The Gospel Train (A Gospel Medley and Classic Spiritual). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Gospel. Published by Faber Music

Composed by Ruth Elaine Schram. For SSA choir. Sing!. Octavo. Published by Chorister's Guild

(from Finians Rainbow). By E.Y. "Yip" Harburg, Lane Burton. Arranged by Mark A. Brymer. (3 Part Mixed). Discovery Choral. 12 pages. Published by Hal Leonard.

SSA choir

SKU: ST.M701

Composed by John Wilbye. Edited by Edmund H Fellowes. SSA or T. Choral. Octavo. Stainer & Bell Ltd. #M701. Published by Stainer & Bell Ltd. (ST.M701).

ISBN 9790220218446.

SSA or T. Revised by Thurston Dart.

SSA choir

SKU: LO.15-1389H

Composed by Linda Spevacek. Choral. Octavo. Heritage Music Press #15/1389H. Published by Heritage Music Press (LO.15-1389H).

UPC: 000308039931.

The touching poem, Sweet Peril, by Scottish poet George MacDonald has been masterfully integrated into the hauntingly beautiful southern folk tune, Prospect, reflecting the ebb and flow of love from weeping rainö into sunshine again.

Choral (3-Part Mixed choir)

SKU: HL.390137

Discovery Level 2. Arranged by Mac Huff. Discovery Choral. Dixieland, Jazz, Light Concert, Traditional. Octavo. 16 pages. Duration 180 seconds. Published by Hal Leonard (HL.390137).

ISBN 9781705156551. UPC: 196288027553. 6.75x10.5x0.034 inches.

When the Saints Go Marching In is one of jazz music's most beloved songs. This easy arrangement with a driving Dixieland swing provides a first introduction to jazz music.

Choral (3-Part Mixed choir)

SKU: HL.202264

Discovery Level 2. Composed by John Barlow Jarvis and Randy Goodrum. Arranged by Cristi Cary Miller. Discovery Choral. Christmas, Christmas Secular, Concert, Festival. Octavo. 16 pages. Published by Hal Leonard (HL.202264).

UPC: 888680655846. 6.75x10.5 inches.

This well-crafted setting for younger and developing choirs extends a heartfelt wish to cherish the special times, offering a perfect way to close any holiday program. “And we'll all join hands and remember this moment, 'til the season comes 'round again.&rdquo.

By David S. Gaines. For SSA choir (SSA). Mark Foster. Octavo. 12 pages. Published by Mark Foster Music

By Bob Merrill, music by Jule Styne. Arranged by Lisa DeSpain. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages

By Bob Merrill, music by Jule Styne. Arranged by Lisa DeSpain. For Choir (SAB). Choral Octavo. Pop Choral. Choral Octavo. 12 pages. Published by Alfred Music Publishing

(from Finian's Rainbow). By Lane Burton. Arranged by John Purifoy. SSA. Broadway Choral. 12 pages

Choral (SSA Choir)

SKU: HL.1132736

Arranged by Kirby Shaw. Shawnee Press. Concert, Festival, Spiritual. Octavo. Duration 138 seconds. Published by Shawnee Press (HL.1132736).

ISBN 9781705182864. UPC: 196288112426. 6.75x10.5x0.029 inches.

For SAB and SSA voicings, the spiritual, “This Train,” takes on new life with driving vocal and instrumental rhythm. Gospel rock style harmonies fill the work, and the energy is simply nonstop from beginning to end. A dynamic choice for concert or show choir.

Choral (SAB Choir)

SKU: HL.250018

By Danny Gokey. Arranged by Roger Emerson. Pop Choral Series. Ballad, Contemporary Christian, Inspirational, Pop. Octavo. 12 pages. Published by Hal Leonard (HL.250018).

UPC: 888680713492. 6.75x10.5 inches.

With hints of soul and country, this midtempo ballad tells the story of starting over again following a tragedy. A positive message and a beautiful melody make this ballad a solid choice for any sort of concert.

By Chris Tomlin and Louis Giglio. Arranged by Joel Raney. For SAB choir and piano with optional rhythm section. Octavo. 8 pages. Published by Hope Publishing Company

SSA choir, piano

SKU: LO.15-3581H

Composed by Jean Berger. Arranged by Douglas E. Wagner. Choral. Octavo. Heritage Music Press #15/3581H. Published by Heritage Music Press (LO.15-3581H).

ISBN 9780787761967.

See the mountains kiss high heaven and the waves clasp one another ... and the sunlight clasps the earth, and the moonbeams kiss the sea ... From Berger’s Five Shelley Poems, this arrangement uses tempo changes and dynamic nuances to honor the contour of the text. Included are two short optional a cappella sections which make this a solid piece of concert repertoire for upper-voice ensembles.

((with Everybody Loves My Baby) Discovery Level 2 3-Part Mixed). Composed by Billy Austin, Jack Palmer, Louis Jordan, and Spencer Williams. Arranged by Mark A. Brymer. For Choral (3-Part Mixed). Discovery Christmas Choral. 12 pages. Published by Hal Leonard

By Duke Ellington, Irving Mills. Arranged by Roger Emerson. (3 Part Mixed). Discovery Jazz. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

(Together We Sing Series). Composed by Traditional Spiritual. Arranged by Lon Beery. 3-Part Mixed. Choral. 8 pages. Published by Shawnee Press

By Carly Simon. Arranged by Lisa DeSpain. Shawnee Press. Pop. Octavo. 16 pages. Published by Shawnee Press

By Ruth Elaine Schram. For 3-part (any combination of voices) and piano (with optional 2 octave handbells). Palm Sunday, Sacred. Sacred Anthem

By Andy Razaf, Music By Thomas "Fats" Waller And Harry Brooks. Arranged by Larry Shackley. For Choir. (SSA). Choral Octavo. Pop Choral. Broadway; Movie. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Andy Razaf, Music By Thomas "Fats" Waller And Harry Brooks. Arranged by Larry Shackley. For Choir. (SAB). Choral Octavo. Pop Choral. Broadway; Movie. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Susan Borwick (1946-). For SSA choir (with piano; optional string bass). Secular. Easy-Medium. Choral octavo. Text language: English. Published by Treble Clef Music Press

Composed by Georges Brassens, Alain Langree. Collection. Secular. Choir part. 160 pages. Published by Editions a Coeur Joie (CJ.A135300725).

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

By Ruth Elaine Schram. For 3-part mixed choir and piano. Halloween, Novelty. Octavo. Published by Heritage Music Press. (15/2228H)

By Ruth Elaine Schram. For SSA choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2104H)