A Quiet Moment nous invite à entrer dans un temps méditatif ou contemplatif. Les images et les pensées suscitées par chant nostalgique sont autant de voyages mélancoliques où les paysages décrivent des instants de vie et d?amour.

A Quiet Moment nous invite à entrer dans un temps méditatif ou contemplatif. Les images et les pensées suscitées par chant nostalgique sont autant de voyages mélancoliques où les paysages décrivent des instants de vie et d?amour.

music for reflective times in worship-Text by Susan Sayers and Michael Forster Music by Kevin Mayhew Songs of Intercession is a marriage of inspirational texts and meditative music making each of the eight pieces ideal for any quiet moment - at the Communion for example or as aids to quiet prayer by groups or individuals. The texts intercede for those in any kind of need and open up the possibility of ourselves being part of the healing. The wonderfully melodic musicis multi-functional in that it may be performed in unison by everyone present or by a mixed-voice choir accompanied by any keyboard instrument with or without other instruments. There are optional short improvisations which may beused for silent prayer. The eight titles are:The breaking of breadTake us by the handTrust in the LordForgivenessGod knowsTo love with all your heartWise and holy GodThe giver of goodA recording of great beauty involving fine singers and instrumentalists is available and is ideal both for hearing how the music should sound and as a resource for prayer services.

Adoration Medley is wonderfully suited for blended worship experiences. It begins with an a cappella setting of Theodore Dubois's “Christ We Do All Adore Thee” from The Seven Last Words of Christ whichsets a tone of reverence and draws upon the choral tradition of the great classics. A short instrumental interlude ushers in the inspirational “Glorify Thy Name ” which has become a classic in the praise and worshipgenre. Old and new are joined by the common theme of adoration to God. Building in excitement and grandeur Adoration Medley then ends with a quiet moment of intimacy. For double choir ensemble or praise team and choir.Accessible to high school or adult choirs congregational participation during the praise chorus is encouraged. A stunning track and orchestration are also available.

for Concert Band-Citadel was composed to commemorate the 150th anniversary of The University of Kansas (1865 to 2015.) It begins with optional offstage chimes (one or two sets [opt.]) to depict the daily ringing of the bells in KU's World War II Memorial Campanile. Trumpets introduce a fanfare-like figure that quickly evolves into the opening theme of the work. As the music settles and becomes softer a saxophone choir introduces a slower more pensive middle theme intended to describe the university's academic nature. A quiet moment at the end of this section hints at the famous Rock Chalk Chant in solo horn before the chimes and fanfare return to end the work in a final dramatic outburstof sound and color.

1. Song Without Words 2. Shortenin' Bread Boogie 3. Toy Bugle 4. Sweet Tooth 5. The Case Of The Mysterious Violin 6. Quiet Moment 7. Razzle Dazzle 8. Let's Have A Party

The Gig Book Of Pub Songs is the ideal way to learn all of those rousing anthems that are guaranteed to inspire a spirited sing-along. These handy Gig Books come with tough PVC covers and are anideal size for stuffing in your gig bag for quick and easy access to the best classic songs ever. The beauty of Pub Songs is the spirit and air of camaraderie with which they are sung. Some classics herethat everybody knows and loves like Another Little Drink Wouldn't Do Us Any Harm It's A Long Way To Tipperary Pennies From Heaven will ensure that there's never a quiet moment in your favourite local. However theproblem with Pub Songs is that after a few pints or Gin and Tonics nobody can remember the lyrics and the melody descends into a barely discernible drawl. Never fear the Gig Book Of PubSongs will ensure that you never forget any of the words and the melody will remain remembered for the entire night. Other songs include Nellie The Elephant You're Nobody Till Somebody LovesYou Abie My Boy and When Irish Eyes Are Smiling. Each and every one of these is sure to incite a spirit of goodwill and a joyous togetherness in the crowd harking back to those times when a pub singalong was notonly encouraged but mandatory. With a hard-wearing PVC cover the Gig Book series is designed to withstand anything that you might throw at it whether it's drops dings or evenspillages!  You can be sure that this book of Pub Songs will last you for many uses or as long as you last at the pub on the night!

Par BURGH CHRIS DE. De Burgh is most widely known for his inernational hit from 1986, The Lady in Red. This songbook is a matching album to the 1999 release, Quiet Revolution./ Recueil / Piano, Chant et Guitare

10 Expressive Piano Pieces in a Variety of Styles-This collection of expressive pieces in a variety of styles and tempos provides late elementary to early intermediate students the chance to develop skills in projecting lyrical melodic lines. From slow ballads to upbeat tempos these pieces allow pianists to deepen their musical awareness through the use of technical control rubato and subtle tempo changes. Titles: Canyon Shadows - Clear Mountain Sky - Colors at Dawn - Floating on the Pond - Fond Memories - Gentle Rain - Guarding the Castle Gates - Il tenero fiore (The Tender Flower) - Quiet Moments - Sea Fog.

Harmonische Fantasie über ein Thema von Tallis. Par KNOX GARTH. Thomas Tallis (1505–1585) was one of the great figures of English Renaissance music and the Third mode melody is probably his best known work, largely thanks to Vaughan Williams’s Fantasia on a theme by Thomas Tallis. In the manner of an illuminated manuscript, I wanted to illuminate this fascinating theme in three ways: from behind with medieval techniques like the ‘hoquetus’ passage of the opening or the dance at letter B, from in front with more contemporary sounds (letter A and similar), and from above with the extensive use of high harmonics. Almost all the notes of the theme fall very neatly on the ‘natural’ harmonics of the viola strings, and my ambition was to combine the ‘normal’ notes of the viola with its soaring harmonics, creating a rich luminous soundscape which reflects the spirituality of the theme. Tallis’s melody returns repeatedly to the note B, and I interpreted this as a gentle invitation to simply be, in the sense of quiet moments of mediation. I decided to include a series of still points in the piece: the first one is in silence, the second reveals a note (B) that oscillates in a harmonic heartbeat, the third is a vibrating chord of B with harmonics, and on the last one the second viola tunes down the C string to B, then explores all the natural harmonics of this new world. The term still point is of course a reference to the words of T.S. Eliot in his Four Quartets: 'At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is.' (Garth Knox) / Date parution : 2024-01-06/ Répertoire / 2 Altos

Stamitz: Concerto No. 3 in B Flat for Clarinet-Performed by Keith Dwyer clarinetAccompaniment: Stuttgart Festival OrchestraConductor: Emil KahnNo composer likes to write music without feeling that an artist exists both capable of and willing to playit to good advantage. When Carl Maria von Weber met Heinrich Joseph Baermann one of the greatest clarinetists of the early nineteenth century he delightedly began writing all sorts of work for him including several chamberpieces and the two famous clarinet concerti. In his F-minor Concerto No. 1 it is clear that Weber knew the virtuosity of his player-he makes the soloist range over the entire compass of his instrument and such quiet moments asdo occur are invariably surrounded by runs leaps and passagework of the utmost brilliance. A fantastic concerto. Also in this edition is Carl Stamitz's lovely B-flat-major concerto a most beautiful Classical-era work. Includes aprinted solo part for B-flat clarinet and two compact discs containing a complete version with soloist in digitally remastered stereo; then a second version of the orchestral accompaniment minus the soloist; and a -20%slow-tempo version of the accompaniments for practice purposes.

TITLE COMPOSER - A FRIEND HAS GONE AWAY MICHEL LEGRAND (CONTRIBUTOR) SHELDON HARNICK (CONTRIBUTOR) - A PIECE OF THE SKY MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - AFTER THE RAIN ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - BETWEEN YESTERDAY AND TOMORROW ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - CAN YOU TELL THE MOMENT' ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - FADED ROSES (FROM THE OTHER SIDE OF MIDNIGHT ) MICHEL LEGRAND (CONTRIBUTOR) CAROL CONNORS (CONTRIBUTOR) - HAPPY MICHEL LEGRAND (CONTRIBUTOR) WILLIAM SMOKEY BROWN (CONTRIBUTOR) - HIS EYES, HER EYES MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - HOW DO YOU KEEP THE MUSIC PLAYING' (FROM BEST FRIENDS ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - I WAS BORN IN LOVE WITH YOU ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - I WILL SAY GOODBYE MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - I WILL WAIT FOR YOU MICHEL LEGRAND (CONTRIBUTOR) NORMAN GIMBEL (CONTRIBUTOR) - IF THERE WERE NO DREAMS MICHEL LEGRAND (CONTRIBUTOR) NEIL DIAMOND (CONTRIBUTOR) - LOVE MAKES THE CHANGES MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MAGIC ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MARTINA CONTRIBUTOR: LEGRAND, MICHEL (C) SHAPER, HAL (A) MAYBE SOMEONE DREAMED US MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - NOBODY KNOWS MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - ON MY WAY TO YOU MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (COMPOSER) MARILYN BERGMAN (COMPOSER) - NO MATTER WHAT HAPPENS - ONCE UPON A SUMMERTIME CONTRIBUTOR: E MARNAY J MERCER M LEGRAND E BARCLAY - ONCE YOU'VE BEEN IN LOVE MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - ONE AT A TIME MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - PAPA CAN YOU HEAR ME (FROM YENTL ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (COMPOSER) MARILYN BERGMAN (COMPOSER) PIECES OF DREAMS (LITTLE BOY LOST) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - SECRET PLACES ALAN JAY LERNER (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - SOMETHING NEW IN MY LIFE MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) SUCH SWEET SORROW MICHEL LEGRAND (CONTRIBUTOR) MARSHALL BARER (CONTRIBUTOR) - SUMMER ME, WINTER ME MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - TELL A LIE MICHEL LEGRAND (CONTRIBUTOR) MARSHALL BARER (CONTRIBUTOR) - THAT'S SHOW BIZ MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE EASY WAY MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE HANDS OF TIME MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE MOON AND I ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - THE SUMMER KNOWS (THEME FROM THE SUMMER OF '42 ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - THE WAY HE MAKES ME FEEL (FROM YENTL ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - THE WINDMILLS OF YOUR MIND (FROM THE THOMAS CROWN AFFAIR ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - THE YEARS OF MY YOUTH HAL SHAPER (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR) - THIS QUIET ROOM ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - WATCH WHAT HAPPENS MICHEL LEGRAND (CONTRIBUTOR) - WHAT ARE YOU DOING THE REST OF YOUR LIFE' MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - WHERE IS IT WRITTEN' MICHEL LEGRAND (CONTRIBUTOR) ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) - WILL SOMEONE EVER LOOK AT ME THAT WAY (FROM YENTL ) MICHEL LEGRAND (COMPOSER) ALAN BERGMAN (LYRICIST) MARILYN BERGMAN (LYRICIST) - YOU MUST BELIEVE IN SPRING ALAN BERGMAN (CONTRIBUTOR) MARILYN BERGMAN (CONTRIBUTOR) MICHEL LEGRAND (CONTRIBUTOR)