Composed by Camille Saint-Saens (1835-1921), edited by Reiner Zimmermann. Op. 16...(+)
Composed by Camille
Saint-Saens (1835-1921),
edited by Reiner
Zimmermann. Op. 168.
Instrumental solo book
for bassoon solo and
piano accompaniment. With
solo part, standard
notation, piano
accompaniment and
introductory text. Text
language English, German
and French. 27 pages.
Published by C.F. Peters.
Sonate, Op. 168 Basson, Piano (duo) [Conducteur et Parties séparées] Schott
(Bassoon and Piano). By Camille Saint-Saens (1835-1921). For bassoon and piano (...(+)
(Bassoon and Piano). By
Camille Saint-Saens
(1835-1921). For bassoon
and piano (Score and
Parts). Woodwind.
Softcover. 28 pages.
Schott Music #FAG32.
Published by Schott Music
Sonata op. 168 Basson, Piano (duo) [Conducteur et Parties séparées] Amadeus Verlag
Bassoon and Piano SKU: M7.BP-1989 For Bassoon and Piano. Composed ...(+)
Bassoon and Piano
SKU:
M7.BP-1989
For
Bassoon and Piano.
Composed by Camille
Saint-Saens. Edited by
Bernhard Pauler. Sheet
music. Score and parts.
Op. 168. Amadeus Verlag
#BP 1989. Published by
Amadeus Verlag
(M7.BP-1989).
Bassoon and piano SKU: IM.3174 Composed by Camille Saint-Saens. Edited by...(+)
Bassoon and piano
SKU:
IM.3174
Composed by
Camille Saint-Saens.
Edited by Leonard
Sharrow. Score and part.
International Music Co.
#3174. Published by
International Music Co.
(IM.3174).
Bassoon; Piano Accompaniment SKU: HL.50565993 Music Francaise Series W...(+)
Bassoon; Piano
Accompaniment
SKU:
HL.50565993
Music
Francaise Series With
Editorial Notes.
Composed by Camille
Saint-Saens. Editions
Durand. Classical.
Softcover. 25 pages.
Editions Durand
#DF01667500. Published by
Editions Durand
(HL.50565993).
ISBN
9781705139134. UPC:
840126965629.
9.0x12.0x0.243
inches.
“Musi
que françaiseâ€
is a series designed for
students and teachers as
well as professionals.
These editions offer
masterworks in French
music, with performance
suggestions and
historical and stylistic
commentary by noted
scholars. This new
engraving features a
historical introduction
and editorial notes by
Alexandre Ouzounoff.