Promise Of Dreams Big band [Conducteur et Parties séparées] - Intermédiaire Sierra Music
By Bob Curnow. Arranged by Bob Curnow. Jazz Ensemble / Jazz Band. The Bob Curnow...(+)
By Bob Curnow. Arranged
by Bob Curnow. Jazz
Ensemble / Jazz Band. The
Bob Curnow Big Band
Series. Ballad / Piano
Feature. Grade 3-4. Score
and set of parts.
Published by Sierra Music
Big band - Medium SKU: JL.LL-1174 By Glenn Miller. Arranged by Myles Coll...(+)
Big band - Medium
SKU:
JL.LL-1174
By Glenn
Miller. Arranged by Myles
Collins. Swing. Full
score and set of parts.
Published by Lush Life
(JL.LL-1174).
A
rare and beautiful chart
from the Glenn Miller
Orchestra, this chart was
originally scored by Bill
Finegan and is his
iterpretation of
Tschaikovsky's Piano
Concerto No. 1. The
arrangement is full of
tonal and dynamic
contrast, with a mix of
raw brass energy and
muted sectional playing,
with some lush scoring in
all the sections and of
course the famous Miller
reed sound with plunger
brass figures behind the
reed section. The piano
has a couple of solo
spots, but the chart is
not a piano feature. The
brass ranges are not too
demanding, the second
alto doubles clarinet,
and baritone doubles
alto. As with all Miller
charts, precision and
sectional discipline is
required.
One For Duke Big band [Conducteur et Parties séparées] Jazz Lines Publications
By The Jazz Interactions Orchestra. Edited by Jeffrey Sultanof and Rob Duboff. A...(+)
By The Jazz Interactions
Orchestra. Edited by
Jeffrey Sultanof and Rob
Duboff. Arranged by
Oliver Nelson. For big
band (Clarinet, Alto
Saxophone, 2 Tenor
Saxophones, Bass
Clarinet, 4 Trumpets, 2
Horns in F, 4 Trombones,
Tuba, Piano, Bass,
Drums.). Recorded by the
Jazz Interactions
Orchestra. Swing. Medium
Difficult. Score and
parts. Published by Jazz
Lines Publications
Arab Dance Big band [Conducteur et Parties séparées] Jazz Lines Publications
By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For Big ...(+)
By Claude Thornhill.
Edited by Jeffrey
Sultanof. Arranged by Gil
Evans. For Big Band.
Swing. Advanced. Full
score and set of parts.
Published by Jazz Lines
Publications
Big
Band Version.
Composed by Oliver
Nelson. Arranged by Bob
Curnow. Sheet music.
Score and parts.
Handelsware #SMP 1131.
Published by Handelsware
(M7.SMP-1131).
English.
This is
another great Oliver
Nelson chart (it swings
like crazy!). It starts
in 3/4 and then goes to
4/4 and has a wonderful
feel and flow as it moves
through the different
sections. The piece has
very limited brass ranges
with some optional octave
writing in the trumpet 1
part. There is solo space
for alto saxophone,
trumpet, piano and drums.
This big band arrangement
was adapted by Bob Curnow
from the original small
band version as recorded
on Oliver Nelson Plays
Michelle (Impulse).
5-4-4-4.
Ballad. Composed
by Pat Metheny. Arranged
by Bob Curnow. Sheet
music. Ballad. Score and
parts. Handelsware #SMP
224. Published by
Handelsware (M7.SMP-224).
English.
As
commissioned (and
recorded) by the SWR Big
Band of Stuttgart,
Germany, this is an
extended arrangement
based on a gorgeous
melody by Pat Metheny.
The saxophone players
double on flute (sax 1),
clarinets (sax 2-4) and
bass clarinet (sax 5).
There is solo space for
piano, tenor sax and
trombone, as the chart
moves from a rubato
ballad, to a bossa feel,
to a rock ballad feel,
and back to the rubato
again. This is a highly,
emotionally charged piece
which makes a wonderful
addition to any program.
Limited brass ranges. The
chart also includes an
interweaving of Metheny's
pensive melody Tell Her
You Saw Me. The CD on
which this piece is
recorded is Towednack,
Bob Curnow and the SWR
Big Band (available from
Sierra Music).
5-4-4-4.
Buster's Last Stand Big band [Conducteur et Parties séparées] Jazz Lines Publications
By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For jazz...(+)
By Claude Thornhill.
Edited by Jeffrey
Sultanof. Arranged by Gil
Evans. For jazz big band
(2 alto saxophones
(double clarinet), 2
tenor saxophones,
baritone saxophone,
clarinet (optional), 4
trumpets (4th alternate
for horn 1), 2 horns in
F, 3 trombones (3rd
alternate for horn 2),
guitar, piano, bass,
drums, 2 trombones).
Swing. Difficult. Score
and parts. Published by
Jazz Lines Publications
By Sammy Davis Jr.. Edited by Jeffrey Sultanof. Arranged by Marty Paich. For big...(+)
By Sammy Davis Jr..
Edited by Jeffrey
Sultanof. Arranged by
Marty Paich. For big band
with vocal (Vocal, 2 Alto
Saxophones, 2 Tenor
Saxophones, Baritone
Saxophones, 4 Trumpets, 4
Trombones, Guitar, Piano,
Bass, Drums). Swing.
Medium. Score and parts.
Publ
Swing. Composed by
Ballard Macdonald, Billy
Rose, Charlie Barnet, and
Joseph Meyer. Arranged by
Bill Holman. Sheet music.
Swing. Score and parts.
Handelsware #SMP 931.
Published by Handelsware
(M7.SMP-931).
English.
This is
a wonderful chart, an old
tune in a new dress, as
only Bill Holman can do
it. It's the exact chart
as recorded by the
terrific Charlie Barnet
Big Band. The tempo is
bright, a swinging
excursion into the clever
writing of Holman. Solo
space for piano, alto,
tenor, trumpet, and
drums. There is a great
sax section soli and the
usual, wonderful, roaring
ensemble shout choruses.
A big finish ends an
amazing chart. 5-5-4-4 (4
tpts. work just as
well).
Swing. Composed by
Bill Holman and Buddy
Rich. Sheet music. Swing.
Score and parts.
Handelsware #SMP 323.
Published by Handelsware
(M7.SMP-323).
English.
This
chart was a staple in the
Buddy Rich Big Band
library for a long time,
spinning off of the
incredible excitement of
that band. Recorded on
the CD Swingin' New Big
Band by Buddy, this chart
starts off roaring and
never quits. Rich used it
as an Opener for years.
5-4-4-4.
Jazz Waltz.
Composed by Billy
Strayhorn and Carl
Hilding Severinsen.
Arranged by Bill Holman.
Sheet music. Score and
parts. Handelsware #SMP
958. Published by
Handelsware (M7.SMP-958).
English.
As
recorded on Tonight Show
Band, Vol. 2 (Amherst),
this chart won a Grammy
for best big band
arrangement. Holman took
this great standard, put
it in 3-4, and wrote
scintillating counter
lines that weave their
way through the whole
arrangement. Solo space
for trumpet, and roaring
ensemble passages make
this chart something that
should be in every big
band library in the
world. 5-5-4-3.
Swing. Composed by
Count Basie and Oliver
Nelson. Sheet music.
Up-Tempo Swing. Score and
parts. Handelsware #SMP
388. Published by
Handelsware (M7.SMP-388).
English.
As
recorded on the brilliant
CD Afrique, by the Count
Basie Orchestra, and also
(in another form) by the
Buddy Rich Band on the CD
Swingin' New Big Band.
This chart is an up-tempo
swing tune which just
roars from beginning to
end. Solos for piano (a
la Basie), trumpet and
tenor saxophone. a
flagwaver ... the perfect
opening number ... as the
original liner notes
stated. 5-4-4-3.
Doodlin' Big band [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
Recorded by Dizzy Gillespie. Edited by Dylan Canterbury, Rob DuBoff, and ...(+)
Recorded by Dizzy
Gillespie. Edited by
Dylan Canterbury, Rob
DuBoff, and Jeffrey
Sultanof. Arranged by
Ernie Wilkins. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7318).
Concert Jazz.
Composed by Les Hooper.
Sheet music. Concert
Jazz. Score and parts.
Duration 12'. Handelsware
#SMP 352. Published by
Handelsware (M7.SMP-352).
English.
A
monumental piece of big
band jazz. This was
written for Les'
fantastic Chicago band.
It is an extensive work
(about 12 minutes) which
features trumpet (or
flugelhorn) throughout in
various settings and
styles, based on one of
the most beautiful
melodies Les has ever
written. There are also
piano solos. Woodwind
players must be good
doublers and it is well
worth the effort. This is
certainly one of Hooper's
most dynamic and
interesting creations
(among a great many)! As
recorded on the Dorian
Blue LP. 5-4-4-3.
Pueblo de Taos Big band [Conducteur et Parties séparées] Handelsware
Big band - difficult SKU: M7.SMP-1235 Concert Jazz, Odd-Meter. Arr...(+)
Big band - difficult
SKU: M7.SMP-1235
Concert Jazz,
Odd-Meter. Arranged
by Fred Sturm. Sheet
music. Score and parts.
Handelsware #SMP 1235.
Published by Handelsware
(M7.SMP-1235).
Based on a
traditional Native
American song, Fred Sturm
has created a truly
amazing masterpiece
capturing the beauty of
the melody with the
intricacies and
creativity of a big band.
Set in 15/8, this
odd-metered tune features
flute up front, with solo
space for piano and bass,
and plenty of powerful
ensemble passages. If
your band is up to it,
you will not regret
performing Pueblo de
Taos, and your audiences
will be delighted with
such a bold, fresh
selection.
5-4-4-4
Swing. Composed by
Charlie Parker. Arranged
by Bill Holman. Sheet
music. Fast Swing. Score
and parts. Handelsware
#SMP 932. Published by
Handelsware (M7.SMP-932).
English.
This
chart is not for the
faint-of-heart. It moves
at a fast, swinging pace,
and it captures the
spirit of Parker's
classic bebop tune,
including the humor. As
recorded on the new CD
The Bill Holman Band
Live, this chart allows
for solos by tenor sax,
trombone and piano. This
is the whole package
..... outstanding
ensemble writing and lots
of solo space. This
should be in every big
band library. Flute
doubles (short passages)
on alto and tenor 1
parts. 5-4-4-4.
Only The Greatest Big band [Conducteur et Parties séparées] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpe...(+)
Big band (Alto Sax 1,
Alto Sax 2, Tenor Sax 1,
Tenor Sax 2, Baritone
Sax, Trumpet 1-4,
Trombone 1-4, Piano,
Guitar, Bass, Drums) -
advanced to difficult
SKU: M7.SMP-311
Swing. Composed by
Bill Holman and Buddy
Rich. Sheet music. Swing.
Score and parts.
Handelsware #SMP 311.
Published by Handelsware
(M7.SMP-311).
English.
As
written for and performed
by the Buddy Rich Big
Band, here is the
long-missing chart that
Holman wrote to feature
The Great One..... Buddy
Rich. It is a terrific,
swinging chart with solo
space, not only for
drums, but also for tenor
sax, trumpet and
trombone. This is another
superb chart by Holman,
who has contributed to
virtually every big band
library on the jazz
scene. This is a
wonderful piece!
5-4-4-4.
Rock. Composed by
Robert Macgimsey.
Arranged by Bill Holman.
Sheet music. Rock. Score
and parts. Handelsware
#SMP 332. Published by
Handelsware (M7.SMP-332).
English.
Bill
Holman's Great Big Band
was a sensational
ensemble! That album has
just been re-issued on
Mosaic Records. This
chart is an example of
Bill's talent for
investing old material
with brilliant new ideas.
It originally featured
Bill Perkins on tenor sax
and Conte Candoli on
trumpet solos. An
exciting, amazingly
fresh, inventive chart.
Recorded on the Bill
Holman's Great Big Band
CD. 5-4-4-3.
Our Delight Big band [Conducteur et Parties séparées] - Intermédiaire/avancé Jazz Lines Publications
Edited by Jeffrey Sultanof. Arranged by Tadd Dameron. For big band (2 Alto Saxop...(+)
Edited by Jeffrey
Sultanof. Arranged by
Tadd Dameron. For big
band (2 Alto Saxophones,
2 Tenor Saxophones,
Baritone Saxophone, 4
Trumpets, 4 Trombones,
Guitar, Piano, Bass,
Drums). Ranges: Trumpet 1
to C#6, Trombone 1 to A5.
Swing. Difficult. Score
and pa
Swing. Composed by
Bill Holman and Stanley
Newcomb Kenton. Sheet
music. Score and parts.
Handelsware #SMP 1140.
Published by Handelsware
(M7.SMP-1140).
English.
Bill
Holman wrote some of the
best music played by the
Stan Kenton Orchestra and
Boop Boo Be Doop is
surely one of those
charts. The melody is
scored for four horns
within the big band
setting, and those four
horns (alto, tenor,
trumpet, trombone) are
also the featured
soloists. As recorded on
The Concepts Era - Live!,
this chart represents
Holman's ability to write
swinging, exciting music
for big band.
5-5-5-3.
Ruth Big band [Conducteur et Parties séparées] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpe...(+)
Big band (Alto Sax 1,
Alto Sax 2, Tenor Sax 1,
Tenor Sax 2, Baritone
Sax, Trumpet 1-4,
Trombone 1-3, Bass
Trombone, Piano, Guitar,
Electric Bass, Drums) -
advanced to difficult
SKU: M7.SMP-322
Rock/Fusion.
Composed by Bill Holman
and Buddy Rich. Sheet
music. Rock/Fusion. Score
and parts. Handelsware
#SMP 322. Published by
Handelsware (M7.SMP-322).
English.
This is
one of the most original
big band rock/fusion
charts ever written. The
Buddy Rich Big Band
recorded this as a Closer
on the CD Buddy and Soul.
Tenor solo and lots of
exciting counterpoint.
Red-hot ensemble passages
prevail! Played on the
Tonight Show many times
when Buddy would be a
guest. This is a terrific
crowd-pleaser.
5-4-4-4.
Celtic. Composed
by Bill Whelan. Arranged
by Bob Curnow. Sheet
music. Celtic. Score and
parts. Duration 8'.
Handelsware #SMP 207.
Published by Handelsware
(M7.SMP-207).
English.
The
chart everyone has been
waiting for!! Eight
minutes of amazing,
dynamic, exciting sounds!
This arrangement was
commissioned and recorded
by the SWR Big Band of
Stuttgart, Germany. It
is, of course, based on
the centerpiece of the
wildly popular show.
Everytime this chart was
performed in live
concerts in Germany (and
elsewhere), the audience
just erupted with
applause and standing
ovations. This isn't an
easy chart to play, but
it is well worth the
effort (similar to The
First Circle in that
respect). All ranges are
fairly reasonable, with
the 1st Tpt. part topping
out at a written high E.
This is recorded on the
highly acclaimed CD
Towednack, Bob Curnow and
the SWR Big Band
(available from Sierra
Music). 5-4-4-4.
Trumpet
Feature. Composed by
George Gershwin. Arranged
by Bill Potts. Sheet
music. Trumpet Feature.
Score and parts.
Handelsware #SMP 923.
Published by Handelsware
(M7.SMP-923).
English.
This is
surely one of Gershwin's
most beautiful melodies,
and Potts arranged it to
feature trumpet
throughout (as recorded
on the 1959 album The
Jazz Soul of Porgy and
Bess, featuring the Bill
Potts Big Band) . Lush
orchestration, rich
harmonies, reasonable
ranges and a touching
ending make this chart a
great choice for festival
programming. This should
be in every big band
book. 5-5-5-4.
Swing. Composed by
Bill Holman. Sheet music.
Score and parts.
Handelsware #SMP 1232.
Published by Handelsware
(M7.SMP-1232).
Bill Holman's
music never disappoints,
and 'Introduction to an
Ending' is no exception!
Originally written for
and recorded on the
Charlie Barnet Big Band
1967 album, this
straight-ahead blues tune
features the saxophone
section with a long,
wonderful soli that grows
for over 70 bars before
ripping into the solo
section. There is solo
space for alto saxophone,
trumpet, trombone, piano,
and drums. Filled with
energy and excitement,
the shout chorus comes
roaring in to take the
tune out with a bang.
This is a great addition
to any program!
5-4-4-3.
Big band (Flute, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Flugelhorn 1...(+)
Big band (Flute, Clarinet
1, Clarinet 2, Clarinet
3, Bass Clarinet,
Flugelhorn 1-4, Trombone
1, Trombone 2, Trombone
3, Bass Trombone 4, Piano
(Solo), Guitar, Bass,
Drums) - advanced
SKU:
M7.SMP-1260
Ballad. Composed
by Pat Metheny. Arranged
by Bob Curnow. Sheet
music. Score and parts.
Handelsware #SMP 1260.
Published by Handelsware
(M7.SMP-1260).
Every once in a
while a melody is written
that words cannot convey
and only the soul
understands.
Master-of-melodies, Pat
Metheny, did just that in
his composition of Tell
Her You Saw Me, and Bob
Curnow magnificently
transformed it into a
majestic big band
arrangement. A ballad
throughout that slowly
builds in intensity; this
piece utilizes woodwind
doubles and flugelhorns
with a short, written-out
piano solo up front. If
you are looking to
provide a moving ballad
for your audiences, then
this is it. 5-4-4-4.
Aka
Patterns For
Orchestra. Composed
by Oliver Nelson. Sheet
music. Swing. Score and
parts. Handelsware #SMP
395. Published by
Handelsware (M7.SMP-395).
English.
Also
known as Patterns For
Orchestra (as recorded on
the Verve jazz masters 48
CD), this is one of
Nelson's very interesting
charts. It has a very
angular, exciting melody
in a brisk swing tempo,
and lots of solo space
for trombone (as recorded
by J.J. Johnson). The
solo space could be
filled by piano or any
other instrument as well.
The instrumentation has
been converted to
5-4-4-4, a standard big
band.