Par VAUGHAN WILLIAMS RALPH. Le Concerto pour Tuba a été écrite en 1953/4 en réponse à une invitation à composer une oeuvre pour le jubilé d'or de l'Orchestre symphonique de Londres. Vaughan Williams était alors en est quatre-vingt-seconde année - un intérêt sur les sonorités instrumentales inhabituels était une caractéristique de sa musique dans la dernière partie de sa vie. Il avait utilisé des saxophones dans la machine de ' Emploi ', vibraphone et le vent du masque dans la 'Sinfonia Antartica' (Symphonie #7) et même terminé un concerto pour harmonica, piano et cordes pour Larry Adler. Son choix de tuba comme instrument en solo avait donc moins surprenant qu'il pourrait sembler, et il le justifié par traiter sérieusement et poétiquement, soulignant ses capacités lyriques plutôt que la pAvailableensities plus comique. L'ouvrage est dédié à la LSO et son principal puis tubiste, Philip Catelinet, dont le compositeur consulté constamment tout au long de l'écriture de le oeuvre. Les mouvements animés, externes, tous deux concluent avec des cadences prolongées, tandis que le magnifiquement lyrique ' Romanz.../ Répertoire / Brass Band

Par VAUGHAN WILLIAMS RALPH. Ralph Vaughan Williams' work has been arranged for Solo Cor Anglais or E flat Saxophone and String Quartet by Robert Stanton for Solo Cor Anglais and String Quartet or String Orchestra. Includes Full score and parts for, Cor Anglais, and one of each string part. Extra parts may be made by the customer to use for the String Orchestra version without a fee subject to obtaining authorisation and a licence number which must appear on all copies made. Please contact us for further details. E flat Saxophone may play in lieu of Cor Anglais. The Saxophone part (H173) is priced at £2. 15. (See under Saxophone)./ Etude / Cor Anglais et Orchestre à Cordes

Par VAUGHAN WILLIAMS RALPH. Of all his early chamber works, the Nocturne is most clearly by the mature Vaughan Williams, almost anticipating the influence of Ravel which followed his lessons from the French composer in 1908. In the veiled beauty of its highly chromatic harmonies we hear already the tone-poet of the slow movement of A London Symphony , while in the fleet-footed Scherzo there is already a French influence in the way the folk-song is subtly woven into the texture, only brief snatches of the tune being heard until the penultimate page when it receives fuller treatment. The work plays for about 10 minutes. The 1904 Scherzo is a vigorous march with fugal episodes which lasts some 6 minutes and may effectively be performed by itself. / Niveau : Elémentaire / Répertoire / Quintette à Cordes

Boosey's choral miscellany no.138. Par VAUGHAN WILLIAMS RALPH. Arthur Somervell's arrangement of the Vaughan Williams choral work sets the beautifully descriptive text by W. Barnes for SATB chorus. A Piano accompaniment is priovided for rehearsal purposes./ Feuillet / Choeur Mixte (SATB)

Par VAUGHAN WILLIAMS RALPH. SATB, piano or organ From Five Mystical Songs./ Feuillet / SATB, Piano ou Orgue

Par VAUGHAN WILLIAMS RALPH. SATB and piano or organ From Five Mystical Songs. Arranged by Allen Percival./ Feuillet / SATB et Piano ou Orgue

Par VAUGHAN WILLIAMS RALPH. This work was published posthumously, and first performed in 1962. The viola part is edited by Bernard Shore and the piano part by Eric Gritton. / Niveau : Avancé / Répertoire / Alto et Piano

Symphonic Series. Par VAUGHAN WILLIAMS RALPH. In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. Titles in the Symphonic Series come from treasured major orchestral works by Vaughan Williams that have never before been available for wind band. / Date parution : 2021-12-09/ Répertoire / Concert Band

This three volume series comprises the bulk of the solo songs which Vaughan Williams published with Oxford University Press. The songs span his whole long career until his death in 1958. The majority are suitable for medium voice.