Par BACH JOHANN SEBASTIAN / HAENDEL GEORG FRIEDRICH. / Niveau : Assez Facile / classique / Répertoire / 3 ou 4 Flûtes Traversières

Arrgt: Benoît Barrail. Par HAENDEL GEORG FRIEDRICH. Formation : Musique de Chambre, Quatuor - Instrumentation : 1 Saxophone Soprano 1 Saxophone Alto 1 Saxophone Ténor 1 Saxophone Baryton - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Friedrich HAENDEL - Arrangeur : Benoît BARRAIL / Niveau : Intermédiaire / Classique / Répertoire / Saxophone Soprano, Saxophone Alto, Saxophone Ténor

Arrgt: Sarah Labrousse-Baert. Par HAENDEL GEORG FRIEDRICH. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 2/6 - Facile - Durée : 1 mn 30 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Friedrich HAENDEL - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Facile / Classique / Répertoire / 2 Violons, Alto et Violoncelle

Arrgt: Benoît Barrail. Par HAENDEL GEORG FRIEDRICH. Formation : Musique de Chambre, Quatuor - Instrumentation : 1 Saxophone Soprano 1 Saxophone Alto 1 Saxophone Ténor 1 Saxophone Baryton - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 30 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Friedrich HAENDEL - Arrangeur : Benoît BARRAIL / Niveau : Intermédiaire / Classique / Répertoire / Saxophone Soprano, Saxophone Alto, Saxophone Ténor

Arrgt: Benoît Barrail. Par HAENDEL GEORG FRIEDRICH. Formation : Musique de Chambre, Quatuor - Instrumentation : 1 Saxophone Soprano 1 Saxophone Alto 1 Saxophone Ténor 1 Saxophone Baryton - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Friedrich HAENDEL - Arrangeur : Benoît BARRAIL / Niveau : Intermédiaire / Classique / Répertoire / Saxophone Soprano, Saxophone Alto, Saxophone Ténor

Arrgt: Benoît Barrail. Par HAENDEL GEORG FRIEDRICH. Formation : Musique de Chambre, Quatuor - Instrumentation : 1 Saxophone Soprano 1 Saxophone Alto 1 Saxophone Ténor 1 Saxophone Baryton - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Friedrich HAENDEL - Arrangeur : Benoît BARRAIL / Niveau : Intermédiaire / Classique / Répertoire / Saxophone Soprano, Saxophone Alto, Saxophone Ténor

Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue

Arrangeur: Siegfried Petrenz. Par HAENDEL GEORG FRIEDRICH. George Frideric Handel is considered England’s first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Handel's Messiah Messias) for SATB and Piano./ Répertoire / Choeur Mixte et Instrument Divers

Par HAENDEL GEORG FRIEDRICH. / Classics / Date parution : 2020-10-15/ Recueil / Saxophone Alto et Ténor

Par HAENDEL GEORG FRIEDRICH. / Classics / Date parution : 2020-10-15/ Recueil / Saxophone Soprano, Alto et Baryton

Par HAENDEL GEORG FRIEDRICH. / Classics / Date parution : 2020-10-15/ Répertoire / 4 Saxophones (Satb)

Par HAENDEL GEORG FRIEDRICH. / Classics / Date parution : 2020-10-15/ Recueil / 2 Saxophones

Par HAENDEL GEORG FRIEDRICH. / Classics / Date parution : 2020-10-15/ Recueil / Saxophone Soprano, Alto et Tenor