Par JIMMY BRUNO. One would be hard pressed to find another jazz guitarist so polished, sought-after and committed to the music that he loves. From his earliest days, Jimmy Bruno has loved and been loved by jazz. With his unmistakable presence and inspiring virtuosity, great pride, Mel Bay Records releases Jimmy Bruno's new album, SOLO, on Guitar Sessions, a label dedicated to cutting-edge jazz guitar. SOLO is nothing but Jimmy Bruno, literally. Jimmy arranged this compilation of originals and jazz standards for solo jazz guitar, presenting the listener with the opportunity to hear and enjoy every note. Whether it's the dynamic swing of Benny's Tune or the romantic familiarity of Satin Doll, Jimmy Bruno digs in deep and demonstrates true mastery of his instrument. Jimmy Bruno Guitar Sessions Record Interview / Niveau : Débutant à Intermédiaire / Jazz - Solos / Accessoire / Guitare

Par SOLOMON BARRY. Learn to play bluegrass jazz Guitar with this instructional book and 3 x CD set. When first listening to flatpicking Guitar legends Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from Tin Pan Alley and the Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry Solomon always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner. This volume includes the songs Lady Be Good, Take the A Train, Solly's Blues, Back Home In Indiana, There'll Never Be Another You and Georgia On My Mind. Accompanying audio is included./ Recueil / Guitare

Par BRITTEN BENJAMIN. Britten's Nocturnal After John Dowland Op.70 is a fantastically varied and intricate piece for Solo Guitar, which has been edited here by Julian Bream. This piece will present an enjoyable challenge to the advancing classical guitarist. The first performance of Nocturnal was given by Julian Bream at the Aldburgh Festival June 12th 1964. The song upon which the work is based is #20 in The First Book Of Songs or Ayres of Four Parts by John Dowland, published in 1597. / Niveau : Intermédiaire à Avancé / Répertoire / Guitare Classique

Par . Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr?s Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions?from stylistically varied periods and for a range of original instrumentations?are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach. / Date parution : 2022-02-25/ Recueil / 2 Guitares

Apprenez à jouer les riffs et les solos d'un des plus grands guitaristes de Blues, Buddy Guy.Retrouvez ici les partitions pour guitare (tablatures et grilles d'accords) pour apprendre pas à pas le style et les techniques d'un grand guitariste. Inclus un CD avec tous les exemples donnés dans ce livre. / Guitare Tablatures / Partition + Cd

Le blues a toujours été épicé avec des métaphores suggestives. Cette collection de chansons de blues débauche célèbre le répertoire blues off-color: Bessie Smith est sauvage sur les feuilles de navet son homme cuisine, mais crayon Bo Carter ne vais pas écrire plus! Il ya beaucoup de variété, avec des chansons des années 1930, 40 et 50, d'autres sont de simples airs de blues en trois accords et d'autres ont de belles, les changements d'accords ragtimey.Fred vous montre comment jouer l'accompagnement et solos de toutes les chansons. Les titres évocateurs incluent Aint Got Nobody to Grind My Coffee (Clara Smith), Elle est votre cuisinier Mais elle brûle mon pain et mon crayon Parfois vais pas écrire No More (Bo Carter), Man cuisine (Bessie Smith), Big Ten pouces (Bull Moose Jackson), vous ne pouvez pas faire la différence After Dark (Alberta Hunter) et l'éternel vacances Faisons Joyeux Noël, Baby (Amos Milburn).Fred vous montre comment vous accompagner en chantant les chansons, et comment fingerpick une version instrumentale de chacun d'eux. Son facile à vivre style d'enseignement, ses conseils sur la lecture de ces arrangements, et ses ralenti, split-screen performances de chaque morceau facilitent l'apprentissage. Tous les arrangements sont écrits en tablature et de la musique ainsi ... fois la sauvegarde et solos91 minutes - Niveau 2 - Détail de l'onglet / la musique au format PDF sur le DVD / Guitare

Par REINHARDT DJANGO. In the world of Gypsy Jazz, the original Quintette of the Hot Club of France achieved an energy output seldom equaled or surpassed for 7 decades or so. Django wanted to have two rhythm guitars behind him when he soloed to give him a full sound. Then when Grappelli soloed, Django would interject himself between Grappelli and the rhythm guitar section. From this vantage point, he would \'push? Grappelli with a series of well placed shots, shuffles, and turnarounds that would have the effect of driving the group to a greater energy output as the song approached its conclusion. In this DVD, the classic 4-to-the-bar rhythm is broken down into four separate unsable styles. After that, Django\'s syncopated rhythm shots are analyzed and presented by example from a simple backbeat to 2-bar long syncopated strums. My own philosophy is that the rhythm guitar section is the most important component of the Gypsy Jazz group. The rhythm guitar should be in a position to drive and not follow the group. The information contained in this DVD will give you the rhythmic tools to infuse the sound with the energy that this genre of music deserves. Remember that rhythm guitar is NOT \'second fiddle.\' This product now available as a video download through Mel Bay On Demand. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare

Description Over 150 songs from across the unique and remarkable career of this master songwriter. From his roots as a folk musician, to his phenomenal success with Art Garfunkel and his subsequent inventive and collaborative solo work, Paul Simon has remained a figurehead in song craft. Each song presented here is arranged with melody line, full lyrics and chord guide. Songlist (Everything I Do) I Do It For You 7 O'clock News/Silent Night A Church Is Burning A Hazy Shade Of Winter A Most Peculiar Man A Poem On The Underground Wall A Simple Desultory Philippic Ace In The Hole Adios Hermanos All Around The World All Because Of You Allergies America American Tune April Come She Will Armistice Day At The Zoo Baby Driver Bernadette Blessed Bookends Born At The Right Time Born In Puerto Rico Bridge Over Troubled Water Can I Forgive Him Can't Run But Cars Are Cars Cecilia Cloudy Congratulations Crazy Love Vol.II Darling Lorraine Diamonds On The Soles Of Her Shoes Duncan El Condor Pasa (If I Could) Everything Put Together Falls Apart Fakin' It Father And Daughter Fifty Ways To Leave Your Lover Flowers Never Bend With The Rainfall For Emily, Whenever I May Find Her Further To Fly God Bless The Absentee Gone At Last Graceland Gumboots Have A Good Time Hearts And Bones Hey Schoolgirl Hobo's Blues Homeless Homeward Bound How The Heart Approaches What It Yearns Hurricane Eye I Am A Rock I Know What I Know Jonah Kathy's Song Keep The Customer Satisfied Killer Wants To Go To College Killer Wants To Go To College 2 Kodachrome Late In The Evening Learn How To Fall Leaves That Are Green Let Me Live In Your City Long, Long Day Look At That Love Loves Me Like A Rock Me And Julio Down By The Schoolyard Mother And Child Reunion Mrs Robinson My Little Town Night Game Nobody Oh, Marion Old Old Friends One Man's Ceiling Is Another Man's Floor One-trick Pony Overs Papa Hobo Paranoia Blues Patterns Peace Like A River Pigs, Sheep And Wolves Proof Punky's Dilemma Quality Quiet Red Rubber Ball Rene And Georgette Magritte With Their Dog After The War Richard Cory Run That Body Down Satin Summer Nights Save The Life Of My Child Scarborough Fair/Canticle Senorita With A Necklace Of Tears She Moves On Shelter Of Your Arms Shoplifting Clothes Silent Eyes Slip Slidin' Away So Long, Frank Lloyd Wright Some Folks Lives Roll Easy Something So Right Somewhere They Can't Find Me Song About The Moon Song For The Asking Sparrow Spirit Voices St Judy's Comet Still Crazy After All These Years Stranded In A Limousine Sunday Afternoon Take Me To The Mardi Gras Ten Years Tenderness That Was Your Mother That's Where I Belong That's Why God Made The Movies The 59th Street Bridge Song (Feelin' Groovy) The Big Bright Green Pleasure Machine The Boxer The Boy In The Bubble The Coast The Cool, Cool River The Dangling Conversation The Late Great Johnny Ace The Obvious Child The Only Living Boy In New York The Rhythm Of The Saints The Sound Of Silence The Teacher The Vampires Thelma Think Too Much (A) Think Too Much (B) Time Is An Ocean Trailways Bus Train In The Distance Under African Skies Virgil Was A Sunny Day Wednesday Morning, 3 A.M. We've Got A Groovy Thing Going When Numbers Get Too Serious Why Don't You Write Me? You Can Call Me Al You Don't Know Where Your Interest Lies You're Kind You're The One

Dave explains his approach to jazz improvisation with musical examples that he himself uses, learned from years of playing with the greats - after learning how to play jazz from listening to players such as Grant Green, Wes Montgomery and Pat Martino. Explains the minor sub approach using minor scales to play over dominant seventh chords, and then includes several solos over often-played jazz standards, using this approach. Also described are the use of the blues and pentatonic scales as well as be-bop ideas, the melodic minor scale, and whole-tone and diminished scales and patterns. Hanon-type warm up exercises and Dave's own fingerings shown in tab are also described. Perfect for intermediate-to-more advanced players, Dave's concise way of explaining his approach will open up the students to developing their own improvisational ideas. Dave plays the examples and solos on the companion CD including tracks with a rhythm only section for student play-along.

Perfect for the student of Jazz. --Michael Brecker 'I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!' Fred Hamilton, professor of jazz guitar, University of North Texas 'These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.' Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

Guitar. Par STEINEL MIKE. Mike Steinel's follow-up book to his popular Essential Elements for Jazz Ensemble features a wealth of instructional material that can be used in a full band setting or individually. After a brief review of style basics, this comprehensive method includes a section of daily warm-ups and workouts for rehearsal, followed by a variety of lessons covering specific styles and improvisation concepts. Each lesson ends with a full band performance piece. Take your students to the next level with this masterful approach! Features · Review of important concepts from Book 1 · Warm-ups and workouts for the start of rehearsals · Lessons covering a variety of jazz styles and improvisation concepts · Nine rewarding full band pieces that reinforce each lesson · Information on the cities, regions, and people influencing the evolution of jazz · Recordings of all exercises, including full band arrangements and sample solos* · Grade/Level 3 * Each book includes an access code for audio files on MyLibrary (internet required.) Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Recueil / Guitare