Timeless Treasures fonctionnalités faciles treize joyaux musicaux en première position pour alto et piano - écrites par des compositeurs célèbres et moins célèbres des siècles passés, y compris de Brahms, Mozart, Martini, Haendel, Schumann et bien plus. Sur le CD, il ya une version de démonstration complète de chaque pièce, ainsi que d'une version play-along. Les accompagnements sont joués d'une manière musicale, de sorte que indirectement, les compétences qui sont nécessaires pour jouer ensemble sont en vedette. / Alto Et Piano / 24 pages / niveau : Facile - Elémentaire / Partition + Cd

26 Pieces For Viola Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage. Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables. Ce livre Stepping Stones présente les cordes à vide et les notes du premier doigt avec des rythmes simple tandis que sa suite/ Recueil / Alto et Piano

Référence unique par son ISBN 9780711939448 cette partition musique de Clarke Rebecca n'est autre que Clarke Rebecca Sonata For Viola/Piano qui a été composée pour Alto. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions ID Music. La référence catalogue de cette oeuvre est CT00805. / Alto / Partition

by Bach, Händel, Mozart, Vivaldi etc. Music Partner backing CD. For the corresponding music edition, see EP 3853a and EP 3853b (CD Price includes VAT in the UK) / Alto Et Piano

Par LUKASZEWSKI PAWEL. In 2012, at the initiative of Pawel Wojciechowski, Pawel Lukaszewski composed Aria for cello and piano. The work was soon published, and a few years later further versions appeared for other solo instruments: soprano saxophone, alto saxophone, viola and violin. The composer wrote the original version for cello with his son Wojtek in mind, who had just completed his fourth year at a primary school of music, but the emotional charge contained in this composition will satisfy the interpretative demands of mature musicians as well, particularly since the composer left performers considerable scope for individual expression. With its harmonies, venturing beyond tonality towards jazz-influenced chords, its simple accompaniment, built from repeated motifs that spill between the plans of the two hands, and its consistent narrative, Aria displays a character that is on one hand somewhat nostalgic, and on the other filled with anxiety and hidden drama. An insightful interpretation of this work may bring out that concealed diversity of expression./ Répertoire / Alto et Piano

Par MAINTZ PHILIPP. Philipp Maintz was born in Aachen, Germany, in 1977. He received his first composition lessons from Michael Reudenbach. He studied composition with Robert HP Platz in Maastricht from 1997-2003, graduating with distinction, followed by a further degree in composition and electronic music with Karlheinz Essl at the Bruckner Conservatory in Linz. He has received scholarships and invitations from institutions including the Electronic Studio at the University of Liège, the International Summer Courses for New Music in Darmstadt, IRCAM Paris and the North Rhine-Westphalia Ministry of Culture, an Artist’s Scholarship from Lower Saxony for the Künstlerhof Schreyahn and otherhonours: the Supportive Prize from the Ernst von Siemens Music Foundation in 2005, a scholarship from the Wilfried Steinbrenner Foundation in 2006 and a German Government Scholarship to study at the Cité Internationale des Arts, Paris in 2007, Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome, Villa Massimo (2010). His compositions have been performed at festivals including the International Gaudeamus Music Week Amsterdam, agora-festival, Paris, ars nova (SWR), International Summer Courses for New Music in Darmstadt, Wittener Tage für Neue Kammermusik, musica (Strasbourg), Wien Modern, Hear&Now London and the Salzburg Festival./ Répertoire / Alto et Piano

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted viola parts to his two sonatas. In any case the viola and clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms' authorship of the viola parts. They include important differences from the clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Alto Et Piano

Born in the village of Brand in the Upper Palatinate, Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden, he moved to Weiden, beset by personal crises, and eventually to Munich. To make himself better known in the musical scene, he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901, a beautiful occasional work, ideal for music lessons or as a tranquil encore after a concert, also in an arrangement for viola and piano. / Alto Et Piano / 6 pages / niveau : Intermédiaire / Partition

Par MILHAUD DARIUS. 1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entree 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of thecharacteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish)./ Répertoire / Alto et Piano

Une petite pièce ludique reprenant le célèbre Ah! vous dirai-je, maman dans une version dansante (un petit tango).Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique - son catalogue d'oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit La viola del niño pour altistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, La viola del niño est la pièce idéale pour tout examen ou audition de jeunes musiciens. / Alto Et Piano

The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Children's Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908.The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship.The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment. / Alto Et Piano

Par MILHAUD DARIUS. Third of the series of ; Quatre Visages by Darius Milhaud, III. La Bruxelloise is a short piece for Alto and Piano. Easy to play, it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music, quite slow, is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano

Cette partition 6 SOLOS PROGRESSIFS OPUS 62, SOLO D EN DO MAJEUR de Leonard Hubert a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7648. Cette oeuvre d'une durée de 00:03:30 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Cette partition 6 SOLOS DE CONCERTOS - 4E SOLO EN MIB MAJEUR OPUS 141 No 6 de Dancla Charles a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8123. Cette oeuvre d'une durée de 00:03:00 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition