Loyalty Among Friends. Par HOUBEN KEVIN. Hidden Light - Loyauté entre amis, a été composé à l'occasion des 75 ans d’ancienneté de M. Leo Knoben au Royal Brass Band 'Eendracht Waubach'. (NL) Par fierté et admiration pour ce jubilé exceptionnel, mais aussi par gratitude pour ses nombreuses années d'engagement en tant que musicien et membre du conseil d'administration, son ensemble a décidé de commander une œuvre mémorable au compositeur Kevin Houben. Cette mission a donné naissance au merveilleux choral Hidden Light, pour lequel le compositeur Kevin Houben Ce dernier s'est inspiré des émotions et des oppositions suivantes : petit - majestueux, soumis - royal et simplicité - gloire. L'œuvre commence dans une atmosphère très modeste et sombre. La composition évolue par la suite vers un son grandiose avec de belles mélodies, explorant toute la richesse et les couleurs de l'orchestre d'harmonie 'symphonique'. La variété intéressante de l'orchestration, le cadre intime du début et les passages tutti larges et majestueux qui suivent, rendent l'œuvre très nuancée, agréable à jouer et à écouter. Avec Hidden Light, Kevin Houben a de nouveau su créer une composition expressive et puissante, de nature très intime. Cette œuvre émouvante est un hommage à un homme exceptionnel qui a été là pour « son » orchestre toute sa vie, avec un cœur chaleureux pour « ses » musiciens. Chaque musicienne et musicien reconnaîtra à n’en pas douter, sa relation et sa passion pour la musique dans cette pièce. / Date parution : 2021-12-09/ Répertoire / Fanfare

As Just Beautiful has been so popular for Piano Organ Cello and Violin here is a collection for Flute. For Grade 3-5 Just Beautiful is a collection that no flautist should be without.Includes 25 pieces chosen by Kevin Mayhew by great composers such as Bach Chopin Handel Elgar Schumann and many more.”I have chosen these pieces because I love every one of them. I can clearly remember theoccasion when I first came across each piece and the excitement I felt. It was during my time as a chorister at Westminster Cathedral and in my subsequent work as a church musician that I first discovered many of the sacredpieces. The rest are my choice from years of seeking out beautiful melodies and perfect harmonies. I hope you enjoy Just Beautiful as much as I do.” Kevin Mayhew.

This piece is a great piece for the study of changing meters. Beginning in 8/8 changes between 7/8 6/8 and 9/8. It has a Renaissance melodic sound based on the The Troubadour—a Renaissance traveling musician. This piece is a great piece for the study of changing meters. Beginning in 8/8 changes between 7/8 6/8 and 9/8. It has a Renaissance melodic sound based on the The Troubadour-a Renaissance traveling musician.

With accompanying CD designed to give musicians of any ability the opportunity to improvise. Ideal for any musician with a desire to play blues and jazz including teachers. For Flute; Recorder; Oboe; and Violin.

Instruments: OrganAn outstanding collection of transcriptions made by Dom Gregory Murray bearing all the hallmarks of this master musician.

A second collection of transcriptions made by Dom Gregory Murray bearing all the hallmarks of this master musician.

A man with a rather unusual penchant for umbrellas A man who wrote an autobiography detailing every single activity in every minute of his day A man who had the curious notion of devising 'wallpaper music' (music thatwas designed to be completely ignored by the audience).However the Trois Gymnopedies fine examples of Satie's 'wallpaper music' are perhaps the best known of all of the composers works and to dismiss these worksas 'ordinary' would be a grave mistake by any musician.Available here are the Trioe Gymnopedies by Erik Satie as edited by Anthea Smith.

O Praise God has been brought together by Neil Jenkins with practical arrangements and editing - the result is an indispensable book for the parish musician.

Jamminâ?? the Blues is a series of 5 guide books each with accompanying CD designed to give musicians of any ability the opportunity to improvise. They are ideal for any musician with a desire to play blues andjazz including teachers.The books are simply laid out with 40 50 minutes of backing tracks on CD for the user to play along with and develop their â??jamminâ?? skills. Jamminâ?? the Blues effectively addressesthe creative music skills needed in todayâ??s education environment.

DVD-Is your talent still locked up in the garage? It's time to shift gears and start finding gigs that pay serious money! This DVD – featuring invaluable advice from music industry heavy-hitters – is for every musician whodreams of playing music for a living. Kevin Eubanks musical director for the Tonight Show band shares his thoughts on getting major work as a musician in today's market. Bon Jovi guitarist Richie Samboratalks about the most critical elements to launching a music career. Famous rock stars including Kevin Cronin (REO Speedwagon) Eric Schenkman (Spin Doctors) and Joe Satriani give the inside scoop about findinggood-paying gigs agents and learning from the mistakes they've made on their climb to the top. Carnival Cruise Lines supervisor J.B. Buccafusco gives ideas on how to get yourself booked on cruise ships and SteveSchirripa former entertainment director for the Las Vegas Riviera gives insight into scoring casino bookings nationwide. Also includes tips from concert and festival promoters studio musicians talent buyers and manyothers who can help you make money with your music. 38 minutes.Sponsored by the American Federation of Musicians and Gig magazine!

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern

Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue