Par MCDOWALL CECILIA. for SATB (with divisions) unaccompanied Commissioned by King's College, Cambridge, for the 2021 Festival of Nine Lessons and Carols, Cecilia McDowall's setting of this well-known fifteenth-century macaronic text is expressive and ethereal. The carol abounds in rise and fall of melody and dynamic, before drawing to a hushed, atmospheric close. / Date parution : 2022-04-26/ Répertoire / Choeur SATB (div) sans Accompagnement

Respected film composer Hans Zimmer's wordless tribute to those who lost their lives or were affected by the 2012 shooting in Aurora, Colorado. A stunning addition to the repertoire for advanced choirs. / Choeur SATB A Cappella

Kantate Zum 4. Advent. Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn “Herr Christ der einig Gotts Sohn' [Elisabeth Cruziger], has been lost, here the cantata ends with the last movement [transposed from B flat to A major], to the same words, of the cantata BWV 164./ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, 2 Viol

from Nordic Christmas. Par ARNESEN KIM ANDRE. Partition de choeur, with piano accompaniment for rehearsal only / Date parution : 2020-11-16/ Répertoire / Ch?ur mixte SATB divisi a cappella

Originally written as an up-tempo number for the musical Oh Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right! / Choeur Mixte (SSATB) A Cappella

Voulez-vous chanter avec la chorale? Alors ce livre est fait pour vous! Ce livre / pack CD contient 15 chansons, entièrement arrangé pour soprano, alto, ténor et basse, et un choeur professionnel enregistré sur le CD. Choisissez votre pièce et chanter en même temps!Sont également inclus les accompagnements au piano et les notes de performance détaillant les wheres, ce qui est, et le comment - toutes écrites dans un anglais simple! / Choeur SATB Et Piano

Composé de seulement deux phrases, ce chef-d'oeuvre Henry Mancini / Johnny Mercer a remporté l'Oscar de la meilleure chanson originale quand il a été présenté dans le film du même nom. Groupes de jazz vocal seront savourer ce traitement succulent. / Choeur SATB A Cappella

Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)

From carol singing to the concert hall, this wonderful arrangement of We Wish You A Merry Christmas is perfect for choruses seeking to bring some traditional seasonal joy to their festive repertoire. Expertly arranged by John Gardner for SATB choir with piano accompaniment, this single sheet choral release is perfect for choirs wanting to create their own Christmas programme, piece by piece. / Choeur SATB Et Piano

Une collection de cinq hymnes arrangés en style Gospel traditionnel pour le choeur SATB, avec accompagnement au piano.Inclus< i>Go Tell It On The Mountain, et Swing Low, Sweet Chariot. / Voix / 50 pages / niveau : Intermédiaire / Partition

Originally released in 1945, this standard continues to touch hearts. Langford's advanced vocal jazz setting, dividing into multiple voice parts, really brings the melody and lyrics to life. Worth the rehearsal time! / Choeur Mixte (SATB) A Cappella

Tonalité : F-Moll - Op.: 146 -. Par LACHNER FRANZ. In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formalstructure, to the similar treatment of individual sections, themes and motives. / Requiem / Répertoire / Solistes SSATB, Choeur SATB, 2 Hautbois, 2 Clarine

Passionsbetrachtung nach Spirituals. Par RUPPEL PAUL-ERNST. Der Grundgedanke dieser Lieder ist der einer Bildbetrachtung mit meditierendem Innehalten vor bestimmten Blickfeldern. Die skizzenhafte Anlage der Sätze lässt Freiraum für eine ganz individuelle und persönliche Gestaltung./ Répertoire / Solo T, Choeur SATB, Récitant, Trombone et Contreb

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines