Composed by Julius Weissenborn (1837-1888), edited by W. F. Ambrosio. Instructio...(+)
Composed by Julius
Weissenborn (1837-1888),
edited by W. F. Ambrosio.
Instructional book for
Bassoon. With fingering
chart. Fifty Advanced
Studies. 121 pages.
Published by Carl
Fischer.
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Mus...(+)
Bassoon
SKU:
GI.G-M502
Composed by
James Froseth. Band
Method. Do It! Music
Education. Book. 48
pages. GIA Publications
#M502. Published by GIA
Publications (GI.G-M502).
ISBN 9781579992279.
English.
Now
available on SmartMusic!
The Bassoon book and
audio recordings (see
below) from the Do It!
Play in Band series by
James O. Froseth
includes: Modeling by
Richard Beene (Colburn
School Conservatory of
Music). Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. Music of other
times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
Bassoon(s) SKU: BR.KM-2464 Composed by Jurg Baur. Solo instruments; stapl...(+)
Bassoon(s)
SKU:
BR.KM-2464
Composed
by Jurg Baur. Solo
instruments; stapled.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Duisburg, January 15,
1997
Music post-1945.
Score and parts. Composed
1996. 24 pages. Duration
10'. Breitkopf and
Haertel #KM 2464.
Published by Breitkopf
and Haertel (BR.KM-2464).
Bassoon SKU: HL.49019037 Bassoon Quartet Score and Parts. Composed...(+)
Bassoon
SKU:
HL.49019037
Bassoon Quartet Score
and Parts. Composed
by Barbara Heller. Edited
by Christian
Muench-Cordellier. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 2009. 32 pages.
Duration 9'. Schott Music
#FAG33. Published by
Schott Music
(HL.49019037).
ISBN
9790001171953.
9.0x12.0x0.1
inches.
Das
Quartett do-re-mi-fagott
schrieb die Komponistin
Barbara Heller im Jahr
2009 fur das gleichnamige
Fagott-Quartett des
Frankfurter
Jugend-Musik-Ensembles.
Heller entwickelte ein
einpragsames Motiv aus
den vier Tonen c-d-e-f
bzw. do-re-mi-fa, das zur
Namensgebung der
Komposition fuhrte. Mit
einfachem musikalischen
Material entlockt sie dem
Fagott eine
bemerkenswerte klangliche
Vielfalt und entdeckt die
Wandlungsfahigkeit dieses
Instruments. Alle vier
Stimmen sind
gleichberechtigt: Motive
und Melodiefloskeln
werden einander
zugespielt und
weitergefuhrt. Heller
regt zu einer freien
Interpretation an und
gibt den Spielern Raum
zur eigenen Improvisation
uber das Motiv.
do-re-mi-fagott richtet
sich an fortgeschrittene
Musikschuler und
ambitionierte
Hobbymusiker, die Freude
am Zusammenspiel haben
und die klanglichen
Facetten des Instruments
ausschopfen wollen.