Cette partition 6 SOLOS DE CONCERTOS - 6E SOLO EN DO MAJEUR OPUS 77 No 2 de Dancla Charles a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8125. Cette oeuvre d'une durée de 00:04:45 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Cette partition 1ER SOLO DU 12E CONCERTO EN MIB MAJEUR de Viotti Giovanni Battista a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7886. Cette oeuvre d'une durée de 00:03:00 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Cette partition 1ER SOLO DU CONCERTO No 23 de Viotti Giovanni Battista a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7653. Cette oeuvre d'une durée de 00:03:10 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Cette partition CONCERTO CHIMERIQUE de Aubin Francine a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8194. Cette oeuvre d'une durée de 00:26:30 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Cette partition HAROLD ET MOI de Etevenon Anne a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8414. Cette oeuvre d'une durée de 00:06:50 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Par STAMITZ CARL. Toutes les sources connues ont été exploitées pour cette publication et il existe ainsi désormais une édition Urtext de ce concerto, pourvue d’une préface et de remarques explicatives exposant de façon détaillée l’état complexe des sources. Celui qui, lors d’une audition de recrutement, veut non seulement interpréter brillamment son morceau mais aussi faire la preuve de ses connaissances musicologiques en matière d’histoire des sources n’a qu’un seul choix: acheter l’édition!? / Partition brochée / Date parution : 1905-06-15/ Répertoire / Alto et Piano

Par MATEU E.. Música De …Ngel Oliver. Dibujos De Manuel Alcorlo./ Recueil / Alto et Piano

The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet Parade on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes' Pablo Picasso (scenery and costumes) Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style in deliberate rejection of the 'Wagnérisme' of his time. Classical form models new harmonies stylistic ease meditative and clownish elements amalgamated in an original way the perfect example being his 3 Gymnopédies of 1888 the first of which was here arranged for a solo instrument with Piano accompaniment: Thus it is now possible even for non-pianists to play this famous miniature by Satie. Thanks to its easy playability it can also be used for educational purposes.

Par MILHAUD DARIUS. Third of the series of ; Quatre Visages by Darius Milhaud, III. La Bruxelloise is a short piece for Alto and Piano. Easy to play, it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music, quite slow, is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano

for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice

La partition PANORAMA ALTO VOLUME 3 a été composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Alto Et Piano / Partition

Born in the village of Brand in the Upper Palatinate Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden he moved to Weiden beset by personal crises and eventually to Munich. To make himself better known in the musical scene he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901 a beautiful occasional work ideal for music lessons or as a tranquil encore after a concert also in an arrangement for viola and piano.

Par MILHAUD DARIUS. First of the series of ; Quatre Visages by Darius Milhaud, I - La Californienne is a short piece for Viola and Piano. With some difficulties, it requires some intermediate technique of the instrument and some theory knowledge to read in different keys. The book includes the score for Viola and Piano and the part for Viola only. The music has moderate tempo and is quite expressive. It is supposed to represent an American girl from California. She is part of the four faces with: II. The Wisconsonian, III. La Bruxelloise and IV. La Parisienne. Darius Milhaud (1892-1974) was a French modernistcomposer and a teacher. He was also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano

La référence FP 017 de l'éditeur Fertile Plaine dont l'auteur célèbre est Proust Pascal, qui a pour titre La Carpe et le Hanneton ( violon/alto,et harpe/piano), a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition

La référence FP 207 de l'éditeur Fertile Plaine dont l'auteur célèbre est Poltz Véronique, qui a pour titre L'Altomobile ( alto et piano ), a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition