Voici 16 séances expliquant et montrant comment la pratique et de maîtriser les techniques de la guitare flamenco essentiels. Vous apprendrez à développer vos réflexes naturels et à former vos doigts pour déplacer avec la rapidité, la précision et la touche parfaite pour la musique. Techniquesfor Alegrias, Tangos, Bulerias, Siguiryas et autres formes sont inclus : Relaxations et à vos réflexes naturels - détente de la main droite - détente poignet et pouce - Alzapua le pouce technique - vitesse sans tension - cohérence d'accent et tempo - développement de la force et l'endurance - le compas de 12-beat - en utilisant le compas de 12-beat en Alegrias-' Zapateado Elegante ' - une pièce difficile pour votre répertoire - Tremolo et les lignes de basse efficaces - étude de trémolo - The Juan Maya ' Marote 'rasqueado - The Guillermo Rios rasqueado - The Pepe Habichuela rasqueado et 3 les doits picado et conclusion. / Guitare Classique / 95 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Having created the first day-long workshop devoted exclusively to rhythm playing, renowned flatpicker Orrin Star has helped guitarists around the country improve their rhythm skills. This 95-minute video offers an enhanced version of Orrin's live workshop, featuring additional bass runs and songs, a new section on playing with other guitarists, and a guest appearance by Kenny Smith. Starting with the basics and working up from there, it will show you: - a full range of strums and bass runs - how and when to apply them - the key to killer bass runs (rest strokes) - the 'cool' chord forms - how to approach faster songs / Guitare (Flatpick) Et Plectre

Open tunings have been used by many country blues guitarists. From the alternating bass styles of Furry Lewis and Mississippi John Hurt to the evocative and haunting sounds of Skip James to the ragtime blues of Blind Blake. In this series we discuss some of the finest guitar arrangements played in open tunings. For the intermediate guitarist. Notation and tablature with three compact discs. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Anyone interested in learning to play acoustic guitar can pick up this well-paced, comprehensive method and get started right away. Beginning concepts include right- and left-hand technique, reading music, basic improvisation, barre chords, picking technique, playing bass lines, and basic arranging. Intermediate topics include alternate tunings, scales, how to play in upper positions of the fingerboard, and a rundown of styles like acoustic funk, New Orleans, gypsy swing, Celtic, bluegrass, Cajun, and more. This comprehensive book concludes with more advanced techniques, including 'machine gun strums,' right-hand muting, slapping, tapping, slap harmonics, and tremolo---as well as styles like reggae, African/Brazilian, norteño, and conjunto. Whether you are starting to learn acoustic guitar or an advanced player looking to improve your playing, this is the one book on acoustic guitar you will ever need. An MP3 CD for demonstration and play-along is included. / Guitare

Par BOEHNLEIN JOHN. An essential, easy-to-use guide containing basic set-up and maintenance information for guitar and bass guitar players. Designed to help keep your axe in peak performance condition with tips about tools, cleaning, restringing and adjustments. Along with a good chord book, a must-have!/ Méthode / Guitare

La cueillette de forte et mélodique de Eric Thompson a mis un point de référence pour les goûts et ton pendant près de quatre décennies. Eric enseigne 16 de ses mélodies préférées fiddle Old-Time, qui sont le socle sur lequel repose la guitare acoustique flatpicking. Ils sont tous inclus dans le livre de 32 pages et compagnon de trois CDs d'instruction note par note, phrase par phrase. Certains des classiques inclus sont ' Blackberry Blossom ', ' Ragtime Annie', ' Texas Gals ', ' Billy dans les basses terres ' et beaucoup plus. Dans trois leçons faciles, Eric auront vous jouer des airs de violon et construire votre répertoire en peu de temps ! / Guitare (Flatpick) Et Plectre / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Ce recueil est une approche de la technique guitaristique du Finger Picking. Il propose l'étude de dix morceaux instrumentaux, écrits dans des genres musicaux variés : blues, ragtime, bluegrass, ballade, country-waltz... Ces dix morceaux sont extraits de deux CD Country Picking in Nashville - Vol.1 et Vol.2, tous deux enregistrés avec les plus grands musiciens de Nashville. Pour chaque titre, ce recueil propose la partition et la tablature ainsi qu'une analyse détaillée du morceau avec exemples commentés et exercices progressifs sur les différentes techniques du Finger Picking : basses alternées, basses étouffées, pulling-off, hammering-on, doigt en pivot, slide, blocking, harmoniques, roll... Le CD contient d'abord les dix morceaux enregistrés (index 1 à 10), puis les exercices correspondants à chaque titre (index 11 à 26). Chaque exercice est proposé trois fois au ralenti, puis trois fois à vitesse réelle. Ainsi le guitariste peut s'entraîner progressivement à l'exécution des différentes techniques et des passages délicats avant d'entamer l'étude du morceau. Dans le recueil, les exercices enregistrés sont notés avec un numéro d'index dans un petit rond permettant de repérer facilement la plage correspondante sur le CD.

Une nouvelle série complète de livre d'instruction et les packs de CD pour le guitariste de début, le bassiste du groupe ou le joueur d'harmonica. Maîtriser les bases de la jouer de votre instrument choisi plus un guide complet pour jouer dans les styles de country, folk, blues et le rock. Une bonne introduction à la Fast Forward série. Un thésaurus concis des formes d'échelle essentiels et pratique pour l'étude et de pratique. Un guide complet à l'aide d'échelles pour construire la maîtrise de l'idéogramme, l'endurance et la vitesse pour compter les joueurs bass. / Guitare / 32 pages / Partition Cd

/ 5 Guitares (5 Instruments A Vent En Sib, Do Et Mib) Et Section Rythmique (Guitare Basse, Guitare Et Percussions)