Composed by Michael John Trotta. Presbyterian Association of Musicians Series. Holy Week/Three Days, Lent, Tenebrae, 21st Century. Octavo. Published by MorningStar Music Publishers (MN.50-3979).

Arranged by Mark Zuckerman. Text: Avrom Reisen. For SATB Choir unaccompanied. (Mixed Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

Composed by David Gleba. Text: Missale Romanum. A setting of the actual Communion Antiphon for Midnight Mass. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5007).

By Anthony Petti. For SSATB Choir. Sacred, Renaissance. Sheet Music. 48 pages. Published by Chester Music.

Composed by William Averitt. Christmas, Sacred, 21st Century. Duration 3 minutes, 40 seconds. Galaxy Music Corporation #1.3481. Published by Galaxy Music Corporation

Revised Order of Mass 2010. Composed by Carroll Thomas Andrews. Arranged by Ronald Krisman. Ritual Prayer. Sacred. Octavo. 8 pages. Published by GIA Publications (GI.G-7998).

Composed by Craig Carnahan. For SATB choir, unaccompanied. Christmas, 21st Century. Medium. Octavo. Published by E.C. Schirmer Publishing

(A Mass in the Revised Roman Ritual). By Dave Brubeck. For Piano Acc., and Opt. Handbells and Celeste. (SATB with SATB Soli). Choral Extended Work. 92 pages. Published by Alfred Publishing.

SATB choir, cantor, assembly, keyboard accompaniment - Beginning

SKU: GI.G-5396

Gathering Rite. Composed by Gary Daigle and Marty Haugen. Arranged by Marty Haugen. Christmastide, Christmas Day, Epiphany. Ritual Prayer. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #5396. Published by GIA Publications (GI.G-5396).

UPC: 785147539605. Text source: Traditional (Cameroon, South Africa).

Two African folk songs, with a high level of popularity in the USA, are combined with a Gloria derived from “He Came Down” to complete this flexible package of music for gathering. All ideally suited for unison assembly and SATB choir, unaccompanied—exce pt for percussion, perhaps. ICET text for Gloria.

Two African folk songs, with a high level of popularity in the USA.

SATB choir, assembly, keyboard accompaniment, trumpet in B-flat - Early intermediate

SKU: GI.G-8028

Revised Order of Mass 2010. Composed by Norah Duncan, IV. Ritual Prayer. Sacred. Octavo. 12 pages. GIA Publications #8028. Published by GIA Publications (GI.G-8028).

UPC: 785147802808. English. Text Source: Revised Order of Mass 2010.

A brand new setting of the Gloria from the 2010 revision of the Roman Missal! The through-composed (i.e., there is not a Gloria “refrain”) rendering offers harmonic and rhythmic interest. The trumpet is optional, but its use brings a lovely, festive color to the sound.

Mixed choir

SKU: FG.55009-452-9

Composed by Josquin Desprez. Edited by Ross Duffin. Published by Fennica Gehrman (FG.55009-452-9).

ISBN 979-0-55009-452-9.

This is one of three early renaissance Marian motets, along with Mouton's Nesciens Mater and de la Rue's Gaude Virgo, edited by Ross Duffin. It is a classic example of this great composer's balanced unfolding of motifs, with two-part paired imitation followed by four-voice imitative sections and punctuations in homophony. Especially, striking is the personal supplication at the end, in the words O rnater dei, memento mei. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

SATB choir, assembly, organ accompaniment, 2 octaves handbells - Beginning

SKU: GI.G-8528

Revised Order of Mass 2010. Composed by John Lee. Arranged by James Biery. Ritual Prayer. Sacred. Octavo. 12 pages. GIA Publications #8528. Published by GIA Publications (GI.G-8528).

UPC: 785147852803. English. Text Source: Revised Order of Mass 2010.

This elegant arrangement of the “Gloria” from John Lee’s Congregational Mass by James Biery contains two settings of the simple repeated melody in a falsobordone style. In the first setting, unison verses alternate with harmonized verses. Cantor, choir, and congregation may sing this setting unaccompanied or organ can be added to support the choral harmonization. The alternate setting is designed for congregations that know this piece well. Unison verses featuring a contrasting organ harmonization are sung in response to each falsobordone choral verse. This classic through-composed Gloria is an essential addition to a well-rounded choral library.  Optional 2 octaves Handbells.

A Hymn for Communion. Composed by Robert Sterling. Arranged by Robert Sterling. Glory Sound. Communion, Sacred. Octavo. 8 pages. Published by Glory Sound

By Marty Haugen. For Voices: SATB, presider, cantor, assembly. Instruments: 2 woodwinds in C. Keyboard accompaniment. Ritual Prayer Series Sacred. Level: easy. 11 pages. Published by GIA Publications.

SATB choir, piano

SKU: LO.10-5630MD

Composed by Jay Rouse. Choral. Sacred Anthem, Advent, Christmas. Octavo. Medallion Music #10/5630MD. Published by Medallion Music (LO.10-5630MD).

ISBN 9780787775629.

This song, being the title of a Christmas music in which it was featured comes from the creative team of Randy Vader and Jay Rouse. With poetic, thoughtful text centers around the timing of Christ’s arrival. A rhythmic percussive groove highlights the mysterious and stirring melody. The bridge of the song features a melody based on the “gloria” passage from Angels We Have Heard on High with rhythmic and melodic changes that accentuate the compelling style of this song.

SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.5506349

Composed by George Frideric Handel. Edited by Felix Loy. Sacred vocal music, Oratorios; Stuttgart Editions (Urtext): Stuttgart Handel Edition. Stuttgart Urtext Edition: Handel. Organ. Sacred vocal music, Oratorios. Single Part, Organ. 132 pages. Duration 160 minutes. Carus Verlag #CV 55.063/49. Published by Carus Verlag (CA.5506349).

ISBN 9790007239541. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.

First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and part available separately - see item CA.5506300.

By Various. Edited by Mailander, Richard / Bonig, Winfried / Schuhenn, Reiner / Kohlhaas, Emmanuela. This edition: paperbound. Sacred, Hymns, Magnificat, Motets, Psalms, German; Occasions: Peace and Justice, Praise and thanks, Our Father; Use during church year: Advent, Easter and Eastertide, Pentecost, Christmas. Choral collection. 216 pages

SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.5506309

Composed by George Frideric Handel. Edited by Felix Loy. 1x 55.063/21 flute 1, 1x 55.063/22 flute 2, 2x 55.063/23 recorders 1 and 2, 1x 55.063/24 oboe 1, 1x 55.063/25 oboe 2, 2x 55.063/26 Bassoon 1 and 2, 2x 55.063/31 horns 1 and 2, 4x 55.063/32 Trumpets 1-3 and timpani. Stuttgart Urtext Edition: Handel. Harmony parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Duration 160 minutes. Carus Verlag #CV 55.063/09. Published by Carus Verlag (CA.5506309).

ISBN 9790007242060. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.

First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and parts available separately - see item CA.5506300.

Soli SMsATB, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.5506300

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Sacred vocal music, Oratorios. Full score. 316 pages. Duration 160 minutes. Carus Verlag #CV 55.063/00. Published by Carus Verlag (CA.5506300).

ISBN 9790007188474. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.

First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version.

Soli SMsATB, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.5506303

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Sacred vocal music, Oratorios. Vocal score. Duration 160 minutes. Carus Verlag #CV 55.063/03. Published by Carus Verlag (CA.5506303).

ISBN 9790007188610. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.

First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score available separately - see item CA.5506300.

SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.5506319

Composed by George Frideric Handel. Edited by Felix Loy. Sacred vocal music, Oratorios; Stuttgart Editions (Urtext): Stuttgart Handel Edition. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Duration 160 minutes. Carus Verlag #CV 55.063/19. Published by Carus Verlag (CA.5506319).

ISBN 9790007242114. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.

First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and parts available separately - see item CA.5506300.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Mixed choir

SKU: FG.55009-399-7

Composed by Josquin Desprez. Published by Fennica Gehrman (FG.55009-399-7).

ISBN 979-0-55009-399-7.

This is a modern performing edition of the Mass to the Blessed Virgin by Josquin. In the 16th century, this was the best known mass by the most celebrated composer of the day. It is a troped mass, with textual additions to the Gloria making it appropriate for a Marian service. It is also varied in style and demonstrates a mastery which is exemplary of Josquin's late works. Published in the Fazer Editions of Early Music series - a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

SATB choir, cantor, assembly, keyboard accompaniment - Intermediate

SKU: GI.G-10314

Composed by Charles Thatcher. Advent, Christmastide, Lent, Eastertide, Ordinary Time. Sacred. 64 pages. GIA Publications #10314. Published by GIA Publications (GI.G-10314).

ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.

Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.

7 Magnificat-Antiphonen by Arvo Part (1935-). For SATB Choir. Choral part(s). Standard notation. Published by Universal Edition

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113613

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613).

ISBN 9790007208134. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113614

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/14. Published by Carus Verlag (CA.3113614).

ISBN 9790007208141. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113612

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/12. Published by Carus Verlag (CA.3113612).

ISBN 9790007208127. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.