Cello

SKU: HL.48187080

Leduc. CD. Alphonse Leduc #HA09737. Published by Alphonse Leduc (HL.48187080).

UPC: 888680884215. 9.0x12.0x0.085 inches.

Apres un reve transcription pour violoncelle et Guitaree. Par Faure aux editions Leduc. Partition / Livre de chansons pour violoncelle.

Cello (Cello)

SKU: HL.48187078

Leduc. Softcover. Alphonse Leduc #HA09735. Published by Alphonse Leduc (HL.48187078).

Sicilienne, op. 78 (3'43'') transcription pour violoncelle et Guitaree. Par Faure aux editions Leduc. Partition / Livre de chansons pour violoncelle.

Cello

SKU: HL.48187079

Leduc. CD. Alphonse Leduc #HA09736. Published by Alphonse Leduc (HL.48187079).

UPC: 888680884208. 9.0x12.0x0.129 inches.

Pavane, op. 50 transcription pour violoncelle et Guitaree. Par Faure aux editions Leduc. Partition / Livre de chansons pour violoncelle.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication” (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

(For Guitar, Violin and Violoncello). Composed by Francois da Fossa. Arranged by Matanya Ophee. For guitar, violin, viola. Full Score - Study. Op.18 No.2. 24 pages. Editions Orphee #494-02950. Published by Editions Orphee

By Jacques Casterede (1926-). For guitar. Classical: 20th Century (Contemporary). Grade 2. Score. Published by Editions Henry Lemoine

Composed by Silvestre Lourival. For wind ensemble. Chamber Music. Published by Editions Robert Martin

Chamber Music Cello, Piano

SKU: CF.B3473

Composed by Ernest Bloch. Edited by Julian Schwarz. Set of Score and Parts. 12+4 pages. Carl Fischer Music #B3473. Published by Carl Fischer Music (CF.B3473).

ISBN 9781491161999. UPC: 680160920679. Key: C major.

Composed in 1924, Ernest Bloch’s Méditation Hébraϊque is a plaintive and reverent musical reflection that flows through many emotions in a series of uninterrupted movements: Moderato, Allegro deciso, and Moderato. Passionate rubato phrases are flecked with light touches of ornamentation, much like the inflections of a cantor's voice. Hemiola rhythms, dynamic swells, and contrapuntal interaction with the piano lead the soulful voice of the cello to its upper range in a dramatic dialogue that eventually descends to a more subdued and stately resolution. Cellist and teacher Julian Schwarz provides practical fingerings and phrase markings to achieve the alternating bright and warm tone that are essential to adequately express the sacred beauty  of the music. .

Duo for Violoncello or Viola and Guitar. By Antonin Dvorak. Arranged by Kedves, Tokos, Decsi. EMB. Size 9x12 inches. 8 pages. Published by Editio Musica Budapest.

SKU: HL.48185682

Leduc. CD. Alphonse Leduc #AL29376. Published by Alphonse Leduc (HL.48185682).

UPC: 888680848774. 9x12 inches.

“As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera Style, transcribed for Cello and Guitar by Joaquim de Sousa-Antunes contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Piece in the Habanera Style clearly exemplifies these qualities through flourishing Cello lines and evocative, chordal and rhythmic Guitar accompaniments. Moreover, Habanera rhythms heard throughout the piece create further excitment. All of these musical elements combine to create a highly enjoyable piece for the Cello and Guitar repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Piece in the Habanera Style add to an irresistible purchase for aspiring Cello players.&rdquo.

String quartet - Grade 3

SKU: RM.SL10808

Composed by Traditionel. Arranged by Courreges Eric. String quartet. Chamber music. Duration 11 minutes. Editions Robert Martin #SL10808. Published by Editions Robert Martin (RM.SL10808).

ISBN 9790231098082.

Composed by Luigi Legnani (1790-1877). Performance score. With Standard notation. 48 pages. Chanterelle #ZECH 547. Published by Chanterelle

Chamber Music Cello, Piano

SKU: CF.CY3410

Snow mountain. Composed by Marga Richter. Set of Score and Parts. With Standard notation. 57+17 pages. Carl Fischer Music #CY3410. Published by Carl Fischer Music (CF.CY3410).

ISBN 9780825876325. UPC: 798408076320.

(Authentic Guitar TAB). For Guitar. This edition: Authentic Guitar TAB. Artist/Personality; Authentic Guitar TAB; Book; Guitar Personality; Guitar TAB. 124 pages. Published by Alfred Music Publishing

With Suggested Chordal Accompaniment. Composed by Craig Duncan. Cello,Guitar: Gospel and Sacred,Style,Gospel/Sacre d,Du et/Ensemble,Solos,Duets and Ensemble,Solos. 100 Hymns. Book. 120 pages. Published by Mel Bay Publications, Inc

With Suggested Chordal Accompaniment. Composed by Craig Duncan. Squareback saddle stitch, Solos, Holiday: Christmas, Duet/Ensemble, Duets and Ensemble. 100 HYMNS. Style. Book. 124 pages. Mel Bay Publications, Inc #30703. Published by Mel Bay Publications, Inc

String Quartet - intermediate

SKU: BT.DHP-1064034-070

Arranged by Gunter Van Rompaey and Hans Aerts. Pop & Rock. Set (Score & Parts). Composed 2006. 40 pages. De Haske Publications #DHP 1064034-070. Published by De Haske Publications (BT.DHP-1064034-070).

ISBN 9789043124720. 9x12 inches. English-German-French-Dut ch.

Traditionally a string quartet will not readily take on pop music. But times are changing and the classic quartet line-up proves suitable for beautiful arrangements of contemporary songs as well. This book features three hits from past decades, The Rose (Bette Midler) with its simple, pure sounds and underlying harmonies, La Solitudine (Laura Pausini) - compelling and with a hidden energy and finally Wonderwall (Oasis), an unexpected choice, with its persistent rhythmic background. To allow the string quartet to play together with optional guitar or keyboard, chord symbols have been added in the score. These songs - which certainly have a passionate andromantic ring to them - are ideal for receptions, weddings and other festive occasions. (Position 1-5)

Drie bekende songs in geslaagde bewerkingen voor strijkkwartet: Pop Ballads for String Quartet bewijst dat het kan. Om het strijkkwartet de mogelijkheid te bieden samen te spelen met gitaar of keyboards zijn akkoordsymbolentoegevoegd in de partituur. Deze songs vol passie en romantiek zijn ideaal voor het opluisteren van recepties, bruiloften en andere feestelijke gelegenheden. (Position 1-5)

Ein Buch für alle Streicher, die anstatt der klassischen Literatur für Streichquartett auch einmal etwas ganz Modernes, Unterhaltsames spielen wollen. Hans Aerts und Gunter Van Rompaey bearbeiteten für diese Ausgabe drei bekannte Pop- Titel für zwei Violinen, Viola und Cello. Akkordsymbole für eine Begleitung von Keyboard oder Gitarre sind ebenfalls enthalten.(Position 1-5)

Ce recueil contient trois succès des dernières décennies : The Rose, avec ses sonorités simples et épurées et ses harmonies demi cachées ; La Solitudine, l‘énergie dissimulée et enfin Wonderwall, un choix inattendu dont le tapis sonore est continuellement rythmé. Des symboles d’accords ont été ajoutés sur la partition afin de permettre au quatuor cordes de se faire accompagner d’une guitare ou clavier (partie optionnelle). (Position 1-5)

Questa pubblicazione permetter ai giovani musicisti di cominciare a suonare in gruppo. Il quartetto d’archi è da sempre la formazione per eccellenza, equilibrata e potente nell’espressione. Anche la musica in stile pop, arrangiata per l’occasione da Hans Aerts, si adatta a questo tipo di organico. L’importante è saper ascoltare la parte degli altri per inserire il proprio ritmo nell’insieme. (Position 1-5).