Discovery Level 2.
Composed by Cristi Cary
Miller. Discovery Choral.
Concert, Festival, Light
Concert. Octavo. 12
pages. Duration 225
seconds. Published by Hal
Leonard (HL.397425).
ISBN 9781705158814.
UPC: 196288049906.
6.75x10.5x0.029
inches.
Here's a
heartfelt piece that
speaks to the power of
music. With words written
during the beginning of
the pandemic, it
expresses what many
musicians felt as they
began the frightening
journey into a world
without singing. This
selection will offer a
powerful outlet for
expression to once again
join together to make
music!
By Ira Gershwin, George Gershwin. Arranged by Mark Hayes. For Choir. (SAB). Cho...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Mark Hayes. For Choir.
(SAB). Choral Octavo. Pop
Choral. Choral Octavo. 12
pages. Published by
Alfred Publishing.
Composed by Tim Attride. The antiphon for use with the Seven Penitential Psalms ...(+)
Composed by Tim Attride.
The antiphon for use with
the Seven Penitential
Psalms and the Lenten
chant Parce Domine are
presented here in chant
with Latin text, followed
by SAB polyphony with
English text. This is an
accessible and
wonderfully appropriate
anthem for your choir
this. Lent, General.
Published by CanticaNOVA
Publications (C5.5042).
Coffee Cantata. By Johann Sebastian Bach. Edited by Werner Neumann. Arranged by ...(+)
Coffee Cantata. By Johann
Sebastian Bach. Edited by
Werner Neumann. Arranged
by Focke, Martin. For
Soprano Solo, Tenor Solo,
Bass Solo, Piano. Piano
Reduction/Vocal Score;
Urtext Edition. BWV 211.
Published by
Baerenreiter-Ausgaben
(German import). (BA10211
90)
Choir Secular (Women's Choir) SKU: AP.28587 Composed by Sally K. Albrecht...(+)
Choir Secular (Women's
Choir)
SKU:
AP.28587
Composed by
Sally K. Albrecht.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Graduation; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-28587.
Published by Alfred Music
(AP.28587).
UPC:
038081311319.
English.
Choirs
will achieve a quality
sound as they perform
this richly woven tribute
to singing and music.
Features optional solos
in the pensive opening,
then builds to the final
statement, I cannot be
silent. I can sing!
Inspirational for
concerts, contests, and
Music in Our Schools
celebrations.
(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSS and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481620. Published by
Boosey and Hawkes
(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). ...(+)
(SSA Chorus, Harp or
Piano). By Benjamin
Britten (1913-1976). For
Choral (SSA). Boosey and
Hawkes Sacred Choral. 12
pages. Boosey and Hawkes
#M051481644. Published by
Boosey and Hawkes
(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSA and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481590. Published by
Boosey and Hawkes
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Le...(+)
Arranged by Teena Chinn.
For Choir. (3-part
Mixed). Choral Octavo.
Broadway. Level: Moderate
(grade 3). Choral Octavo.
108 pages. Published by
Alfred Publishing.
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk So...(+)
I. Farfallina (Butterfly)
2.
Lucciola (Firefly).
Composed
by Italian Folk Song and
Tuscan Folk Song.
Arranged by
Christi Jones. Fold.
Octavo.
8 pages. Duration 2
minutes,
35 seconds. BriLee Music
#BL1123. Published by
BriLee
Music
I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * ...(+)
I Got Rhythm * 'S
Wonderful *
They Can't Take That
Away
from Me * I'll Build
a
Stairway to Paradise *
Love
Is Here to Stay *
Embraceable
You * Fascinating Rhythm.
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Adam Podd and
Matt Podd. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great
American Songbook;
Secular.
Choral Octavo. Alfred
Music
#00-47666. Published by
Alfred Music
(A Hymn Concertato on Christ the Lord Is Risen Today ). Composed by Mary Mcdona...(+)
(A Hymn Concertato on
Christ the Lord Is Risen
Today ). Composed by Mary
Mcdonald. For SAB choir,
descant, organ and piano
(with optional 2
trumpets, 2 trombones,
3-5 octave handbells,
congregation). Worship
Works Series. Sacred
Anthem, Eastertide.
Octavo. Published by
Lorenz Publishing Company
Sounds of a Better World Series. Composed by Jim Papoulis. BH Sounds of a Bet...(+)
Sounds of a Better World
Series. Composed by Jim
Papoulis. BH Sounds of a
Better World. African,
Concert, World Music.
Octavo.
12 pages. Boosey and
Hawkes
#M051485888. Published by
Boosey and Hawkes
Composed by Lloyd Larson.
Choral, cantatas. Advent,
Christmas. Choral score.
Lorenz Publishing Company
#65/2092L. Published by
Lorenz Publishing Company
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
Choral SSA choir, piano SKU: CF.CM9773 Composed by Brady Weldon. Duration...(+)
Choral SSA choir, piano
SKU: CF.CM9773
Composed by Brady Weldon.
Duration 2 minutes, 49
seconds. Carl Fischer
Music #CM9773. Published
by Carl Fischer Music
(CF.CM9773).
ISBN
9781491164440. UPC:
680160923342. Key: C#
minor. English. Christina
Rossetti.
In the
bleak midwinter, frosty
wind made moan, Â
    Â
    Â
    Â
    Â
    Â
 Earth stood hard as
iron, water like a
stone;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
   Snow had
fallen, snow on snow,
snow on snow, Â
    Â
    Â
    Â
    Â
    Â
    In the
bleak midwinter, long
ago.What can I give Him,
poor as I am? Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
  If I were a
shepherd, I would bring a
lamb;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
   If I were a
Wise Man, I would do my
part;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
  Yet what I can
I give Him: give my
heart.The text from this
beloved poem of Christina
Rossetti
(1830–1894) was
originally published in
an 1872 issue of
Scribner’s
Monthly, under the title
A Christmas Carol. In the
first of its five
stanzas, the speaker
describes in great detail
a bitingly cold winter
scene, void of both
warmth and light. By the
final stanza, the
speaker's thoughts turn
inward, asking what gift
they may offer the infant
Jesus, meek though they
believe themselves to
be.The poem was later set
by English composer
Gustav Holst
(1874–1934) as a
contribution to the
English Hymnal in 1906
and remains the most
popular setting
today.London-born
Rossetti came to be
regarded not only as one
of the greatest female
poets of her time, but as
an outspoken advocate on
several societal issues,
including slavery and
cruelty towards
animals.In this setting,
word painting is of the
utmost importance.
Careful attention to word
stress throughout the
course of the piece will
make the performance all
the more captivating.
Descriptive lines such as
“frosty wind made
moan†should be
conveyed with swelling
crescendos, like frigid
gusts of frozen air.While
this piece features an
original tune, the
beloved Holst melody is
also featured briefly,
beginning in m. 28. Take
care to bring this
out.There are plenty of
other allusions to wintry
scenes scattered
throughout the choral
parts as well as the
accompaniment. I
encourage you to put your
sleuthing
“hats†on and
find them all. It will
make the learning
experience much more
memorable and fun.
Itsuki Lullaby Chorale 3 parties 3 parties aigues Hal Leonard
Choral (3 Part Treble choir) SKU: HL.153263 (Japanese Lullaby). Ar...(+)
Choral (3 Part Treble
choir)
SKU:
HL.153263
(Japanese
Lullaby). Arranged by
Sheila Feay-Shaw. Henry
Leck Creating Artistry.
Concert, Festival,
Japanese. Octavo. 12
pages. Published by Hal
Leonard (HL.153263).
UPC: 888680095666.
6.75x10.5
inches.
This
Japanese lullaby is a
traditional song sung by
girls far away from home
as they worked as nannies
in upper class
households. The gentle
sounds of flute and wind
chimes support the
plaintive quality of the
melody, presented in
canon and simple
harmonization over the
arpeggios in the piano or
optional marimba
accompaniment.
Performed by Elton John. By Elton John, Tim Rice. Arranged by Mark A. Brymer. (S...(+)
Performed by Elton John.
By Elton John, Tim Rice.
Arranged by Mark A.
Brymer. (SAB). Disney
Choral. Size 6.75x10.5
inches. 32 pages.
Published by Hal Leonard.
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, ce...(+)
SAB choir, cantor,
priest, assembly,
keyboard accompaniment, 2
C instruments, cello,
guitar - Early
intermediate
SKU:
GI.G-9730
Composed by
Marty Haugen. Mass.
Sacred. With guitar chord
names. 40 pages. GIA
Publications #9730.
Published by GIA
Publications (GI.G-9730).
UPC: 785147973003.
English, Spanish. Text
Source: Revised Order of
Mass 2010, Lectionary
for Mass
Over
the past few years, as I
have experienced the
radical cultural
transformation of Roman
Catholic communities in
the United States, I
decided that I wanted to
create something in
response and support.
Mass of Creation went
through multiple
revisions—into a
Protestant version, a
revised (2010) text
version and a bilingual
version. At each
transition, the music
struggled (I believe) to
make the text
“sing†as it
had with the original
version. With the Mass of
Reconciliation / Misa de
Reconciliación, I
began with the premise
that the text would be
created to be sung
throughout either in
English or Spanish. My
hope was that faith
communities that had
Masses in both languages
might learn the mass
setting in their own
language and, when they
came together for major
feast days (Christmas
Eve/Day, Easter
Vigil/Day, and other
celebrations) they could
each sing with confidence
and passion a setting in
their own language.