Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

(30 Songs - Women's Edition). By Andrew Lloyd Webber. Vocal Collection. Softcover. 160 pages

Joy: A Carol Collection (20 A Cappella Christmas Favorites). Arranged by Jay Althouse. Choir Secular. For SSA, a cappella choir (Women's Choir). Choral Collection. Choral Designs. Choral, Christmas, Sacred and Secular. Collection. 24 pages. Published by Alfred Music Publishing

By Greg Gilpin. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Gospel; Spiritual, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Linda Spevacek. For SSA choir (a cappella). Christmas. Educational choral collection

Choral (SSA Choir)

SKU: HL.142458

Medley. By Pete Seeger. Arranged by Kirby Shaw. Pop Choral Series. Concert, Inspirational, Medley, Oldies, Show Choir. Octavo. 28 pages. Published by Hal Leonard (HL.142458).

UPC: 888680049034. 6.75x10.5 inches.

This tribute to the remarkable life and work of Pete Seeger will uplift and inspire. A great audience sing-along! Includes: If I Had a Hammer (The Hammer Song), Turn! Turn! Turn! (To Everything There Is a Season), We Shall Overcome, Where Have All the Flowers Gone.

By Jay Althouse. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing

By Jay Althouse. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing

By Cher. By ABBA. Arranged by Audrey Snyder. Pop Choral Series. Dance, Disco, Pop/Rock, Pop, Rock. Octavo. 12 pages. Published by Hal Leonard

Choral (SSA Choir)

SKU: HL.288593

By Cher. By ABBA. Arranged by Audrey Snyder. Pop Choral Series. Dance, Disco, Pop, Pop/Rock, Rock. Octavo. 12 pages. Published by Hal Leonard (HL.288593).

UPC: 888680912154. 6.75x10.5 inches.

The Goddess of Pop, Cher, after starring in 2018's smash-hit sequel Mamma Mia: Here We Go Again, decided to make an entire cover album of ABBA's best-known hits entitled Dancing Queen, in turn becoming her highest-ranking debut album in the US ever. Snyder captures “S.O.S.”' signature groove and infuses the arrangement with Cher's powerful vocality!

SSA Collection. Composed by Various. Choral Collection. Secular, Holiday, Christmas, Sacred, Winter. Softcover. Published by Hal Leonard

Choral (SAB Choir)

SKU: HL.35032482

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. Published by Shawnee Press (HL.35032482).

ISBN 9781540038166. UPC: 888680888329. 6.75x10.5x0.036 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Choral (SSA Choir)

SKU: HL.35032484

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. Published by Shawnee Press (HL.35032484).

ISBN 9781540038180. UPC: 888680888343. 6.75x10.5x0.036 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Choral (SAB Choir)

SKU: HL.113425

(from Ghost the Musical). Composed by Bruce Joel Rubin, David Allan Stewart, and Glen Ballard. Arranged by Ed Lojeski. Broadway Choral. Broadway, Musicals, Pop, Pop/Rock, Rock, Show Choir. Octavo. 16 pages. Published by Hal Leonard (HL.113425).

UPC: 884088868833. 6.75x10.5 inches.

Adapted from the 1990 movie starring Patrick Swayze, Demi Moore and Whoopi Goldberg, Ghost the Musical opened on London's West End in 2011 before transferring to Broadway in 2012. Performed in the musical by the cast and the psychic Oda Mae Brown, this is a full-out rock & roll production number that will be an awesome selection for pop and show choirs!

Choral (SSA Choir)

SKU: HL.113426

(from Ghost the Musical). Composed by Bruce Joel Rubin, David Allan Stewart, and Glen Ballard. Arranged by Ed Lojeski. Broadway Choral. Broadway, Musicals, Pop, Pop/Rock, Rock, Show Choir. Octavo. 16 pages. Published by Hal Leonard (HL.113426).

UPC: 884088868840. 6.75x10.5 inches.

Adapted from the 1990 movie starring Patrick Swayze, Demi Moore and Whoopi Goldberg, Ghost the Musical opened on London's West End in 2011 before transferring to Broadway in 2012. Performed in the musical by the cast and the psychic Oda Mae Brown, this is a full-out rock & roll production number that will be an awesome selection for pop and show choirs!

By Michael Gore, words by Lynn Ahrens/arr. Greg Gilpin. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Movie. 16 pages. Published by Alfred Music

By Michael Gore, words by Lynn Ahrens/arr. Greg Gilpin. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Movie. 16 pages. Published by Alfred Music

Choral (SAB Choir)

SKU: HL.126982

By Fitz and The Tantrums. Arranged by Mac Huff. Pop Choral Series. Dance, Light Concert, Pop, Show Choir. Octavo. 16 pages. Published by Hal Leonard (HL.126982).

UPC: 888680006617. 6.75x10.5 inches.

Oh, here we go, heart is in control! You won't be able to stop singing this jaunty song from Fitz and the Tantrums featured in Ellen's Oscar commercial that celebrates the freedom of marching to your own drummer! A great selection for pop and show choirs!

By Pete Seeger. Arranged by Mark Sirett. (SSA). CME INTERMEDIATE SERIES. Size 6.75x10.5 inches. 14 pages. Published by Boosey and Hawkes.

(Traditional English Carols). By David Perry, Jean Perry. For TBB choir, optional keyboard. Octavo. Duration 2 minutes. Published by Carl Fischer

Composed by C.J. Adams. For SAB choir. Quick Study Chorals. Call To Worship, Communion, Hymntune. Octavo. 8 pages. Published by Hope Publishing Company

Choral (3-Part Mixed choir)

SKU: HL.218407

Discovery Level 2. Composed by Audrey Snyder. Discovery Choral. Concert, Festival. Octavo. 16 pages. Published by Hal Leonard (HL.218407).

UPC: 888680668679. 6.75x10.5 inches.

“Seas ons come, seasons go, nothing stays the same” – this is the message of this folk-like original with words based on the text from Ecclesiastes. Younger choirs will enjoy singing this well-crafted work that will allow them to build performing skills.

Choral (SAB Choir)

SKU: HL.158555

Composed by Lesley Gore and Michael Gore. Arranged by Mac Huff. Pop Choral Series. Ballad, Concert, Light Concert, Movies, Pop, Show Choir. Octavo. Duration 210 seconds. Published by Hal Leonard (HL.158555).

UPC: 888680613037. 6.75x10.5x0.018 inches.

This ballad from the 1980 musical film Fame remains a powerful statement for young artists to follow their dreams and pursue their passion! This setting is an ideal closer for pop, show and concert choirs.

Composed by Mary Carpenter Davis. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1391. Published by Santa Barbara Music Publishing (SB.SBMP-1391).

I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * I'll Build a Stairway to Paradise * Love Is Here to Stay * Embraceable You * Fascinating Rhythm. Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Adam Podd and Matt Podd. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Great American Songbook; Secular. Choral Octavo. Alfred Music #00-47666. Published by Alfred Music

(SAB Choir)

SKU: HL.35030867

Composed by Irving Berlin. Arranged by Greg Jasperse. Shawnee Press. Jazz, Standards, Vocal Jazz. Octavo. Duration 225 seconds. Published by Shawnee Press (HL.35030867).

ISBN 9781495059346. UPC: 888680607654. 6.75x10.5x0.029 inches.

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords that lightly surprise and offer a new interpretation to this romantic, winter song.

Choral (SAB Choir)

SKU: HL.428248

A Beatles Super Medley. By The Beatles. By George Harrison, John Lennon, and Paul McCartney. Arranged by Mark A. Brymer. Pop Choral Series. Classic Rock, Medley, Novelty, Pop, Pop/Rock, Rock, Sixties. Octavo. Duration 240 seconds. Published by Hal Leonard (HL.428248).

UPC: 196288063391. 6.75x10.5x0.045 inches.

A Fab Four Medley with 18 classic songs in just four minutes!? As Brian Wilson once said, “There's no outdoing the Beatles.” Includes: All You Need Is Love, Blackbird, Come Together, Eight Days a Week, Eleanor Rigby, A Hard Day's Night, Here Comes the Sun, Hey Jude, I Want to Hold Your Hand, In My Life, Let It Me, Love Me Do, Penny Lane, Strawberry Fields Forever, We Can Work it Out, With a Little Help from My Friends and Hello, Goodbye.