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| John Sanders: The
Reproaches: Double Choir:
Vocal Score [Vocal Score]
Royal School of Church Music
The Reproaches by John Sanders. For SSAATTBB Choir and Organ accompaniment. One ...(+)
The Reproaches by John Sanders. For SSAATTBB Choir and Organ accompaniment. One of the glories of music for Passiontide you'll hear the Sanders Reproaches sung in nearly every cathedral on Good Friday. The Sanders Reproaches is quite simply the most sublime piece of music.
Délais: En Stock |
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| W.S. Hoyte: The
Reproaches: Tenor & SATB:
Vocal Score
TEN/SATB/ORGA::Tenor/SATB/Accompagneme
nt Orgue [Vocal Score]
Novello & Co Ltd.
3.99 GBP - vendu par Musicroom GB |
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| The Reproaches: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Banks Music Publications
The Reproaches by Colin Mawby for SSAATTBB choir.
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| Giovanni Palestrina: The
Reproaches - Double
Choir: SATB: Vocal Score
Chorale SATB [Vocal Score]
Novello & Co Ltd.
The Reproaches - Double Choir
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| Horace Spence: The
Reproaches: SATB: Vocal
Score
Chorale SATB
SATB, Orgue [Vocal Score]
Novello & Co Ltd.
2.25 GBP - vendu par Musicroom GB |
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| Daniel Pinkham:
Reproaches (1960): SATB:
Vocal Score
Chorale SATB
SATB, Orgue [Vocal Score]
Associated
SATB-The practice of singing 'The Reproaches' probably had its origin in Constan...(+)
SATB-The practice of singing 'The Reproaches' probably had its origin in Constantinople in the second century and was subsequently instroduced to the western church at Rome. Since 1560 'The Reproaches' have been sung on Good Friday in the Sistene Chapel. Their eastern origin explains the three Greek phrases which were retained when the text was translated into Latin. The text is based on passages from Micah and other prophets and the Greek refrain (number 5) is the Trisagion. The English version is by Jean Lunn. This setting by Daniel Pinkham was first performed on March 16 1960 in Jordan Hall Boston by Lorna Cooke deVaron and the Chamber Singers of the New England Conservatory of Music.
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| Bernhard Lewkovitch:
Improperia: SATB: Vocal
Score
Chorale SATB [Vocal Score]
Wilhelm Hansen
This work is intended for performance on Good Friday during the 'Adoration of th...(+)
This work is intended for performance on Good Friday during the 'Adoration of the Cross' ceremony of the Roman (Catholic) rite. The pitch of the sung parts is given by a member of the choir who after discreetly obtaining a tone with the aid of a tuning fork (or other such device) intones 'Popule meus' (and later 'Hagios') clearly on the notes indicated in each case. The recited 'Hagios' choruses should be performed as speech on diverse tones but in the natural speaking registers and in compliance with the rhythms and expression marks indicated. When reciting the word 'Sanctus' the consonant 'nc' should dominate.The two speech choruses develop into a 'Miserere nobis' sungon chance (random) tones with fixed time values (durations) the second time however culminating in completely free improvisation. At this point each singer sings 'Miserere nobis' independently of the others. The sentence may be repeated (ad lib.) with new variations until at a sign from the leader each initiated phrase is terminated in a diminuendo.These improvised sections should allow for considerable freedom of expression. They should be a result of spontaneous inspiration but should at all times be characterised by sacral dignity and should conform to the character of the work as a whole. All sections to be performed quasi attacca - keep the intensity.The reproaches are to be recited by a male chorister in his normal speaking register but quasi cantabile.It is left at the discretion of the performers to decide how many of the recited verses in the last section of the work are to be performed. When 'Popule' is sung for the last time the word 'mihi' should be uttered as a sigh.Bernhard Lewkovitch
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| Tchaikowsky P.i. - The
Seasons And Other Works -
Piano
Piano seul
Dover Publications
Finest single-volume edition includes authoritative scores of The Seasons, Op. 3...(+)
Finest single-volume edition includes authoritative scores of The Seasons, Op. 37. Album for the Young, Op. 39. 10 Characteristic Pieces, Op. 72. Dumka, Op. 59. Valse sentimentale, Op. 51, No. 6. 4 Pieces, Op. 40. Theme and Variations, Op. 19, No. 6. plus 5 early pieces. Content :
Five early pieces
Romance (Op. 5)
Valse-scherzo ' Waltz-scherzo (Op. 7)
Capriccio (Op. 8)
Polka de salon (Op. 9, No. 2)
Nocturne (Op. 10, No. 1)
Thème original et variations ' Original theme and variations (Op. 19, No. 6)
From Twelve Pieces (Op. 40)
No. 2 Chanson triste ' Sad song
6. Chant sans paroles ' Song without words
9. Valse ' Waltz
10. Danse russe ' Russian dance
Valse sentimentale ' Sentimental waltz (Op. 51, No. 6)
Doumka (Scène rustique russe) ' Dumka (Russian village scene) (Op. 59)
From Eighteen Characteristic Pieces (Op. 72)
No. 1 Impromptu
2. Berceuse ' Lullaby
3. Tendres reproches ' Gentle reproaches
4. Danse caractéristique ' Characteristic dance
8. Dialogue
9. Un poco di Schumann ' A bit of Schumann
12. L'espiègle ' The rascal
13. Echo rustique ' Countryside echo
15. Un poco di Chopin ' A bit of Chopin
16. Valse à cinq temps ' Waltz in five-beat time
Album for the Young (after Schumann) (Op. 39) [Restored to Tchaikovsky's original sequence]
Note
No. 1. Prière de matin ' Morning prayer
2. Le matin en hiver ' Winter morning
3. Maman ' Mama
4. Le petit cavalier ' The little horseman
5. Marches des soldats de bois ' Marches of the wooden soldiers
6. La nouvelle poupée ' The new doll
7. La poupée malade ' The sick doll
8. Enterrement de la poupée ' The doll's burial
9. Valse ' Waltz
10. Polka
11. Mazurka
12. Chanson russe ' Russian song
13. Le paysan prélude ' The peasant plays an introduction
14. Chanson populaire (Kamarinskaya) ' Folk Song
15. Chanson intalienne ' Italian song
16. Mélodie antique française ' Old French melody
17. Chanson allemande ' German song
18. Chanson napolitaine ' Neapolitan song
19. Conte de la vieille bonne ' The old maid-servant's tale
20. La sorciére (Baba-Yaga) ' The witch
21. Douce rêverie ' Sweet reverie
22. Chant de l'alouette 'Song of the lark
23. A l'église ' In church
24. L'orgue de barbarie ' The hurdy-gurdy
The Seasons (Op. 37bis)
Note and epigraphs
1. Janvier: Au coin du feu ' January By the fireside
2. Février: Carnaval ' February: Carnival
3. Mars: Chant de l'alouette ' March Song of the lark
4. Avril: Perce-neige ' April: Snowdrop
5. Mai: Les nuits de mai ' May: May nights [ White nights ]
6. Juin: Barcarolle ' June: Barcar
7. Juillet: Chant du faucheur ' July: The reaper's song
8. Août: La moisson ' August: The harvest
9. Septembre: La chasse ' September: The hunt
10. Octobre: Chant d'automne ' October: Autumn song
11. Novembre: En troïka ' November: In the troika
12. Decembre: Noël ' December: Christmas
Délais: Sur commande |
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| John Rutter: English
Church Music 2 Canticles:
SATB: Vocal Score
Chorale SATB [Vocal Score]
Oxford University Press
Oxford Choral Classics: English Church Music assembles in two volumes around 100...(+)
Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable for use throughout the year. The evening canticles are given due space with seventeen settings including those by Byrd Gibbons Purcell Walmisley Stanford Noble Howells Walton and Tippett. Also included are settings of the Te Deum and Jubilate Deo alongside seven settings of the Preces and Responses and two additional early Lord's Prayers. The selection is completed with three supplementary items: a set of previously unpublished Psalm chants byHowells John Sanders's Good Friday Reproaches and a written-out Order for Compline.Robert King has prepared completely new editions of all the pre-twentieth-century works going back to the earliest and most reliable manuscripts or printed sources. Playable keyboard reductions have been added for the majority of unaccompanied items.
Délais: En Stock |
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| Cello Concerto
Violoncelle, Orchestre
Boosey and Hawkes
/ Violoncelle Et Orchestre
Délais: 2-5 jours - En Stock Fournisseur |
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