Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritative vocal score version features a piano reduction of the instrumental material as well as the complete score for Soprano solo Alto solo Tenor solo Bass solo and mixed SATB choir.

HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter

The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.

In the vocal part there are several variants, and this makes them accessible for different types of voice.

The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.

The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /

For many, the title will awaken memories of the demonstrations against the clearance of the Flörsheim Forest to allow for a new runway at the Frankfurt Airport. Both the poem, which extends beyond this local incident to remind us of the seriousness of our global situation, and the music join together to form an expressive, universally valid call for the conservation of our core values, our future together: 'Die Erde jedoch wird sich wehren. Sie wird uns, am Ende, nichts mehr geben als den Staub, in dem wir aufgehn.' (The earth, however, will resist. She will, in the end, not give us any more than dust, into which we will submerge.) It is up to us, to prevent the situation from advancing so far: 'Wir, die wir zu ihren Schülern wurden, sollten die Lehre der Bäume verbreiten.' (We, the students, should spread the teachings of the trees.' / Voix Et Piano

Français et Allemand. Par SAINT-SAENS CAMILLE. Saint-Saëns? setting of the biblical story of Samson, a hero equipped with superhuman powers, and his seduction by the Philistine Dalila is considered his magnum opus for the musical stage. It stands alongside Gounod?s ?Faust? and Bizet?s ?Carmen? among the most popular operas in the French repertoire. Lust, hate, frailty and religious war are the ingredients of the plot. Among other things, the sensual music includes Dalila?s famous arias ?Mon coeur s?ouvre ta voix? and ?Printemps qui commence?. The Bärenreiter vocal score, newly engraved with a clear presentation, contains Richard Pohl?s authentic singable translation of the libretto used at the Weimar premiere in 1877./ Répertoire / Chant et Piano

Les nuits d'été für Solostimme und Orchester op. 7 Hol 81B Sechs Gesänge. 2. Version Komponist / Autor: Berlioz, Hector Inhalt: Villanelle (Mezzo oder Tenor) ' Komponist / Autor: Berlioz, Hector La Spectre de la rose (Alt) ' Komponist / Autor: Berlioz, Hector Sur les Lagunes (Bariton oder Alt oder Mezzo) ' Komponist / Autor: Berlioz, Hector Absence (Mezzo oder Tenor) ' Komponist / Autor: Berlioz, Hector Au Cimetière (Tenor) ' Komponist / Autor: Berlioz, Hector L'Ile inconnue (Mezzo oder Tenor). Zusätzliche transponierte Fassungen in Mezzo-Lage

Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano

This short, highly compact song is based on an excerpt from a poem by Philipp Luidl. Thanks to the narrow ambitus of the vocal part, it is suitable for every vocal register. The piano part is strictly bound to the musical text, whereas the vocal part, though precisely notated, is granted almost unlimited leeway in performance. Almost anything is permitted, from traditional song interpretation to uninhibited Sprechgesang in which even pitches can be redefined. The imagery of the poem - a stone constantly rolled back by the sea - gives rise to music of great flexibility. Piano and voice complement each other while preserving their independence. / Chant Et Piano