Discovery Level 2. Composed by Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Roger Emerson. Discovery Choral. Movies, Pop, Rock. Octavo. Duration 140 seconds. Published by Hal Leonard

Composed by Meghan Trainor and Thaddeus Dixon. Arranged by Andy Beck. Choral Octavo. Alfred Pop Series. Pop; Secular. 16 pages. Published by Alfred Music (AP.45480).

By Meghan Trainor. By Caitlyn Elizabeth Smith, Justin Weaver, and Meghan Trainor. Arranged by Mac Huff. For Choral (SAB). Pop Choral Series. Octavo. Published by Hal Leonard

By Meghan Trainor. By Caitlyn Elizabeth Smith, Justin Weaver, and Meghan Trainor. Arranged by Mac Huff. Pop Choral Series. Pop, RandB, Soul. Octavo. 12 pages. Published by Hal Leonard

Choral (SAB Choir)

SKU: HL.156217

By The Mamas & the Papas and The Shirelles. By Lowman Pauling and Ralph Bass. Arranged by Audrey Snyder. Pop Choral Series. Oldies, Pop, Show Choir, Sixties, Solos. Octavo. Duration 155 seconds. Published by Hal Leonard (HL.156217).

UPC: 888680604615. 6.75x10.5x0.029 inches.

This iconic song from the 1960s, a hit for both the Shirelles and the Mamas & the Papas among others, has maintained its popularity through the generations and with music fans of all ages. Your singers will love the familiar triadic harmonies and smooth groove!

By Bill Backer, Billy Davis, Roger Cook and Roger Greenaway. Arranged by Ruth Elaine Schram. For Choir. (3-Part Mixed). Choral Octavo. Pop Choral Series. Level: Moderate (grade III). Choral Octavo. Published by Alfred Publishing.

Choral (3-Part Mixed choir)

SKU: HL.147366

Discovery Level 1. Arranged by Cristi Cary Miller. Discovery Choral. Concert, Festival. Octavo. 12 pages. Published by Hal Leonard (HL.147366).

UPC: 888680073633. 6.75x10.5 inches.

These two famous train songs are arranged for young singers in a creative way that includes sound effects, layered rhythm speech and much more! A great choreography showcase, it is a wonderful concert finale!

From The Peanuts Movie. By Meghan Trainor. Arranged by Roger Emerson. Pop Choral Series. Movies, Show Choir, Pop. Octavo. 16 pages. Published by Hal Leonard (HL.155765).

Discovery Level 2. Composed by Alyssa Bonagura. Arranged by Jack Zaino. Discovery Choral. Pop. Octavo. 16 pages. Published by Hal Leonard

SSA choir

SKU: ST.W95

Composed by Thomas Weelkes. Edited by Edmund H Fellowes. SSA. Choral. Octavo. Stainer & Bell Ltd. #W95. Published by Stainer & Bell Ltd. (ST.W95).

ISBN 9790220218132.

SSA. Revised by Thurston Dart.

I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * I'll Build a Stairway to Paradise * Love Is Here to Stay * Embraceable You * Fascinating Rhythm. Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Adam Podd and Matt Podd. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Great American Songbook; Secular. Choral Octavo. Alfred Music #00-47666. Published by Alfred Music

Composed by Ruth Elaine Schram. Choral. Singable Solutions. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5114L. Published by Lorenz Publishing Company (LO.10-5114L).

Choral (SAB Choir)

SKU: HL.1207902

Composed by Frank Wildhorn and Robin Lerner. Arranged by Mac Huff. Voices Together. Concert, Inspirational, Young Voices. Octavo. Duration 240 seconds. Published by Hal Leonard (HL.1207902).

ISBN 9781705194089. UPC: 196288138082. 6.75x10.5x0.029 inches.

Originally recorded by Broadway Kids Against Bullying, this poignant song carries a message of inclusion and empowerment. Young singers will resonate with the music and lyric, which strive to make the choir a safe space for all.

Choral (SSA Choir)

SKU: HL.192554

(from Dirty Dancing). Arranged by Mac Huff. Pop Choral Series. Pop. Octavo. 16 pages. Duration 290 seconds. Published by Hal Leonard (HL.192554).

UPC: 888680637095. 6.75x10.5x0.036 inches.

Now available for SSA, this powerful duet by Jennifer Warnes and Bill Medley was #1 in 1987 and won the Oscar the following year for the blockbuster film Dirty Dancing. It remains one of the most performed ballads ever.

Choral (SSA Choir)

SKU: HL.285843

Discovery Level 2. Composed by George L.O. Strid and Mary Donnelly. Discovery Choral. Concert, Festival. Octavo. Duration 131 seconds. Published by Hal Leonard (HL.285843).

UPC: 888680891084. 6.75x10.5x0.036 inches. Mary Donnelly/George L.O. Strid.

Word painting takes center stage with this light and bright setting of the Sara Teasdale poem The Cloud. A light and wistful flute obligato (included in the back of the octavo) help students capture this feeling of playfulness and wonder that young people often feel when considering fluffy clouds overhead. The supportive piano accompaniment makes this easy to learn.

By Herbert Stothart and Harry Ruby, lyrics by Bert Kalmer. Arranged by Ruth Elaine Schram. For Choir. (SSA). Choral Octavo. Pop Choral Series. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Jean-Marc Natel, Herbert Kretzmer, Alain Boublil, Claude-Michel Schonberg. Arranged by Ed Lojeski. (SAB). Pop Choral Series. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

((from Les Misérables)). By Alain Boublil and Claude-Michel Schonberg. Arranged by Ed Lojeski. SSA. Broadway Choral. 8 pages

Performed by Shania Twain. By Shania Twain, Robert John "Mutt" Lange. Arranged by Roger Emerson. (SSA). Pop Choral Series. Size 6.75x10.5 inches. 11 pages. Published by Hal Leonard.

By Carolyn Hamlin. Arranged by Mary Mcdonald. For SAB choir and piano. Sacred: All Saint's Day, Christ the King, Discipleship, General. Octavo. Published by Lorenz Publishing Company

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Piano/choral score. Duration 3 minutes, 40 seconds. Published by E.C. Schirmer Publishing (EC.8229).

By Chris Tomlin and Louis Giglio. Arranged by Joel Raney. For SAB choir and piano with optional rhythm section. Octavo. 8 pages. Published by Hope Publishing Company

Composed by Paul David Thomas. Sws. Octavo. 16 pages. Duration 3 minutes, 8 seconds. Carl Fischer Music #CM9647. Published by Carl Fischer Music

By Susan Borwick (1946-). For SSA choir (with piano; optional string bass). Secular. Easy-Medium. Choral octavo. Text language: English. Published by Treble Clef Music Press

Best of My Love/I Feel the Earth Move/Ain't No Mountain High Enough. Arranged by Paul Langford. Shawnee Press. Pop. Octavo. 16 pages. Published by Shawnee Press

Best of My Love/I Feel the Earth Move/Ain't No Mountain High Enough. Arranged by Paul Langford. Shawnee Press. Pop. Octavo. 16 pages. Published by Shawnee Press

By Sandi Peaslee. For SSA choir, Soprano and piano. Janet Galvan Women's Choral. Sacred. Level: Medium. Octavo. Published by Roger Dean. (15/1740R)

Composed by Georges Brassens, Alain Langree. Collection. Secular. Choir part. 160 pages. Published by Editions a Coeur Joie (CJ.A135300725).