Choral (SSA Choir) - Grade 3

SKU: HL.14042891

SSA and Organ. Composed by James Whitbourn. Choral. Classical. Octavo. 12 pages. Chester Music #CH81059. Published by Chester Music (HL.14042891).

6.5x9.75x0.055 inches.

The Twenty-Eight Times is a Vocal piece composed by British composer and conductor James Whitbourn . The Twenty-Eight Times was commissioned by the United Westminster Schools and Grey Coat Hospital Foundation to commemorate the fiftieth anniversary of the assassination of John F. Kennedy, and performed in Westminster Abbey on 25 October 2013 by the choir of Queen Anne's school, Caversham. This ancient Hebrew text from Ecclesiastes (Qoheleth) was a favourite of President Kennedy and formed partof the Eulogy delivered at his funeral service on 25 November 1963. He was assassinated on 22 November 1963.

(SAB Choir)

SKU: HL.35029280

Arranged by Jill Gallina. Choral. 16 pages. Published by Shawnee Press (HL.35029280).

UPC: 884088949914. 6.75x10.5 inches.

From Newfoundland comes this comical retelling of “Jonah and the Whale,” but this time the whale gets his comeuppance! This bright and up-beat arrangement is a novel delight for both SAB and 2-part choirs.

Choral (SSA Choir)

SKU: HL.192554

(from Dirty Dancing). Arranged by Mac Huff. Pop Choral Series. Pop. Octavo. 16 pages. Duration 290 seconds. Published by Hal Leonard (HL.192554).

UPC: 888680637095. 6.75x10.5x0.036 inches.

Now available for SSA, this powerful duet by Jennifer Warnes and Bill Medley was #1 in 1987 and won the Oscar the following year for the blockbuster film Dirty Dancing. It remains one of the most performed ballads ever.

Choral (TTB Choir)

SKU: HL.254667

Composed by Stephen Foster. Arranged by Thomas Juneau. Henry Leck Creating Artistry. Concert, Folk. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.254667).

UPC: 888680721930. 6.75x10.5x0.029 inches.

Asking those who have much to consider those who do not is an important and popular theme today. To realize that this song was first published in 1854 makes the plea even more poignant. The optional violin obligato adds a longing voice to this socially conscious message.

Choral (3-Part Mixed choir)

SKU: HL.158499

Medley. By Stevie Wonder. Arranged by Mark A. Brymer. Pop Choral Series. Pop, R&B. Octavo. 16 pages. Published by Hal Leonard (HL.158499).

UPC: 888680612696. 6.75x10.5 inches.

You'll groove out to the sounds of this 5-minute medley of hits by Stevie Wonder, one of the most creative and beloved artists of our time! An outstanding showstopper for choirs of all ages and levels, it includes: For Once in My Life, I Was Made To Love Her, My Cherie Amour, Uptight (Everything's Alright).

Choral (SAB Choir)

SKU: HL.290838

By Britney Spears. Arranged by Mark A. Brymer. Pop Choral Series. Nineties, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.290838).

UPC: 888680924034. 6.75x10.5 inches.

It was 20 years ago that Britney Spears released her debut album ...Baby One More Time. It officially signaled the return of pure pop music while at the same time giving all of us permission to enjoy it. Your singers will love getting into this funky pop groove and their parents will love the trip back in time.

By Sheldon Curry. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing

Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

Choral SSA Choir and Piano

SKU: CF.CM9704

Composed by Richard Hageman. Arranged by Stephen Rotz. Jbc. 12 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #CM9704. Published by Carl Fischer Music (CF.CM9704).

ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore.

Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker.  .
Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time  that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic” to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .

Choral (3-Part Mixed choir)

SKU: HL.435031

By Rascal Flatts. Arranged by Roger Emerson. Pop Choral Series. Country, Graduation, Inspirational, Pop, Show Choir. Octavo. 12 pages. Duration 225 seconds. Published by Hal Leonard (HL.435031).

UPC: 196288064879. 6.75x10.5x0.029 inches.

Rascal Flatt's hit song dives deep into the nostalgia well: How will you be remembered? What did you do with your time when it was given to you? This song is a blast to sing!

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Vocal melody, harmony part and leadsheet notation. 80 pages. Published by Hal Leonard

Composed by Jimmy Page and Robert Plant. Arranged by Eric Van Cleave. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Rock; Secular. 16 pages. Published by Alfred Music

SAB chorus and piano - Medium

SKU: JK.01063

Composed by Robert P. Manookin. Arranged by Robert Manookin. Choral SAB, Difficulty Medium, Piano Choir, Comfort, God's Love, Supplication. Christian, Inspirational. Duration 3:25. Jackman Music Corporation #01063. Published by Jackman Music Corporation (JK.01063).

Psalm 23:1-6.

Refresh ing original anthem for three-part mixed chorus (SAB) with gently flowing piano accompaniment.
Be Thou a gentle rain, O Lord,
And wash away my fear, my fear.
In the thirsty places of my heart
A stream of water, water clear.
Composer: Robert P. Manookin
Lyricist: Ted L. Gibbons
Difficulty: Medium
Performance time: 3:25
Reference: Psalm 23:1-6.

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Christmas; Secular; Winter. Published by Faber Music

Choral SSA choir, piano

SKU: CF.CM9773

Composed by Brady Weldon. Duration 2 minutes, 49 seconds. Carl Fischer Music #CM9773. Published by Carl Fischer Music (CF.CM9773).

ISBN 9781491164440. UPC: 680160923342. Key: C# minor. English. Christina Rossetti.

In the bleak midwinter, frosty wind made moan,                                                       Earth stood hard as iron, water like a stone;                                                               Snow had fallen, snow on snow, snow on snow,                                                             In the bleak midwinter, long ago.What can I give Him, poor as I am?                                                                                        If I were a shepherd, I would bring a lamb;                                                                         If I were a Wise Man, I would do my part;                                                                        Yet what I can I give Him: give my heart.The text from this beloved poem of Christina Rossetti (1830–1894) was originally published in an 1872 issue of Scribner’s Monthly, under the title A Christmas Carol. In the first of its five stanzas, the speaker describes in great detail a bitingly cold winter scene, void of both warmth and light. By the final stanza, the speaker's thoughts turn inward, asking what gift they may offer the infant Jesus, meek though they believe themselves to be.The poem was later set by English composer Gustav Holst (1874–1934) as a contribution to the English Hymnal in 1906 and remains the most popular setting today.London-born Rossetti came to be regarded not only as one of the greatest female poets of her time, but as an outspoken advocate on several societal issues, including slavery and cruelty towards animals.In this setting, word painting is of the utmost importance. Careful attention to word stress throughout the course of the piece will make the performance all the more captivating. Descriptive lines such as “frosty wind made moan” should be conveyed with swelling crescendos, like frigid gusts of frozen air.While this piece features an original tune, the beloved Holst melody is also featured briefly, beginning in m. 28. Take care to bring this out.There are plenty of other allusions to wintry scenes scattered throughout the choral parts as well as the accompaniment. I encourage you to put your sleuthing “hats” on and find them all. It will make the learning experience much more memorable and fun.

Composed by Jimmy Page and Robert Plant. Arranged by Eric Van Cleave. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Rock; Secular. 16 pages. Published by Alfred Music

By Frank Sinatra. By Sammy Cahn and James Van Heusen. Arranged by Kirby Shaw. Jazz Chorals. Concert, Jazz, Pop, Standards, Swing, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Secular. Published by Faber Music

SAB chorus - Medium-easy

SKU: JK.01936

Composed by Ann Luke Bailey. Arranged by Barry Gibbons, Grant Gibbons, and Michael Gibbons. Choral SAB, Difficulty Easy, Difficulty Easy Medium, Difficulty Medium, Piano Choir, Children, Faith, Jesus Christ - Example, Jesus Christ - Friend, Jesus Christ - Savior, Love, Peace, Praise and Worship. Christian, Inspirational. Duration 3:45. Jackman Music Corporation #01936. Published by Jackman Music Corporation (JK.01936).

UPC: 093285019362. 3 Nephi 11-28.

Said to be the next This is the Christ, The Day the Savior Came is sure to be a favorite among followers of Jesus Christ the world over.
With a flowing lyrical melody, it tells the story of the long-promised day of Christ's visitations after His resurrection and the touching and unforgettable experience that was for those who witnessed it first-hand. This arrangement is set beautifully for mixed-chorus, SAB. Won award of merit in 1994 in the church writing and music contest.
This product includes access to rehearsal tracks in the Jackman Music app. Click here to see how it works.
Click here if you have copies of this piece purchased previous to the release of the Jackman Music Rehearsal Tracks. You can upgrade your sheet music.


>SA arrangement also available here.
>Vocal Solo version also available here.

Composer: Ann Luke Bailey
Arrangers: Barry, Grant, and Michael Gibbons
Difficulty: Medium-easy
Performance time: approx. 3:45
Reference: 3 Nephi 11-28

SSA Choir

SKU: BT.MUSAM941105

Composed by Haydn Wood. Arranged by Felton Rapley. Classical. Vocal Score. Wise Publications #MUSAM941105. Published by Wise Publications (BT.MUSAM941105).

A Brown Bird Singing , published in 1922, is second only to The Roses of Picardy in popularity among Woodâ??s vast oeuvre. With lyrics by composer Royden Barrie, the romantic words are well matched to the touching melody. The song has been recorded many times since it appeared, including a version by jazz songstress Peggy Lee and one arranged for zither. Haydn Wood (1882-1959) earned his reputation as a giant of British light music in the twentieth century through a prolific career that encompassed performance as Violin soloist and conductor and as well as composer of some of the nationâ??s favourite melodies. Wood was not only was a gifted and popular creator of Orchestral works andmusical theatre, but also the composer more than 200 songs, many of them the greatest hits of their era. A Brown Bird Singing has been arranged for SSA female chorus by Felton Rapley.

Composed by Josef Gabriel Rheinberger. Edited by Berthold Over. German title: Salve Regina (Fassung mit Orgel). Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Composed 1880/1881. WoO 54, 2. 4 pages. Duration 4 minutes. Published by Carus Verlag (CA.5025200).

(SAB Choir)

SKU: HL.35030691

Composed by Boudleaux Bryant and Felice Bryant. Arranged by Paul Langford. Shawnee Press. Fifties, Pop, Show Choir. Octavo. 12 pages. Published by Shawnee Press (HL.35030691).

ISBN 9781495052972. UPC: 888680100148. 6.75x10.5 inches.

Ray Charles was one-of-a-kind and so was his music. This arrangement is based on his rousing performance of the Everly Brothers' hit; a song considered one of the 500 greatest songs of all times by Rolling Stone magazine. You'll love this energizing rendition complete with rhythm and horns and a treat for your women to sing as well as mixed choirs.

SAB chorus and piano - medium

SKU: JK.00760

Composed by Brent Pierce. Choral SAB, Difficulty Medium, Piano Choir, Seasonal Music Christmas, Christmas. Christian, Inspirational. Duration 3:25 min. Jackman Music Corporation #00760. Published by Jackman Music Corporation (JK.00760).

Luke 2.

Christmas anthem arranged for mixed chorus (SAB) and piano; On a Starlit night, so long ago, a precious Babe was born, His brightness shone from the heavens down to earth below...
Composer: Brent Pierce
Lyricist: Shelley Bingham Husk
Difficulty: medium
Performance time: 3:25 min
Reference: Luke 2.

Composed by Frankie Sullivan III and Jim Peterik. Arranged by Eric Van Cleave. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Movie; Secular. 12 pages. Published by Alfred Music