ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo

SKU: CA.2100805

Psalm 125. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. In Convertendo (Psalm 125). Sacred vocal music, Psalms, Latin. Choral Score. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.008/05. Published by Carus Verlag (CA.2100805).

ISBN 9790007161439. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a concert spirituel in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100800.

Soloists, Choir, Orchestra (7Sg-S-solo,5Sg-T-solo,4S g-B-solo,Mixed Choir-SATB,2Fl-picc,2Fl,2 Ob,Muset,2bassoon,2Trp,ti mp.,2V,Va,Vc,Bc)

SKU: BA.BA08860-01

Ballet héroïque with a prologue and four acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/2+7. Version 1736. Complete edition, Score. RCT 44. Baerenreiter Verlag #BA08860_01. Published by Baerenreiter Verlag (BA.BA08860-01).

ISBN 9790006558131. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.

Sylvi e Bouissou's new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer's need for Rameau's various revisions while finally making accessible a version actually authorised by Rameau. For the first time it is presented in its complete stylistic and dramatic context.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Voice soloists, SATB chorus, orchestra (4Soprano Voice Solo, 4Tenor Voice Solo, 5Bass Voice Solo, SATB Choir, Ballett, Orch)

SKU: BA.BA08857

Opera with a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Pascal Denécheau. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/18. Complete edition, Score. Duration 12 hours. Baerenreiter Verlag #BA08857_00. Published by Baerenreiter Verlag (BA.BA08857).

ISBN 9790006558209. 33.5 x 25.7 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.

The opera “Naïs” was premiered on 22 April 1749 at the Acadmie royale in the Palais-Royal, Paris, in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau’s death and achieved great success as the “opera of peace,” even though it did not appear in print during the composer’s lifetime.

In numerous arias Rameau provides his singers ample opportunity to shine, while he reveals his orchestral mastery, in particular in the chaconne and the various other ballets.

The work appears here for the first time in a vocal score with a keyboard reduction. The reduction is by François Saint-Yves on the basis of the new critical edition by Pascal Dencheau which is part of Opera Omnia Rameau edited by Sylvie Bouissou.

This edition is the result of a meticulous comparison of all known musical sources. In the main section, it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo

SKU: CA.2100605

Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Choral Score. 16 pages. Duration 20 minutes. Carus Verlag #CV 21.006/05. Published by Carus Verlag (CA.2100605).

ISBN 9790007161415. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100600.

SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, basso continuo

SKU: CA.2100705

Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Choral Score. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.007/05. Published by Carus Verlag (CA.2100705).

ISBN 9790007161422. Text language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100700.

SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, bassoon, basso continuo

SKU: CA.2100600

Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: paperback. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Full score. 56 pages. Duration 20 minutes. Carus Verlag #CV 21.006/00. Published by Carus Verlag (CA.2100600).

ISBN 9790007142162. Text language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.

SST(A)TTB vocal soli or choir, ST(A)TB voices, 2 flutes, 2 oboes, 2 violins, 2 violas, cello, piano

SKU: CA.2100700

Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: Paperbound. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Full score. 68 pages. Duration 26 minutes. Carus Verlag #CV 21.007/00. Published by Carus Verlag (CA.2100700).

ISBN 9790007142179. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.

Soloists, Choir, Orchestra (4Soprano Voice Solo, 3Tenor Voice Solo, 5Bass Voice Solo, SATB Choir, Ballett, Orch)

SKU: BA.BA08857-90

Opera with a prologue and three acts. Composed by Jean-Philippe Rameau. Edited by Pascal Denécheau. Arranged by François Saint-Yves. This edition: urtext edition. Paperback. Vocal Score. Duration 12 hours. Baerenreiter Verlag #BA08857_90. Published by Baerenreiter Verlag (BA.BA08857-90).

ISBN 9790006558193. 27 x 19 cm inches. Text Language: French. Preface: Denecheau, Pascal. Louis de Cahusac.

The opera Nais received its premiere at the Academie Royale in the Palais-Royal, Paris, on 22 April 22 1749 to celebrate the signing of the Treaty of Aix-la-Chapelle. It was revived in August 1764, shortly before Rameau's death and achieved great success as a 'peace opera'. This scholarly-critical edition, published by Pascal Denecheau in theOpera Omnia Rameau, is the fruit of a meticulous comparison of every known musical source. The main body of the edition presents the version pronounced valid by Rameau for the 1749 performances. The appendices contain those passages that he deleted during the 1749 rehearsals and all the changes he made for the new production of 1764. It is here, and especially in the ballets, that Rameau reveals his consummate mastery of the orchestra.

Harpsichord

SKU: FZ.5834

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5834).

ISBN 9790230658348. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Anonyme - Jean-Henry d'ANGLEBERT - Francois COUPERIN (1-2) - Jean-Joseph Cassanea de MONDONVILLE - Michel CORRETTE (1) - Jacques Champion de CHAMBONNIERES - Francois DAGINCOURT - Jean-Francois DANDRIEU - Louis Claude DAQUIN - Jean II DENIS - Francois DIEUPART - Louis-Antoine DORNEL - Antoine FORQUERAY - Antoine FURETIERE - Charles Alexandre JOLLAGE - Nicolas-Antoine LEBEGUE - Jean Leonor LE GALLOIS - Gaspard LE ROUX - Marin MERSENNE - Jean-Philippe RAMEAU (1-2-3) - Pancrace ROYER - Michel de SAINT LAMBERT - Charles Joseph VAN HELMONT. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Denis Jean II: Traite de l'accord de l'espinette - 1650. Chambonnieres Jacques Champion de: Les pieces de clavessin - 1670. Anonyme: Tablature pour le clavecin - s. d. Lebegue Nicolas-Antoine: Les pieces de clavessin - 1677. Le Gallois Jean Leonor: Lettre de Mr Le Gallois - 1680. Anglebert Jean-Henry d': Pieces de clavecin - 1689. Furetiere Antoine: Dictionnaire universel - 1690. Dieupart Francois: Six suittes de clavessin - 1701. Saint-Lambert Michel de: Les principes du clavecin - 1702. Le Roux Gaspard: Pieces de clavessin - 1705. Couperin Francois: Pieces de clavecin - 1713. Couperin Francois: L'art de toucher le clavecin - 1717. Rameau Jean-Philippe: Pieces de clavecin - 1724. Dandrieu Jean-Francois: Livre de pieces de clavecin - 1724. Rameau Jean-Philippe: Nouvelles suites de pieces de clavecin - 1728. Dornel Louis Antoine: Pieces de clavecin - 1731. Dagincourt Francois: Pieces de clavecin - 1733. Corrette Michel: Premier livre de pieces de clavecin - 1734. Daquin Louis Claude: 1er livre de pieces de clavecin - 1735. Rameau Jean-Philippe: Pieces de clavecin - 1736. Van Helmont Charles Joseph: Pieces de clavecin - 1737. Jollage Charles Alexandre: Premier livre de pieces de clavecin - 1738. Royer Pancrace: Pieces de clavecin - 1737. Forqueray Antoine: Pieces de viole (. . . ) mises en pieces de clavecin - 1747. Mondonville Jean-Joseph Cassanea de: Pieces de clavecin avec voix ou violon - 1748. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- Inguimbertine Library of Carpentras (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Municipal Library of Grenoble (France). - Municipal Library of Bordeaux (France). - Gemmente Museum of The Hague (Netherlands). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.

Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Voice Solo, 4Bass Voice Solo, SATB Choir, ballet, Fl-picc, Fl, Musette, Trp, V, Fid, Va, timpani, bassoon, Vc, double bass, Continuo)

SKU: BA.BA08858

Ballet héroïque in a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/14. Complete edition, Score. Duration 2 hours. Baerenreiter Verlag #BA08858_00. Published by Baerenreiter Verlag (BA.BA08858).

ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.

Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Flutes (2) (Picc), Oboes (2), 2Musettes, Bassoons (2), Horns (2), Strings, Basso continuo)

SKU: BA.BA08893

Comédie-ballet in three Acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. RCT 51. Baerenreiter Verlag #BA08893_00. Published by Baerenreiter Verlag (BA.BA08893).

ISBN 9790006567560. 33 x 24.3 cm inches. Text: Duplat de Monticourt, Pierre-Jacques.

Thi s edition unites all the purely instrumental parts of Rameau’s comdie-ballet “Les Paladins” for performance as a suite in the concert hall.

In view of the wealth of the work’s musical treasures and the stylistic innovations – similar to the “Borades” – the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this stage work not being performed again until well into the 20th century. The story that the comdie-ballet tells is based on a fable by La Fontaine, “Le Petit chien qui secoue de l’argent et des pierreries” (i.e. “The little dog who shakes silver and stones”). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opra.

This critical edition is based on the corresponding volume issued in the series “Opera omnia Rameau” (BA 8870-01). Since “Les Paladins” remained unpublished during Rameau’s lifetime and was also not included in the “Œuvres complètes”, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.

The orchestral parts are available on hire.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024687

Musette - Chant des mariniers galants d'apres Rameau - Tambourin d'apres Rameau. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 52 pages. Bote & Bock #M202535349. Published by Bote & Bock (HL.48024687).

ISBN 9781540058775. UPC: 888680952945.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).