Advanced Improvising Concepts For Guitar. Par SAUNDERS BRUCE. Jazz Pentatonics… est pour les joueurs intermédiaires à avancé souhaitant élargir leur vocabulaire mélodique et harmonique. La musique est en notation standard ainsi que tablature et un CD est inclus dans lequel exercices les plus difficiles sont joués à un rythme plus lent mais aussi plus rapide. Le CD a été enregistré avec batterie, basse et guitare. Tous les exercices sont inclus sur le CD ainsi que le long de jeu de pistes qu'activer l'étudiant à jouer avec une section rythmique. Le livre couvre la dominante mineures 7, 7, un 7(b5) mineurs et majeurs (b6) pentatonics et donne l'étudiant de nombreuses etudes et exercices qui permet de dessiner des idées improvisation. / Niveau : Intermédiaire à Avancé / Jazz - Improvisation / Tablatures / Guitare Tablatures

Description Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard, using position-shifting slides, hammer-ons, and pull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic box scale fingerings by developing pathways that continually shift between and connect the five pentatonic ?boxes?. Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies, each of which spans the range of twelve frets, thus unlocking virtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns, applied to each of the five pentatonic boxes. Section Three presents 10 whole-neck/position-shifting studies that are non-sequential in design, in order to develop unpredictable melodic flow. Then, in Sections Four and Five, two vital extensions/variations of the pentatonic scale are fully explored; the Hexatonic and Dominant Pentatonic scales. The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into any single particular pentatonic box. The resulting sound is definitely NOT bluesy (very little string bending), but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock, jazz, fusion, blues, country, and pop styles who want to unlock complete whole-neck freedom and develop a fast, modern pentatonic sound. CD included. Presented in standard notation and tablature.

Par CHRISTIANSEN COREY. John Coltrane's recording 'Giant Steps' introduced a system of chord progressions and chord substitutions that has challenged even the best jazz musicians. The tri-tonic systems (sometimes referred to as 'Coltrane Changes') found in the tunes Giant Steps and Countdown is taught in a digestible way thoughout this method. Etudes show how to reharmonize standard ii-V-I changes with Coltrane Changes. The play-along CD will help students practice and master single-note lines over these chords in all 12 keys. Guitarists will appreciate the chord voicing suggestions. A must have for the serious jazz guitarist. / Niveau : Intermédiaire à Avancé / Jazz - Theory and Harmony / Méthode / Guitare

Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. This volume deals with new scales in the flamenco modal language. Some of these scales, such as the diminished, wholetone, overtone or hexatonic symmetrical, come from modern classical or jazz. Others come from ethnic modalities which are external to flamenco. The harmonic implications of these scales is analysed and their application in the flamenco environment is explained and illustrated by numerous melodic examples, both original and by renowned flamenco artists. The concept of modal substitutions is introduced and modal polytonality is explained and the notion of replicating dominant scales by minor thirds and tritones is introduced and various ways to resolve a tritone are explained. Appendix I contains a collection of 110 licks in modern penta-, hexa-, hepta- and octatonic scales. Each lick is harmonized and comes with detailed guitar fingerings. Appendix II is a complete thesaurus of vertical and horizontal guitar fingerings for every modern penta-, hexa-, hepta- and octatonic scales in flamenco, in every flamenco tonality. Each lick is recorded with harmonic accompaniment and bass. / Methods & Tutors / Etude / Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Par PAVAN CARLOS. Fantasias Concertantes for Bassoon and Guitar by Carlos Pavan. Composer and guitarist Carlos Pavan was born in Argentina and has lived in New York City since the year 2000. In three movements, After Bartók is inspired by Concerto for Orchestra's first movement (the trumpet's theme/quartal harmony/octatonic scale), After Hindemith is based on Symphonic Metamorphosis (2nd movement 'Turandot') using pentatonic/whole tone scale/contrary motion counterpoint, and After Stravinsky is inspired by The Rite of Spring and Symphonies of Wind Instruments, using mostly octatonic harmony and jazz concepts. / Date parution : 2022-11-29/ Répertoire / Basson et Guitare

Développez vos connaissances de la guitare avec la série Goldmine Leçon de guitare! Avec 100 modules individuels couvrant un éventail géant de sujets, chaque leçon dans ce volume de Jazz comprend des instructions détaillées avec la lecture des exemples présentés en notation standard et tablature. Vous aurez également des conseils extrêmement utiles, schémas à l'échelle, les grilles d'accords, photos et plus encore pour renforcer votre expérience d'apprentissage, plus 2 CD audio entièrement équipé avec des démos de rendement de tous les exemples dans le livre!Une grande variété de styles et de techniques de guitare jazz sont couverts, y compris: modes, arpèges, Comping base, blues Comping, improvisation d'exécution, notes de l'accord, la substitution de triton, séquences échelle, Pentatonics, les accords sus, l'harmonie polyphonique, et bien plus encore! / Guitare

Découvrez tous les aspects essentiels de la guitare blues de l'un des éducateurs plus renommés du genre. Ce DVD couvre la forme de douze-bar blues, l'échelle de blues, pentatonics majeures et mineures et plus doivent connaître les sujets. / Guitare / Dvd

Everyone wants to get there faster and easier. This guide from Fred Sokolow features 29 tips that save time and make you a more skillful Guitar player in any musical genre.Tip topics include:Sliding Major PentatonicsSoloing Off Chord ShapesPower ChordsThe 12-Bar Blues FormTurnaroundsSimplifying ChordsFinding the Relative MinorHow to Use the Capoand so much more.These shortcuts will improve your playing and your understanding of music and the Guitar, overnight. The book includes access to online demonstration audio tracks for download or streaming. / Guitare

Ce superbe DVD comprend une sélection de facile à absorber les leçons qui sont conçus pour enseigner le guitariste débutant certaines des bases essentielles de la guitare blues.Au cours de ce DVD, vous apprendrez quelques techniques essentielles de guitare de plomb tels que chaîne de flexion, marteler et à retirer, coulissant, et un vibrato qui peut aussi être d'autres styles de guitare jouant du jazz au métal.Les leçons comprennent:Essentiels des techniques de blues débutants, y compris- La gamme bluesLes gammes majeures et mineures pentatoniquesEvoquant les accordsDoublestopsLibellééchelles relativeslèche exécutionchaîne de flexionvibratoHammer-ons et pull-offsétendue pentatonics12 bar blues progressionphrasé bluesDanny Gill est un ancien élève de Joe Satriani, et co-auteur de la série Guitar Rock Musicians Institute Lead. Ses chansons ont fait leur apparition à la télévision de nombreux spectacles dont 'The Osbournes' ainsi que bandes sonores de films tels que 'Insomnia' et 'Under Siege'. / Guitare

Stuart Bull présente un guide infaillible de formes d'échelle, les pentatonics et les modes à travers le cou de guitare complète que prendra vos compétences isolation pour étourdissante de nouveaux sommets ! Découvrez les outils qui vous permettront de visualiser les notes que vous devez comme jamais auparavant - ouvrent des possibilités illimitées pour les solos de scalic étendues et improvisation. Le disque comprend quatre pistes de confiture killer conçus pour vous aider à tirer le meilleur des leçons complètes. / Guitare

La diversità stilistica tra tutti quei musicisti e gruppi Rock che, dagli anni sessanta fino ad oggi, hanno fatto riferimento al Blues, ci fa capire come sia possibile reinterpretare un genere, apparentemente rigido e schematico, in modo assolutamentonale: basta pensare a Clapton, Green, Gallagher, Winter, Doors, Led Zeppelin, Hendrix, Alvin Lee, Stevie Ray Vaughan, Gary Moore, Robben Ford e e a tanti altri. Questa considerazione è alla base di questo video che inizia con un'analisi del Giro Blurtendo da una struttura di base fondamentale che viene poi gradualmente arricchita con diversi rivolti di accordi e sostituzioni che permettono di allargare la struttura armonica del giro stesso. Vengono poi analizzate le scale più utili ed utilizzabn particolare la Pentatonica e la Misolidia, mostrando anche alcune frasi esemplificative delle possibilità di combinazione delle diverse scale. Infine vengono analizzati diversi giri di accordi con variazioni e sostituzioni. L'accento principale di / Guitare