This volume contains two of Beethoven's most loved and widely performed piano concertos printed in the traditional format for two pianos: Piano I is the solo part; Piano II a piano reduction of the orchestral score. Edited by Franz Kullak.

An Artistic Late Intermediate Piece For Two Pianos-'The origins of the word concerto have long been debated by music historians. Some have maintained that the word derives from the Latin word concertare which means 'to fight or contend with'. Other believe it comes from conserere meaning 'to join or bind together'. I believe this concerto falls best in the second category with the two Pianos combining into an exciting interactive work. Playing concertos requires the soloist to listen carefully and play out when the solo part is the focus but to blend with the accompanimental part when it isn't. Work to play with rhythmic precision so you're in sync with the second part. And finally bring out allthe expression markings for an artistic and dramatic interpretation. You may just hear some 'bravos' of your own after your fantastic performance!'

Instrumentation: Pf/4hFormat: Sheet Music Details: arranged for piano duo (two players at one instrument) by Contents: Contents: Concerto Op.7 No.7 in Bb HWV 306 - Concerto Op.7 No.8 in A HWV 307 - Concerto Op.7 No.9 in Bb HWV 308 - Concerto Op.7 No.10 in d HWV 309 - Concerto Op.7 No.11 in g HWV 310 - Concerto Op.7 No.12 in Bb HWV 311

Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. 2-Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editorswhich include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter ?Urtext? is more than just a label ? it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Carl Vine's Piano Concerto was commissioned by the Sydney Symphony Orchestra and first performed by Michael Kieran Harvey with the Sydney Symphony Orchestra conducted by Edo de Waart in the Concert Hall of the Sydney Opera House on 23 July 1997.Available here is the score for 2 pianos solo and orchestral reduction as arranged by Alexander Hanysz.

The second Concerto by the celebrated British composer of 'light' music arranged for Piano Duet.

Mike Cornick adds to his previous arrangements for piano duet this mouth-watering selection of music from the movies. 'Movie Music Favourites” includes, in intermediate arrangements, many gems of classical music, all closely associated with famous films. For example, who can hear Strauss's 'Blue Danube” waltz without thinking of Kubrick's film '2001: A Space Odyssey”? Or the beautiful slow movement of Mozart's Piano Concerto No. 21 without 'Elvira Madigan” coming to mind. Nowadays, Mozart's work is often called the 'Elvira Madigan Concerto”! Music written especially for films is not ignored either - the selection includes 'A Time for Us”, composed by Rota and others for Zeffirelli's film 'Romeo and Juliet”. Cornick's arrangements will not stretch intermediate players, who can play as a traditional duet or individually use the accompanying CD which will provide play-along tracks for either the Primo or Secondo parts, as well as complete performances for guidance. Similar previous arrangements by Cornick include 'Charleston for Two”, 'Tea for Two” and 'Pink Panther for Two”./ Recueil / Piano 4 Mains

Para Piano A Cuatro Manos-Composed in 1941 and dedicated to Antonio Tovar and Jesus Rubio Joaquin Rodrigo’s Gran Marcha De Los Subsecretarios for Piano four hands combines classic march elements with modern harmonies creating a unique and fun piece. Duration approximately 4:30 minutes.Joaqu n Rodrigo was a Spanish composer and a virtuoso pianist. Rodrigo's music is among the most popular music of the 20th century in particular his Concierto de Aranjuez is considered one of the pinnacles of Spanish music and of the Guitar concerto repertoire. Although distinguished by having raised the Spanish Guitar to dignity as a universal concert instrument and bestknown for his Guitar music the blind composer never mastered the instrument himself.

It is with the 'Slavonic Dances' op. 46 that Antonín Dvorák won international recognition in 1878. Apart from Symphony No. 9, 'From the New World', and Cello Concerto op. 104, they are among the best-known works by Dvorák. Unlike Brahms in his 'Hungarian Dances', Dvorák did not use any original melodies but incorporated characteristic elements of Slavonic dance music within his own melodic invention.

Arrangeur: Henry Levine. Par GERSHWIN GEORGE. George Gershwin Rhapsody In Blue arranged for Piano Duet after the original score by Henry Levine. / Niveau : Avancé / Répertoire / Piano 4 Mains et plus