Composed by John Rutter (1945-). Christmas Songs and Carols - Mixed Voices. Vo...(+)
Composed by John Rutter
(1945-). Christmas Songs
and
Carols - Mixed Voices.
Vocal
score with organ
accompaniment. Duration
4'.
Oxford University Press
#9780193540811. Published
by
Oxford University Press
SATB Choir SKU: BT.MUSMF272 Composed by Blandet Kor Antologi. Arranged by...(+)
SATB Choir
SKU:
BT.MUSMF272
Composed
by Blandet Kor Antologi.
Arranged by Svend-G.
Asmussen and Thomas
Alvad. Hymns & Chorals.
Book Only. Composed 2013.
184 pages. Edition
Wilhelm Hansen #MUSMF272.
Published by Edition
Wilhelm Hansen
(BT.MUSMF272).
ISBN
9788774840954.
Anth
ology for mixed choir.
Suitable for use
colleges, high schools
etc.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir SKU: CA.3113605 Cantata for the 8th Sunday ...(+)
ATB vocal soli, SATB
choir
SKU:
CA.3113605
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Choral
Score. Composed 1723. BWV
136. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.136/05. Published by
Carus Verlag
(CA.3113605).
ISBN
9790007171612. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
available separately -
see item CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113619
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 136.
Duration 22 minutes.
Carus Verlag #CV
31.136/19. Published by
Carus Verlag
(CA.3113619).
ISBN
9790007172176. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/12. Published by
Carus Verlag
(CA.3113612).
ISBN
9790007208127. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/11. Published by
Carus Verlag
(CA.3113611).
ISBN
9790007208110. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext. 1x
31.136/21 oboe 1, 1x
31.136/22 oboe 2, 1x
31.136/31 horn. Stuttgart
Urtext Edition: Bach
vocal. Harmony parts.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1723. BWV 136. Duration
22 minutes. Carus Verlag
#CV 31.136/09. Published
by Carus Verlag
(CA.3113609).
ISBN
9790007208103. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.
SATB (English Language Edition). Composed by Franz Joseph Haydn (1732-1809). Edi...(+)
SATB (English Language
Edition). Composed by
Franz Joseph Haydn
(1732-1809). Edited by
Robert Shaw and Alice
Parker. Choral (Sacred);
Choral Worship Cantata;
Larger Works;
Masterworks; Performance
Music Ensemble; Worship
Resources. Lawson-Gould.
Classical; Masterwork;
Sacred. Book. 160 pages.
Alfred Music #00-LG51595.
Published by Alfred Music
Composed by Ken Berg. 21st Century. Instrument parts. Duration 3 minutes, 20 ...(+)
Composed by Ken Berg.
21st
Century. Instrument
parts.
Duration 3 minutes, 20
seconds. Galaxy Music
Corporation #1.3553.
Published by Galaxy Music
Corporation
By John Gower / Arr. Lyon. Arranged by A. Laurence Lyon. Text: Cecil F. Alexande...(+)
By John Gower / Arr.
Lyon. Arranged by A.
Laurence Lyon. Text:
Cecil F. Alexander. For
SSATB Choir. Level:
Medium / Medium-Difficult
(accompaniment). Duration
3:00. Published by
Jackman Music
Corporation.
(Oratorio). Composed by Franz Joseph Haydn (1732-1809). For solo vocal trio, SAT...(+)
(Oratorio). Composed by
Franz Joseph Haydn
(1732-1809). For solo
vocal trio, SATB choir,
orchestra. This edition:
Urtext edition.
Paperback. Part(s).
Language: German, Text
Language: German/English.
Composed 1799-1801. Hob.
XXI:3. 100 pages.
Published by Baerenreiter
Verlag
When Santa Claus Gets Your Letter * A Holly Jolly Christmas * Rockin' Around ...(+)
When Santa Claus Gets
Your Letter * A Holly
Jolly Christmas * Rockin'
Around the Christmas
Tree. Composed by
Johnny Marks. Arranged by
Alan Billingsley.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Secular; Winter. Choral
Octavo. 16 pages. Alfred
Music #00-46953.
Published by Alfred Music
(AP.46953).
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
Soli SATB, SATB Choir, 2 Ob, 4 Trb, 2 Vl, Va, Bc - Level 3 SKU: CA.3103849(+)
Soli SATB, SATB Choir, 2
Ob, 4 Trb, 2 Vl, Va, Bc -
Level 3
SKU:
CA.3103849
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. Organ. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1724. BWV 38. 20
pages. Duration 21
minutes. Carus Verlag #CV
31.038/49. Published by
Carus Verlag
(CA.3103849).
ISBN
9790007205706. Key: E
phrygian. Language:
German. Text: Luther,
Martin.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
SATB chorus andpiano - Medium SKU: JK.01366 Composed by Darwin Wolford. A...(+)
SATB chorus andpiano -
Medium
SKU:
JK.01366
Composed by
Darwin Wolford. Arranged
by Darwin Wolford. Choral
SATB, Difficulty Medium,
Organ Choir, Piano Choir,
Seasonal Music Patriotic,
Patriotism. Christian,
Inspirational. Duration
3:10. Jackman Music
Corporation #01366.
Published by Jackman
Music Corporation
(JK.01366).
Patriotic
hymn arranged for mixed
chorus (SATB) and piano
or organ, admonishing the
noble cause of liberty
and the covenants: [to]
preserve the rights of
liberty...acknowledging
God's sovereign rule and
law, His fight to all
mankind. Composer:
Darwin Wolford
Arranger: Darwin
Wolford Lyricist:
Marylou Cunningham
Leavitt Difficulty:
Medium Performance
time: 3:10.
Cantata
for the Sunday after
Christmas. Composed
by Johann Sebastian Bach.
Edited by Christiane
Hausmann. Arranged by
Paul Horn. This edition:
urtext. 3x 31.122/21 3
flutes, 1x 31.122/22 oboe
1, 1x 31.122/23 oboe 2,
1x 31.122/24 English
horn. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. Composed
1724. BWV 122. 24 pages.
Duration 16 minutes.
Carus Verlag #CV
31.122/09. Published by
Carus Verlag
(CA.3112209).
ISBN
9790007207403. Language:
German/English.
Mor
e than usual, in this
chorale cantata the hymn
is continuously present;
it appears as the cantus
firmus in four of the six
movements and gives the
work an overall unity. In
addition to the opening
chorus and in the closing
chorale, it appears in a
trio, a rare occurrence
in Bach's vocal works,
and even in a recitative.
The latter is performed
by recorders. The rich
scoring for winds -
besides the recorders it
also includes three oboes
- characterizes this
cantata, which is
performed after Christmas
and whose text refers
back to Christmas and
also points to the new
year. Score and parts
available separately -
see item CA.3112200.
SSATB chorus and piano - Medium SKU: JK.00929 Composed by David Len Allen...(+)
SSATB chorus and piano -
Medium
SKU:
JK.00929
Composed by
David Len Allen. Choral
SATB, Difficulty Medium,
Piano Choir, Seasonal
Music Patriotic,
Patriotism. Christian,
Inspirational. Duration
3:00. Jackman Music
Corporation #00929.
Published by Jackman
Music Corporation
(JK.00929).
Patriotic
anthem for mixed chorus
(SSATB) and piano, with
text adapted from The New
Colossus, a poem by Emma
Lazarus graven on a
tablet within the
pedestal on which the
Statue of Liberty
stands. Composer:
David Len Allen
Lyricist: Text adapted
from The New Colossus by
Emma Lazarus
Difficulty: Medium
Performance time:
3:00.
Trilogie sacree.
Composed by Hector
Berlioz. Edited by Paul
Prevost. French Sacred
Music. Complete
orchestral parts. Sacred
vocal music, Oratorios,
Christmas. Set of
Orchestra Parts. Op. 25.
Duration 95 minutes.
Carus Verlag #CV
70.038/19. Published by
Carus Verlag
(CA.7003819).
ISBN
9790007133726. Key: E
minor. Language:
German/French.
The
history of the
composition of the
oratorio is odd: the
kernel of this three-part
work were the movements
from the middle section,
the Flight to Egypt,
which Berlioz composed on
a whim in 1850 and which
he passed off as the work
of a baroque composer
whose existence he
himself had invented. In
1854 the triptych, which
was completed with the
parts entitled The dream
of Herodes and The
arrival at Sais, had its
celebrated first
performance. Starting
from the Gospel of St.
Matthew, with the visit
of the astrologer to
Herodes and the flight of
the Holy Family to Egypt,
Berlioz chose to relate
the story of the events
of Christmas from another
angle. This skillful
dramatisation, with
impressive instrumental
sections, such as the
independent trio for two
flutes and harp as well
as the effective choruses
with local color, make
this sacred trilogy a
grateful enrichment of
the repertoire for
Christmas music. Score
and parts available
separately - see item
CA.7003800.
Trilogie sacree.
Composed by Hector
Berlioz. Edited by Paul
Prevost. French Sacred
Music. Organ. Sacred
vocal music, Oratorios,
Christmas. Single Part,
Organ. Op. 25. 2 pages.
Duration 95 minutes.
Carus Verlag #CV
70.038/49. Published by
Carus Verlag
(CA.7003849).
ISBN
9790007227531. Key: E
minor. Language:
German/French.
The
history of the
composition of the
oratorio is odd: the
kernel of this three-part
work were the movements
from the middle section,
the Flight to Egypt,
which Berlioz composed on
a whim in 1850 and which
he passed off as the work
of a baroque composer
whose existence he
himself had invented. In
1854 the triptych, which
was completed with the
parts entitled The dream
of Herodes and The
arrival at Sais, had its
celebrated first
performance. Starting
from the Gospel of St.
Matthew, with the visit
of the astrologer to
Herodes and the flight of
the Holy Family to Egypt,
Berlioz chose to relate
the story of the events
of Christmas from another
angle. This skillful
dramatisation, with
impressive instrumental
sections, such as the
independent trio for two
flutes and harp as well
as the effective choruses
with local color, make
this sacred trilogy a
grateful enrichment of
the repertoire for
Christmas music. Score
and part available
separately - see item
CA.7003800.
SATB chorus - Medium SKU: JK.01139 Composed by Matthias Keller. Arranged ...(+)
SATB chorus - Medium
SKU: JK.01139
Composed by Matthias
Keller. Arranged by
Thomas L. Durham. Choral
SATB, Difficulty Medium,
Patriotism, Pioneers.
Christian, Inspirational.
Duration 3:45. Jackman
Music Corporation #01139.
Published by Jackman
Music Corporation
(JK.01139).
Stirring
arrangement for mixed
chorus (SATB). This
little-known early
American hymn is
appropriate for any
patriotic
setting. Composer:
Matthias Keller
Arranger: Thomas L.
Durham Lyricist:
Oliver Wendell Holmes
Difficulty: Medium
Performance time:
3:45.
SATB chorus and piano - Medium-easy SKU: JK.01694 Composed by Janice Kapp...(+)
SATB chorus and piano -
Medium-easy
SKU:
JK.01694
Composed by
Janice Kapp Perry.
Arranged by Janice Kapp
Perry. Choral SATB,
Difficulty Easy Medium,
Piano Choir, Seasonal
Music Patriotic, God the
Father, Patriotism,
Unity. Christian,
Inspirational. Duration
3:30. Jackman Music
Corporation #01694.
Published by Jackman
Music Corporation
(JK.01694).
2 Nephi
1:5-7, 1 Nephi
13:12-16.
Sacre
d patriotic anthem
arranged for mixed chorus
(SATB) and piano, written
in the style of a hymn,
firmly reminding
listeners that we are a
nation founded and
directed by the hand of
the Almighty. He will
guide us in the cause of
liberty if we trust in
Him. Composer: Janice
Kapp Perry Arranger:
Janice Kapp Perry
Lyricist: Orrin Hatch
Difficulty:
Medium-easy
Performance time:
3:30 Reference: 2
Nephi 1:5-7, 1 Nephi
13:12-16.
SATB choir with praise team, ensemble, or vocal trio SKU: LP.834175088 Co...(+)
SATB choir with praise
team, ensemble, or vocal
trio
SKU:
LP.834175088
Composed
by Marty Parks. Arranged
by Marty Parks. Anthems.
Inspirational and Sacred.
Octavo. Duration 3
minutes, 20 seconds.
Published by Lillenas
Publishing Company
(LP.834175088).
ISBN
9780834175082.
From
the celebrated musical,
Thank You for the Cross,
comes The Risen Lamb - a
powerful, yet
easily-attainable Easter
Sunday anthem.
Contemporary in nature,
and a great way to
include your praise team,
ensemble, or trio with
the choir.
