Aus: Kleine Geistliche Konzerte I. Par SCHUTZ HEINRICH. Tonalité : dorisch - Moller, Martin (Trad. ) - SWV 285 / Musique religieuse / Répertoire / Solo T (S) et Orgue

G-Dur. Par AHLE JOHANN RUDOLF. Tonalité : G-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) -/ Répertoire / Solo S, Choeur SST/ATTB, 4 Basson (4 Trombones ou

Par AHLE JOHANN RUDOLF. Tonalité : G-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) -/ Répertoire / Solo S, Choeur SST/ATTB, 4 Basson (4 Trombones ou

Par AHLE JOHANN RUDOLF. Tonalité : G-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) -/ Répertoire / Solo S, Choeur SST/ATTB, 4 Basson (4 Trombones ou

G-Dur. Par AHLE JOHANN RUDOLF. Tonalité : G-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) -/ Répertoire / Solo S, Choeur SST/ATTB, 4 Basson (4 Trombones ou

Tonalité : G-Dur -. Par NEUBERT GOTTFRIED. Kantaten - Verwendung / Kirchenjahr: Epiphanias - Langue : Allemand/ Répertoire / Solo S, Choeur SATB, 3 Trompettes, 2 Trombones et

Dieser Band enthält die beliebtesten Weihnachtslieder in sehr leichten Bearbeitungen, die bereits von Anfängern gut zu bewältigen sind. Die Auswahl der Lieder reicht vom traditionellen deutschen Weihnachtslied bis hin zu internationalen Melodien. Alle Lieder können mit einer oder zwei Querflöten gespielt werden. Aus dem Inhalt: Alle Jahre wieder, Fröhliche Weihnacht überall, Leise rieselt der Schnee, Stille Nacht, Wir sagen euch an, Jingle Bells, Rudolph the red-nosed reindeer, Winter Wonderland u.v.m. / 1 Ou 2 Flûte(s) Traversière(s)

First movement and a sketch for a Scherzo - (Erstausgabe - First Edition) . Par MAHLER. Sikorski present the first publication of Mahler's 1876 Piano Quartet, a work that reflects the composer's obsession with the great German compositional tradition. The piece reflects Mahler's concerns with the works of Brahms, Schubert and Schumann - a highly valuable source of perspective regarding Mahler's early works and the development of his later, more distinctive aesthetic./ Répertoire / Quatuor

Nach Worten Der Heiligen Schrift. Par BRAHMS JOHANNES. Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. / Musique religieuse / Répertoire / Solistes SB, Choeur SATB, Piccolo, 2 Flûtes Traver

Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected./ Répertoire / Solistes, Choeur et Orchestre

Par HAHN. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn 's compositions are possibly not as well-known as they ought to be. Portraits De Peintres for Piano however, is one of many compositions that shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was amagical art and his compositions often contain expressions of his otherwise hidden emotions and moods. Portraits De Peintres is made up of four movements based on the poems of Marcel Proust, depicting four different artists. Hahn 's Portraits De Peintres contains a variety of different features, making for a pleasant and evocative work for intermediate pianists./ Répertoire / Piano

Par HAHN / LARRIEU. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn was best known for his contributions to the French Melodie. Nocturne for Flute and Piano, however, represents the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his instrumental compositions often containexpressions of his otherwise hidden emotions and moods. Suitable for intermediate standard flautists, Hahn 's Nocturne provides a pleasant and evocative piece, incorporating a range of expressions, rhythms and other musical features./ Répertoire / Flûte Traversière et Piano

20 Melodies Voix Moyenne Et Piano. Par HAHN. Contents: Quand la nuit n'est pas étoilée - Cantique - La Délaissée - La Chère Blessure - Théone - Le souvenir d'voir Cante - Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau - Fumée - Le printemps - Dans la nuit - Les fontaines - À Chloris - Le Rossignol des lilas - À nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paix As Proust liked to remind us, Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn's mouth was a genius music instrument that was letting the most beautiful, sad yet warm voice out when he was singing. Following the first volume written in 1986, Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment, composed by Reynaldo Hahn. These twenty melodies are: Quand la nuit n'est pas etoilee & Cantique - La Delaissee - La chère blessure & Theone - Le souvenir d'voir Cante-Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau & Fumee - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignores - Ma jeunesse - Le plus beau present - Puisque j'ai mis ma lèvre - La douce paix / Niveau : Moyen / Répertoire d'Examen / Répertoire / Voix Moyenne et Piano