| Kenneth Martinson : Viola Fantasy for (1987/99) for 12 Violas Ensemble d'Altos Gems Music Publications
By Kenneth Martinson. Edited by Kenneth Martinson. For 12 violas. This edition: ...(+)
By Kenneth Martinson.
Edited by Kenneth
Martinson. For 12 violas.
This edition: Urtext,
Folder with 13 inserts.
Classical. Level 5 (of
6). Score and 12 parts.
Text Language: English.
Composed 1987/99. 52
pages. Duration 6 min.
Published by Gems Music
Publ
$27.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 10 Etude Duets, BI. 23-32 for 2 Violas 2 Altos (duo) Gems Music Publications
By Alessandro Rolla (1757-1841). Edited by Kenneth Martinson. For 2 violas. This...(+)
By Alessandro Rolla
(1757-1841). Edited by
Kenneth Martinson. For 2
violas. This edition:
Urtext, Bookstyle Bound.
Classical. Level 6 (of
6). Playing score. Text
Language: English. BI.
23-32. 49 pages.
Published by Gems Music
Publications
$31.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Agnus Dei Chorale SATB - Facile Walton Music
SAB. By Kinley Lange. (SAB (SATB)). Walton Choral. Size 6.75x10.5 inches. 8 pag...(+)
SAB. By Kinley Lange.
(SAB (SATB)). Walton
Choral. Size 6.75x10.5
inches. 8 pages.
Published by Walton
Music.
$2.60 $2.47 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 6 Duets 2 Altos (duo) Schott
For 2 Violas. By Pietro Nardini. Schott. Size 8.25x11.75 inches. 16 pages. Publi...(+)
For 2 Violas. By Pietro
Nardini. Schott. Size
8.25x11.75 inches. 16
pages. Published by
Schott.
$19.99 - Voir plus => Acheter | | |
| String Quintet Op. 2 No. 6 in F Major Quintette à cordes: 2 violons, 2 altos, violoncelle Schott
(Score and Parts). Composed by Florian Leopold Gassman. For String Quintet. Stri...(+)
(Score and Parts).
Composed by Florian
Leopold Gassman. For
String Quintet. String.
32 pages. Schott Music
#ED20429. Published by
Schott Music
$38.00 - Voir plus => Acheter | | |
| String Quintet Op. 3 No. 6 in C Major Quintette à cordes: 2 violons, 2 altos, violoncelle Schott
Score and Parts. Composed by Gaetano Brunetti. String. Schott Music #ED20...(+)
Score and Parts.
Composed by Gaetano
Brunetti. String. Schott
Music #ED20426. Published
by Schott Music
(HL.49017037).
$56.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wolfgang Amadeus Mozart: String Quintets, Volume 1 - Nos. 4-8 Quintette à cordes: 2 violons, 2 altos, violoncelle [Conducteur et Parties séparées] Peters
Composed by Wolfgang Amadeus Mozart (1756-1791). Set of performance parts (parts...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Set of
performance parts (parts
only, score not included)
for violin I, violin II,
viola I, viola II and
cello. With thematic
index. 179 pages.
Published by C.F. Peters.
$56.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 44 18th Century Italian Viola Duets Vol. 1 (#1-22) 2 Altos (duo) Gems Music Publications
By Anonymous. Edited by Kenneth Martinson. For 2 violas. This edition: Urtext, B...(+)
By Anonymous. Edited by
Kenneth Martinson. For 2
violas. This edition:
Urtext, Bookstyle Bound.
Classical. Level 4 (of
6). Playing score. Text
Language: English. 114
pages. Published by Gems
Music Publications
$41.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Viola, Viola 2 Altos (duo) Faber Music Limited
By George Benjamin. For Viola. Duet or Duo; Masterworks; Part(s); String - 2 Vio...(+)
By George Benjamin. For
Viola. Duet or Duo;
Masterworks; Part(s);
String - 2 Violas. Faber
Edition. 20th Century;
Masterwork. 6 pages.
Published by Faber Music
$27.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quintet in G Major, Op. 3, No. 6 Quintette à cordes: 2 violons, 2 altos, violoncelle Schott
(Score and Parts). Composed by Antonio Capuzzi. For String Quintet (Score and Pa...(+)
(Score and Parts).
Composed by Antonio
Capuzzi. For String
Quintet (Score and
Parts). G Schirmer String
Ensemble. Softcover.
Schott Music #ED21232.
Published by Schott Music
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Let's Duet -- Volume 2 - Viola 2 Altos (duo) - Facile Latham Music Enterprises
Viola Duet - Grade 2.5 SKU: AP.36-52721562 Composed by Lynne Latham. Ludw...(+)
Viola Duet - Grade 2.5
SKU:
AP.36-52721562
Composed by Lynne Latham.
Ludwig Masters. Book.
Latham Music Enterprises
#36-52721562. Published
by Latham Music
Enterprises
(AP.36-52721562). ISBN
9781628760873. UPC:
660355097317.
English. The second
volume in this series
includes intermediate
level duets compatible
for violin, viola, cello
and bass. Learn dotted
rhythms and 6/8 meter,
chromatic fingerings,
facility with pizzicato,
varying types of bow
strokes, and double stops
as students are
introduced to shifting
with familiar classic
tunes. This volume is a
technique builder and
works best with the more
treble of the two
instruments on the top
line.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $11.99 - Voir plus => Acheter | | |
| Charles Auguste de Beriot : Spanish Airs, Op. 113 2 Altos (duo) [Conducteur et Parties séparées] Middle Fiddle Music
(from Six Characteristic Duos). By Charles Auguste de Beriot (1802-1870) and Cha...(+)
(from Six Characteristic
Duos). By Charles Auguste
de Beriot (1802-1870) and
Charles Auguste de
Beriot. Edited by Jan
Kelley. Arranged by Joel
Lish. Viola duet. For 2
violas. Duets. De
Beriot's Six
Characteristic Duos
arranged for Two Violas.
Classical. D
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sextuor : pour deux violons, deux altos et deux violoncelles, op. 92 Noten Roehr
Composed by Paul Marie Theodore Vincent d'Indy. Chamber music (3-9 instruments)....(+)
Composed by Paul Marie
Theodore Vincent d'Indy.
Chamber music (3-9
instruments). Set of 6
parts. Published by Noten
Roehr (NR.65819).
$53.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Viola Zombie 2 Altos (duo) [Partition] Peermusic Classical
(for Two Violas). By Michael Daugherty (1954-). Peermusic Classical. Softcover. ...(+)
(for Two Violas). By
Michael Daugherty
(1954-). Peermusic
Classical. Softcover. 24
pages. Peermusic
#61783-753. Published by
Peermusic
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3 Duetten (ca. 1775), F. 60-62 for 2 violas 2 Altos (duo) Gems Music Publications
Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Kenneth Martinson. Fo...(+)
Composed by Wilhelm
Friedemann Bach
(1710-1784). Edited by
Kenneth Martinson. For 2
violas. This edition:
Urtext, Staple Center
Bound with 1 insert. In
the keys of G, g, C.
Classical. Level 4 (of
6). Playing score. Text
Language: English.
Composed ca. 1775. F.
60-62. 46 pages.
Published by Gems Music
Publications
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Crossing the Bar Chorale SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano
SKU: CF.CM9608
Composed by Jamey Ray.
Fold. Performance. 12
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CM9608.
Published by Carl Fischer
Music (CF.CM9608).
ISBN 9781491154304.
UPC: 680160912803. 6.875
x 10.5 inches. Key: E
major. English. Alfred,
Lord Tennyson
(1809-1892). The
beauty in Alfred, Lord
Tennysons poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 5764,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennysonas
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m.A 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word adeepa in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word adarka in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word aembark,a
which is to be an ascent
to Heaven. The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm. 57a64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word awhen.a Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.
~Jamey Ray. The beauty
in Alfred, Lord
Tennyson’s poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m.Â
19, providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word
“deep†in m.
27 gives another instance
of text painting.Take
advantage of the minor
second suspension on the
word “darkâ€
in m. 38 in order to
achieve a feeling of
suspense. The entrance at
m. 41 is full, and while
still minor, the text
gives us hope for a
change. The change comes
in m. 45 with the
staggered entrances
creating a sense of
building and ascent until
the climax of this moment
at m. 47 on the word
“embark,â€
which is to be an ascent
to Heaven.The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm.
57–64, the altos
trade the melody back and
forth with the sopranos.
Take note that the alto
melody should be brought
out, but the line does
not actually begin until
the word
“when.â€Lastly
, be intentional with
syllabic stress (no two
eighth notes or quarter
notes alike) and to give
direction to any note
longer than a quarter.I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.~Jamey
Ray. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Everlasting Voices Violoncelle, Piano Carl Fischer
Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9625 ...(+)
Choral Cello, Piano, alto
1, alto 2, soprano 1,
soprano 2 SKU:
CF.CM9625 Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats. The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Lord Bless You And Keep You Chorale 2 parties 2 parties, Piano - Débutant GIA Publications
2-part mixed voices, keyboard accompaniment - Beginning SKU: GI.G-9790 Co...(+)
2-part mixed voices,
keyboard accompaniment -
Beginning SKU:
GI.G-9790 Composed by
Carlton R. Young.
Children. Simple Gifts.
Tune Name: Numbers 6:24.
Sacred. 4 pages. GIA
Publications #9790.
Published by GIA
Publications (GI.G-9790).
UPC: 785147979005.
English. Text Source:
Numbers 6:24&ndash,26.
Scripture: Numbers
6:24–26. Thr
ough attractive
simplicity and a
beautiful line, this
brief setting of the
Aaronic blessing is a
great alternative to
other, older settings of
the
text—especially
when the total number of
tenor-bass singers in
your choir is
considerably less than
that of the sopranos and
altos. The two parts sing
in octaves mostly, with
just a hint of a canon in
the final measures. $2.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blue Brews Ensemble Jazz [Conducteur et Parties séparées] - Avancé Kendor Music Inc.
Jazz Ensemble standard jazz ensemble; altos double on flute - Grade 5 SKU: KN...(+)
Jazz Ensemble standard
jazz ensemble; altos
double on flute - Grade 5
SKU: KN.62060
Composed by Dave Hanson.
Jazz Summit. Shuffle.
Score and set of parts.
Duration 6 minutes, 55
seconds. Kendor Music Inc
#62060. Published by
Kendor Music Inc
(KN.62060). UPC:
822795620603. Recen
tly recorded by the H2
Big Band on You're It!
(Jazzed Media 1053), this
driving shuffle for
proficient groups is
imaginative, skillfully
orchestrated, and
harmonically unique. Solo
space is provided for
baritone sax, trumpet and
trombone. Duration
6:55. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Leon from Path of Miracles Chester
Choral (Men's Chorus) SKU: HL.14042319 AATBarBarB a cappella. Comp...(+)
Choral (Men's Chorus)
SKU: HL.14042319
AATBarBarB a
cappella. Composed by
Joby Talbot. Arranged by
Phillip Lawson. Choral.
Classical, Contemporary.
Octavo. Composed 2012. 20
pages. Chester Music
#CH80113. Published by
Chester Music
(HL.14042319).
6.75x9.75x0.104
inches. For 2
altos, tenor, 2 baritones
and bass. Piano included
for rehearsal only. This
arrangement of Leon was
commissioned by The
King's Singers and Sean
Curran Company as part of
a collaborative
project. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blue Brews (Full Score) - Avancé Kendor Music Inc.
Jazz Ensemble altos double on flute - Grade 5 SKU: KN.62060S Composed by ...(+)
Jazz Ensemble altos
double on flute - Grade 5
SKU: KN.62060S
Composed by Dave Hanson.
Jazz Summit. Kendor Music
Inc #62060S. Published by
Kendor Music Inc
(KN.62060S). UPC:
822795620603. Recen
tly recorded by the H2
Big Band on You're It!
(Jazzed Media 1053), this
driving shuffle for
proficient groups is
imaginative, skillfully
orchestrated, and
harmonically unique. Solo
space is provided for
baritone sax, trumpet and
trombone. Duration
6:55. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525813 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525813 Composed
by George Frideric
Handel. Edited by Alon
Schab. Single Part,
violin 3. Composed 1727.
HWV 258. Duration 6
minutes. Carus Verlag
#5525813. Published by
Carus Verlag
(CA.5525813). ISBN
9790007311018.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Saxophone Sextets: Book 2 Ensemble de saxophones Subito Music
Saxophone Sextet SKU: SU.90920032 Composed by Julius Hemphill. Score & Pa...(+)
Saxophone Sextet SKU:
SU.90920032 Composed
by Julius Hemphill. Score
& Parts. Subito Music
Corporation #90920032.
Published by Subito Music
Corporation
(SU.90920032).
Book 2
contains contains scores
and parts to 10 more
compositions by jazz
master and leader of the
World Saxophone Quartet,
Julius Hemphill. Newly
engraved edition. Edited
by Marty Ehrlich.Julius
Hemphill formed his
Saxophone Sextet in 1989,
composing new music for
concert performances and
his celebrated dance and
theatre collaborations.
The wide history of
African-American music is
heard in these pieces,
all shaped by Hemphill's
rich imagination and
compositional acumen. The
instrumentation is three
altos with soprano
doubles, two tenors, and
baritone sax. The two
volumes presented here
mirror each other in the
range of musical worlds
Hemphill evoked as he
explores the rich harmony
and counterpoint possible
with the six- saxophone
choir. Also available:
Book 1 (Cat. #90920031)
CONTENTS 1. Fat Man 2.
Tribute/Closer (from Long
Tongues: A Saxophone
Opera) 3. Floppy/Blued-UP
4. The Answer 5. Georgia
Blue 6. Holy Rockers 7.
Mr. Critical 8. The Glide
9. Revue 10. The Hard
Blues Saxophone Sextet
Composed: 1992 Published
by: Subito Music
Publishing. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Page suivante 1 31 |