SAB choir, 3-part equal voices, 3-part mixed voices, assembly, keyboard accompaniment, guitar - Early intermediate

SKU: GI.G-8282

My Beloved Is Mine. Composed by Michael Mahler. Wedding. Wedding. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8282. Published by GIA Publications (GI.G-8282).

UPC: 785147828204. English. Text source: Based on Song of Songs. Text by Michael Mahler. Scripture: Song of SongsÑmixed references.

An intriguing contemporary sound for this romantic text from Scripture—you may find yourself swaying and whistling along. The soloist should be comfortable with the syncopation in the verses, while the addition of the background vocals (three voices in close harmony plus a descant) really adds to the aura of the piece, especially in the assembly’s refrain.

Arranged by Douglas E. Wagner. Traditional Irish Tune (My Love Nell). For Choir. (TTB). Choral Octavo. Level: Moderate (grade III). Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Ruth Morris Gray. For SAB choir. Sing!. Octavo. Published by Chorister's Guild

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Arranged by Ruth Morris Gray. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Sacred; Spiritual; Winter. 12 pages. Published by Alfred Music Publishing

By John Jacobson. By Mac Huff and John Jacobson. Festival Choral. Ballad, Concert, Inspirational, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard

SAB chorus, piano - Easy

SKU: JK.01469

Composed by Michael F. Moody. Arranged by Brent Jorgensen. Choral Children's Chorus, Choral SAB, Difficulty Easy, Piano Choir, Seasonal Music Christmas, Christmas. Christmas. Duration 22:00. Jackman Music Corporation #01469. Published by Jackman Music Corporation (JK.01469).

Luke 2.

This is Christmas uses mixed voices (SAB), a non-singing Readers' Chorus (half low, half high voices), Piano, Optional Children's Chorus and Optional violin. The violin (flute) part needs to be ordered separately (#09118). Separate pieces from the cantata which are also available separately are Is This the One (#01095) and Sleep Little Jesus(#00616). The cantata asks the question, What is Christmas? and then tells what it is really about. Songs included in the cantata are: This is Christmas In Little Town of Bethlehem Sleep Little Jesus How Beautiful, How Fair When Love Came Down Is This the One? God's Abounding Love Song of Praise The arrangement of Is This the One? is different in the cantata from the octavo copy.

Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo; Masterworks. Choral Designs. Madrigal; Masterwork Arrangement; Renaissance. Choral Octavo. 8 pages. Published by Alfred Music Publishing

Composed by Doc Pomus and Mort Shuman. Arranged by Mac Huff. Pop Choral Series. Doo- Wop, Show Choir, Pop, Oldies. Octavo. 16 pages. Published by Hal Leonard

Choir Secular (Women's Choir)

SKU: AP.51165

Recorded by Ava Max. Composed by Amanda Koci, Henry Walter, Madison Love, and Michael Pollack. Arranged by Jack Zaino. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classification: Lawson-Gould Sacred Choral Publications. Movie; Pop; Secular. Choral Octavo. Composed 1963. 12 pages. Alfred Music #00-51165. Published by Alfred Music (AP.51165).

UPC: 038081582023. English.

Ava Max's exhilarating Barbie hit embraces individuality and encourages us to design our own paths. A caffeinated a cappella opening gives way to a dance-pop hook that really packs a punch! It's a high-energy anthem that will have your audience singing along: Wings of a butterfly, eyes of a tiger . . . choose your fighter!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by Traditional American. Arranged by Kyle Pederson. School, Church. Walton Choral. Octavo. Walton Music #WW1813. Published by Walton Music

By Shiela Wright. For SSA choir, a cappella. Octavo. Published by Cypress Choral Music

(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481620. Published by Boosey and Hawkes

(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481644. Published by Boosey and Hawkes

(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481590. Published by Boosey and Hawkes

Composed by Mark Patterson. Fold. Octavo. 12 pages. Duration 2 minutes, 27 seconds. Carl Fischer Music #CM9631. Published by Carl Fischer Music

Arranged by Charles Beale. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Secular. Published by Faber Music