Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin [namely, the Virgin Mary]. Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Psaumes / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin [namely, the Virgin Mary]. Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Psaumes / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin [namely, the Virgin Mary]. Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Psaumes / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Canto e pianoforte . Par VIVALDI ANTONIO. Complete Vocal score of the celebrated Baroque Oratorio Gloria, conceived around 1713 as part of Antonio Vivaldi's responsibilities as maestro di violino of Venice's Pio Ospedale della Pietà. This Vocal Score edition includes a Piano reduction of the original orchestral score./ Répertoire / Choeur

Ed. Critica Di Alessandro Borin - Ril. Brochure. Par VIVALDI ANTONIO. La Gloria e Imeneo, RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This critical edition is based on the autographscore held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes anapparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred – since no libretto has come down to us – by the words underlaid to the notesin the manuscript of the serenata. La Gloria E Imeneo, RV 687, belongs to a group of so-called ‘ French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place inthe ambassador's garden on the evening of 12 September 1725. This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred & since no libretto has come down to us & by the words underlaid to the notes in the manuscript of the serenata. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-08/ Répertoire / SATB, Violon, Alto et Basse Continue

Vocal score of Vivaldi's Gloria for soprano and alto soloists SATB choir and orchestra. Edited by Jasmin Cameron. A well-established piece in the modern choral repertoire Vivaldi's Gloria was like much of his music ignored from his death until relatively recently.

Rv 591. Par VIVALDI ANTONIO. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin/Anglais / Messe / Répertoire / Choeur SATB, 2 Violons, Alto et Basse Continue

Antonio Vivaldi's De Fire Ã…rstider arranged for SATB Choir by Peder Kragerup.

from Gloria-From Vivaldi's ever-loved Gloria this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB SAB SSA TTBB.

The second chorus from Vivaldi's Beatus Vir is a thought (and discussion) provoking piece Also available: Beatus Vir (HMC177) Paratum Cor Ejus (HMC180) and Gloria Patri (HMC178)

This piece is a joyous and exuberant chorus from Antonio Vivaldi's Domine ad adjuvandum me festina a polychoral motet based on Psalm 69. Originally scored for two choirs this edition by Patrick Liebergen is a shortenedversion of the first of three movements with a keyboard reduction of the full orchestral score and an optional trumpet part provided as the accompaniment. Outstanding choral masterwork.

Rv 610. Par VIVALDI ANTONIO. Gattungen: Magnificat - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/Anglais / Musique religieuse / Répertoire / Solistes SSAT, Choeur SATB, 2 Hautbois, 2 Violons,