The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.

In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.

The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty / Partition /

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.

In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.

The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Partition /

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.

In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.

The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Partition /

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.
In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.
The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Classique / Préface : Peter Bartok / Partition /

Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA (ARR.FERESHTEH RAHBARI). Béla Bartók's '44 Duos” for violins are a set of marvelous musical miniatures that draw on the composer's love of Eastern European folk music. Ranging from easy to advanced standard, they have long been the province only of string players with arrangements first for cellos and more latterly for violas. Now they are available to delight flautists and will be ideal for recitals, either as a main program item or as encores, just as violinists have enjoyed them since their composition. Arranger Fereshteh Rahbari comments that it is thanks to the development of the flute over the last four decades, especially in its speaking quality, that these effective new arrangements could be made./ Répertoire / 2 Flûtes Traversières

This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named Lidi Dósa, he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work.Romanian Folk Dances remains one of Bartók's most popular and enduring works, evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on a traditional melody which Bartók penned during his travels. Including newly engraved masterpieces Stick Dance, Waistband Dance, In One Spot, Dance From Butschum, Romanian Polka and Fast Dance, this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidance throughout.Romanian Folk Dances also features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguing backstory of this work. One of the most important 20th century composers and, along with Liszt, one of Hungary's finest musical minds, Bartók held a strong fascination for folk music. Through his studies, recordings and arrangements, he composed some incredible music like these Romanian Folk Dances, while simultaneously initiating the field of ethnomusicology. / Piano

Sonate cette Urtext édition de Bartók pour violon Solo, l'un du solo plus importante oeuvres du XXe siècle, restaurations d'imprimer de nombreux détails du manuscrit original de Bartók, surtout le passage en quarts-de ton enlevés pour la Sonate de chaîne / Violon