste connu mondialement Juan Martin a présenté un spectacle en plein air de sa compagnie de danse flamenco. Il a réuni quelques-uns des meilleurs danseurs et musiciens en Espagne pour cette performance au Festival du Bosphore. Chorégraphié avec les conseils d'un producteur de West End, Juan Martín entremêle la danse et la musique pour former un spectacle de flamenco merveilleux. Ici, il combine l'authenticité du flamenco pur avec l'éclat de la créativité moderne. Il s'agit d'une société pleine de 25 artistes dont 10 danseuses, danseurs masculins 8 et 7 musiciens avec plate-forme complète de l'éclairage. Durée: 1 h 39 min. / Flamenco - Concert/Documentary / Accessoire / Guitare Classique

Par BRAHMS JOHANNES. Alors qu'initialement conçu comme piano duos, danses hongroises de Johannes Brahms (opus 39) ont été transcrits pour divers ensembles instrumentaux, y compris la version orchestrale fournie par le compositeur lui-même. Dans cette édition, exceptionnel guitariste hongrois József Eötvös a transcrit tous les vingt et un des danses pour guitare solo, en notation standard uniquement avec les doigtés suggérées. Alors que beaucoup de ces transcriptions se trouvent bien sur l'idéogramme, ce volume est recommandé pour le guitariste classique avancé. / Niveau : Intermédiaire à Avancé / Classic - Solos / Répertoire / Guitare Classique

Par GREEN DAY. Authentiques transcriptions pour guitare de l'album live 'Bullet In A Bible' de Green Day. Paroles et partitions en solfège, grilles d'accords et tablatures. / Rép International / Tablatures / Guitare Tablatures

Par HUTCHINSON PAUL. Sixty Country Dance Tunes 1786-1800 is a collection of rediscovered folk tunes, made available for the first time since the end of the eighteenth century. Consultant editor and renowned folk musician Paul Hutchinson has curated this edition, bringing together the following original publications: - Twenty Four Country Dances for the Year 1786 - Cahusac's Annual Collection of Twentyfour favorite (sic.) Country Dances for the Year 1800 - Twelve Fashionable Country Dances for the Piano Forte or Harp for the Year 1800 These lively dances are presented as simple single-line melodies that appear alongside beautiful images of the original scores, whichinclude the instructions for dancing. This volume provides an unmissable collection of music from an incredibly rich era of England's folk music heritage. It will be of immense value to musicians looking for new repertoire and to those interested in finding out more about the history of music at this time./ Recueil / Tout Instrument

Par SANDERCOE JUSTIN. Justin Sandercoe, plus connu sous le nom de JustinGuitar, est l'un des professeurs de guitare en ligne les plus réputés de l'histoire d'Internet. Ses leçons vidéo ont été visionnées plus de 400 millions de fois et sa chaîne YouTube compte près d'un million d'abonnés. Hal Leonard a travaillé avec Justin pour publier des versions imprimées de ses méthodes d'enseignement et a maintenant publié le JustinGuitar Easy Guitar Songbook, comprenant 101 titres pop qui peuvent être jouées avec jusqu'à huit accords ouverts. Les chansons sont présentées par ordre séquentiel de difficulté en format accords/paroles avec des conseils types leçons, des diagrammes d'accords, et plus encore. Comprend Ain't No Sunshine - Bad Moon Rising - Brown Eyed Girl - Cecilia - Eleanor Rigby - Every Rose Has Its Thorn - Fever - Folsom Prison Blues - Free Fallin' - Good Riddance (Time of Your Life) - Jolene - La Bamba - Lay down Sally - Louie, Louie - Moves like Jagger - Mustang Sally - Perfect - Radioactive - Ring of Fire - Royals - Shake It Off - Shape of You - Stand by Me - Wild Thing - Yellow Submarine - Zombie - et plus encore. / Niveau : Facile / Recueil / Guitare

Par BJORK. Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words 'I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century' Can one meet at bonfires and sing techno songs' (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?. / Date parution : 2019-11-15/ Recueil / Piano, Orgue, Clavecin, Celesta et Chant

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.