58 classic soul hits arranged for piano, vocal and guitar. Includes songs by Otis Redding, Sam Cooke, Aretha Franklin, Ray Charles, Al Green and many more.

Par CHARLES RAY. Interprètes série # 5 A légendaire collection de choix de certains des plus célèbres chansons de Ray Charles. Une liste de lecture recommandée sur Charles est également incluse. / Jazz / Recueil / Piano, Chant et Guitare

une collection nostalgique de chansons d'amour les plus populaires des années 1950. Cette vaste compilation comprend Frank Sinatra All The Way, Hallelujah I Love Her So par Ray Charles et les Everly Brothers classique, All I Have To Do Is Dream. Comprend des vingt-sept de vos chansons préférées des années 1950, tout arrangé avec paroles complètes pour Piano, voix et guitare. / Piano/Vocal/Guitare (PVG) / 128 pages / Partition

Tous les plus grands tubes de Ray Charles, dont Crazy, Georgia On My Mind, Unchain My Heart, arrangés pour piano, voix et guitare. Transcription Piano avec CD Play Back inclus / Nb de Pages : 64 Langue : Anglais

Ce livret contient 16 magnifiques chansons de l'artiste comme la boite de jazz, Ray Charles, etc. Accords Guitare et claviers. / Piano/Vocal/Guitare (PVG) / niveau : Facile / Partition

Nb de Pages : 74 Langue : English / Interprete : Franklin, Aretha , Redding, Ottis , Charles, Ray , Blues Brothers , Brown J , Pickett W , King BB , Armstrong, Louis , Sledge, Percy

Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pages: Piano Volume 1 provides the lyrics along with piano and chord arrangements for some of the greatest pop and rock hits ever written. Artists featured: 50 Cent * ABBA * Aerosmith * Avril Lavigne * the Beatles * the Bee Gees * Bruce Hornsby * Bruce Springsteen * Celine Dion * Cher * Chicago * Coldplay * Cream * Diana Ross * Dixie Chicks * Elvis Presley * Eric Clapton * Grateful Dead * Green Day * Hall and Oates * Jerry Lee Lewis * Jim Brickman * Jimmy Buffett * Joni Mitchell * Kelly Clarkson * Kenny Loggins * Madonna * Mariah Carey * Michael Jackson * Motley Crue * Neil Young * Nickelback * Pink Floyd * R.E.M. * Ray Charles * Rod Stewart * Santana * Sheryl Crow * Steppenwolf * The Cars * The Doobie Brothers * The Who * The Eagles * The Rolling Stones * Tina Turner * Van Halen * Van Morrison * Wham! * Whitney Houston, and many more! / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

Les avancées techniques fingerpicking introduit et exploré dans cette leçon de DVD donnera une autre dimension à votre style de guitare blues. Blues fingerstyle acoustique contemporaine comprend une grande variété de styles, de techniques et de sons. Dans cette leçon, quatre instrus de blues multi-sectionné basés sur des techniques traditionnelles, idées de piano blues, seule chaîne licks guitare mélodique et horn solos de style sont présentés. La musique varie d'un piano-style boogie à un lente country blues, qui rappelle le jeu de Blind Blake et Jelly Roll Morton, un Blues de la Nouvelle-Orléans dans le style et le personnage de Ray Charles et Snooks Eaglin. Inclut un livret de 32 pages qui contient toute la musique incluse dans la leçon. / Guitare

Par BUBLE MICHAEL. Michael Buble is a Canadian crooner and pop jazz singer and actor, whose repertoire spans many jazz and pop standards. It's Time features covers of songs by The Beatles and Ray Charles, and includes the hit single Home . The matching folio to Michael Buble's outstanding second studio album It's Time , arranged for Piano, Voice and Guitar with chord symbols. / Niveau : Assez Facile / Date parution : 2006-03-30/ Recueil / Piano, Chant et Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

J.M. Raymond. Par AZNAVOUR CHARLES. / Niveau : Intermédiaire / Feuillet / Guitare Seule

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers