Viola and Piano - Grade 3.5 SKU: AP.36-52720469 Composed by Lynne Latham....(+)
Viola and Piano - Grade
3.5
SKU:
AP.36-52720469
Composed by Lynne Latham.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Wedding. Book.
Latham Music Enterprises
#36-52720469. Published
by Latham Music
Enterprises
(AP.36-52720469).
ISBN
9781628763874. UPC:
746241220448.
English.
A best
seller for over ten
years! Everything the
working soloist needs to
play a wedding prelude
and service, without
being technically taxing.
All 22 selections from
the original album have
been rescored to include
introductions for solo
performance. Air on the G
String (Bach); Arioso
(Bach); Jesu, Joy of
Man's Desiring (Bach);
Sheep May Safely Graze
(Bach); Wachet auf
(Bach); Ave Maria
(Bach/Gounod); Ave Maria
(Schubert); Ode to Joy
(Beethoven); Canon
(Pachelbel); La
Rejouissance (Handel);
Queen of Sheba (Handel);
Water Music Selections
(Handel);
"Largo" from
Winter (Vivaldi); Bridal
Chorus (Wagner); Wedding
March (Mendelssohn);
Alleluja (Mozart); Piano
Concerto No. 21 (Mozart);
Panis Angelicus (Franck);
Prelude (Charpentier);
Rondeau (Mouret); Trumpet
Tune (Purcell); Trumpet
Voluntary (Clarke).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Daniel Kelley. For Viola and Piano. Solos. Recital, Church. Level: I...(+)
Arranged by Daniel
Kelley. For Viola and
Piano. Solos. Recital,
Church. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Score and Parts Clarinet; Piano; Viola (Score & Parts) SKU: HL.49045889 <...(+)
Score and Parts Clarinet;
Piano; Viola (Score &
Parts)
SKU:
HL.49045889
Five
pieces in fairy-tale
style for Clarinet, Viola
and Piano Score and
Parts. Composed by
Joerg Widmann. Ensemble.
Classical. Softcover. 120
pages. Duration 1740
seconds. Schott Music
#ED22487. Published by
Schott Music
(HL.49045889).
9.0x12.0x0.33
inches.
As far back
as I can remember, I have
always been fascinated
with fairy tales: with
their archetypal
characters and set
phrases like'Once upon a
time...'and'...they all
lived happily ever
after'. Fairy tales were
however also a source of
unrest for me as a
seismograph of mankinds
underlying primal fears
and desires. So as a
performer and composer I
have always felt that
Robert Schumann's
Marchenerzahlungen [Fairy
Tales] (scored for the
same instrumentation as
my own composition) was a
disjointed, complex
contemporary work -
despite the innocence and
naivety of its initial
appearance. I therefore
do not intend my own Es
war einmal (Once upon a
time...)to be a mere
sentimental, nostalgic
flight into the distant
past, but as a naive and
fantastical alternative
concept to our genuine
world with all its
upheavals. Jorg
Widmann.